Tag: Natasha Trethewey

2020-21 guide to Freshman Studies reading list: “Shows a remarkable range”

The books and materials for Freshman Studies laid out on a wood surface.
Material for Freshman Studies during the 2020-2021 academic year. Photo by Danny Damiani

Welcome to an updated guide to Lawrence University’s Freshman Studies reading list.

A year ago, we asked Garth Bond, associate professor of English, to guide us through the list. Now, as we prepare for the 2020-21 academic year, Timothy Spurgin, the Bonnie Glidden Buchanan Professor of English Literature and associate professor of English, has taken over for Bond as director of Freshman Studies. So, we reached out to Spurgin for an update to the guide, one that addresses new additions – including the exploration of a 1935 photograph and a deep dive into the Periodic Table of Elements — and provides fresh insights.

Freshman Studies, as all Lawrentians know, is an important piece of the Lawrence experience. Since its establishment in 1945, the Freshman Studies syllabus has been continuously revised to introduce a changing student body to the intellectual challenges of a liberal arts education, and to the resulting benefits of the interdisciplinary thinking it embraces.

“The entire list shows a remarkable range and an admirable ambition,” Spurgin said of the 2020-21 edition. “Lots of schools have something like Freshman Studies. I don’t know of any other program that takes in music and art, science and literature, in the ways that we do. The addition of works like the photograph and the table offers fresh proof of our enduring commitment to wide-ranging liberal learning and teaching. This is something I always feel proud of, and I know that many of our faculty, alums, and current students feel the same way.”

Here, then, is Spurgin’s updated guide, building on what Bond began a year ago:

Fall term

A book: Native Guard by Natasha Trethewey.
Natasha Trethewey’s Native Guard

Natasha Trethewey, Native Guard.  This year, as we often have done recently, we’re starting with poetry. This Pulitzer-Prize winning collection, written by the University’s most recent commencement speaker, asks students to consider how private experiences are shaped by larger historical forces. Trethewey begins with the tragedy of her mother’s murder and goes on to explore the public history of American racism and the memorialization of the Civil War.  Along the way, like all great poets, she also reminds us of the challenges and opportunities that come with reading and writing. This is a beautiful, moving, and thought-provoking book.  (Adopted Fall 2015)

Thomas Seeley, Honeybee Democracy. From Trethewey’s poetry, we’ll move to a biologist’s study of the most fascinating of social insects: the honeybee swarm. In accounts of his own research projects, Seeley not only sharpens our sense of the scientific method, but also reveals the benefits of interdisciplinary thinking. Intellectually ambitious in all the best ways, his book explores the possibility that honeybee decision-making can serve as a model for our own democratic processes and for emerging systems of artificial intelligence. (Adopted Winter 2019)

A book: Republic by Plato.
Plato’s Republic

Plato, The Republic. There’s a reason why this book has been on the syllabus, almost continuously, for 75 years. It raises all the big questions: political questions, psychological questions, aesthetic questions, and moral questions. It’s sometimes hard to think of a major issue that doesn’t turn up somewhere in this work. The work’s presentation of its arguments in the form of a dialogue has the added benefit of helping to embody the benefits and pleasures of liberal education. By reading and discussing Plato, our new students will join a conversation begun on this campus in the 1940s. That in and of itself is a pretty amazing thing. (Adopted 1945).

Marilynne Robinson, Housekeeping. The story of two young women growing up under the housekeeping of a series of female relatives following the death of their mother, Robinson’s novel revisits the themes of loss and memory raised by Trethewey. At the same time, the novel also questions some of the lessons that Seeley would draw from the perhaps more naturally communal honeybees. Robinson particularly illuminates the impact of unwritten social expectations on women and girls, while her unreliable narrator forces students to rethink their initial views of the relationship between society and the individual. (Adopted Fall 2018)

Berenice Abbott, Tri-Boro Barber School, 264 Bowery, Manhattan. Taken in 1935 as part of the WPA’s Federal Art Project, this photograph rewards close inspection. The barber-stripe column, the contrasting façade tiles, and the patterns of light and shadow evoke modernist art styles like cubism and abstraction, but the image also functions as a document of the rapidly changing city. Studying this image gives students a chance to consider the larger claims of photography.  Do photographs capture or convey an objective truth, or do they express the particular vision of the artist? If they do both, then how exactly does that happen? (Adopted Fall 2020)

Winter term

Abhijit Banerjee and Esther Duflo, Poor Economics.  In this fascinating work, two distinguished economists offer a scientific approach to the battle with global poverty.  Banerjee and Duflo advocate putting aside big ideas, like increasing aid or freeing markets, in favor of careful research addressed to small, specific questions.  Reading the book helps students to see how answering these small questions can also give voice to the experience of those living on $1 a day.  Can narrowly focused action, guided by the scientific method, really outperform our political beliefs and create a quiet revolution in economic and political institutions?  That’s the big question here.  (Adopted Winter 2017)

A book: Angels in America by Tony Kushner.
Tony Kushner’s Angels in America

Tony Kushner, Angels in America. Set in the 1980s, this Pulitzer Prize-winning play offers a searching exploration of the political and ethical conflicts of the AIDS epidemic. As its title suggests, the play also works to awaken a larger sense of possibility and wonder. Kushner’s script explores the complex motives of a politically, spiritually, and racially diverse cast. Our use of recordings from several productions of the play will take our conversation to a deeper level, as we consider the many creative acts required to move from the written page to an embodied performance. (Adopted Winter 2020)

The periodic table of elements. Many students will have used the table in high school, but few will have had the chance to explore its deeper logic. Looking closely at the table, and learning more about its history, will give students a better sense of how scientific knowledge is developed, represented, and shared. There are lots of questions to ask about this one: Who was responsible for designing the table? What other possibilities were considered, and why were they rejected? What larger arguments about the nature of the universe – that’s right, the nature of the universe! – are contained in this simple, beautiful object? (Adopted Winter 2021)

The Arabian Nights. This 14th century collection of traditional Arabian stories asks students to consider the nature and purpose of narrative. Each evening, a new bride weaves tales to keep her husband and king from killing her in the morning – as he has sworn to do with all of his wives. As she shares her remarkable stories, we are invited to consider the meaning of storytelling itself: its relationship to power and to erotic desire, the ulterior motives governing its rhetoric, and the invasive and irresistible pull of curiosity. Far from turning away, this text revels in the fruits of human action, both ripe and rotten. (Adopted Winter 2018)

A vinyl record: Kind of Blue by Miles Davis.
Miles Davis’s Kind of Blue

Miles Davis, Kind of Blue. Lawrence’s Conservatory of Music is a fundamental part of our university community. This most famous of jazz albums invites students to explore the complex relationship between planned structure and improvised action at the heart of musical performance. As a relatively early and deeply influential LP, it further challenges students to think about the processes of memory and meaning at work in permanently recording and revisiting a “live” improvisation, as well as the cultural role and context of jazz music, especially its relationship to African-American identity. (Adopted Winter 2016)

Note to incoming students: Looking for Freshman Studies books? The first book, Native Guard, will be sent to domestic students in the US mail. Copies of the Abbott photograph and the periodic table will be made available to students later. The other works are now available from our online bookstore, www.lawrence.edu/academics/bookstore. Wherever you get your books, you should make sure to get the editions we’ve chosen for you. Information about editions, including ISBN numbers, can be found at https://www.lawrence.edu/academics/study/freshman_studies/current_works

Trethewey to deliver Commencement address; 2020 ceremony to be virtual

Natasha Trethewey

Story by Ed Berthiaume / Communications

A Pulitzer Prize-winning poet whose writings are plenty familiar to Lawrence University students will be the speaker at the university’s 2020 Commencement celebration, which will take place in a virtual format.

Natasha Trethewey, who served two terms as the 19th Poet Laureate of the United States and whose book, Native Guard, has been part of the required reading for Freshman Studies at Lawrence the past five years, will deliver the address and receive an honorary degree.

Lawrence officials notified the senior class on Monday that an in-person Commencement ceremony on campus would not be possible this year because of the projected length and severity of the COVID-19 pandemic. See President Mark Burstein’s message here.

Lawrence has moved its Spring Term to distance learning and has canceled all public events during that time.

Commencement, set for June 14, will continue, but it’ll happen in a virtual space. Details are still being worked out, but Trethewey has committed to participating.   

“No decision this year was more painful than the realization that we needed to transform our wonderful commencement celebration into a virtual event,” Burstein said. “Having Ms. Trethewey’s commencement address will help us all remember the importance of inclusive social connection and the power of humanity.

“Ms. Trethewey’s work has provided a gateway to our arts and sciences education for every Lawrence first-year student for years through our Freshman Studies program,” Burstein said. “It seems fitting that we honor Ms. Trethewey, whose powerful poetry has moved millions, at the Commencement of a class that her work launched.”

Trethewey previously gave a Convocation address at Lawrence in fall 2016.

“Our journeys have been intertwined since I visited Lawrence four years ago, and I am delighted and honored to be able to reconnect with this class in such a meaningful way,” Trethewey said.

A chancellor of the Academy of American Poets, Trethewey is the author of five collections of poetry: Domestic Work (2000), Bellocq’s Ophelia (2002), Native Guard (2006)—for which she was awarded the 2007 Pulitzer Prize—Thrall (2012), and Monument: Poems New and Selected (2018).

In 2010, she published a book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast.

Trethewey is the recipient of fellowships from the National Endowment for the Arts, the Academy of American Poets, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Radcliffe Institute for Advanced Study at Harvard. In 2017, she received the Heinz Award for Arts and Humanities. A member of both the American Academy of Arts and Sciences and the American Academy of Arts and Letters, she is currently Board of Trustees Professor of English at Northwestern University.

When Trethewey came to Lawrence in 2016, she spoke on “The Muse of History: On Poetry and Social Justice.”

It’s Native Guard, meanwhile, that Lawrence students will be most familiar with. It’s been part of the Freshman Studies reading list since 2015.

Garth Bond, associate professor of English, was directing Freshman Studies last year when he said this about Native Guard: “This short collection of Pulitzer Prize-winning poetry teaches students to recognize the fullness and precision of meaning in language. Trethewey’s poems meditate on the role that objects—photographs, monuments, diaries—play in shaping our memories and histories. She begins with the personal loss of her mother, then turns to the public history of American racism and the memorialization of the Civil War. The final section revisits personal experience, now reshaped in the light of that public history.”

Reunion 2020 announcement: Reunion 2020, a four-day celebration with Lawrence alumni planned for the week following Commencement, will not take place as planned this year because of the COVID-19 pandemic, University officials announced to Reunion classes on Monday. Lawrence officials are in the process of determining how the University will move forward to celebrate and honor Reunion 2020. A message to alumni from Matt Baumler, executive director of Alumni and Constituency Engagement, can be found here. Alumni are encouraged to check the Reunion page at lawrence.edu for updates.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Poet Laureate Natasha Trethewey delivers university convocation Nov. 1

A Head shot of Pulitzer Prize-winning poet Natasha Trethewey.
Natasha Trethewey

Pulitzer Prize-winning poet Natasha Trethewey presents “The Muse of History: On Poetry and Social Justice” Tuesday, Nov. 1 at 11:10 a.m. in the Lawrence Memorial Chapel in the second installment of Lawrence University’s 2016-17 convocation series. Trethewey will conduct a question-and-answer session immediately following her address. The event is free and open to the public.

A native of Mississippi and the daughter of a mixed-race marriage, Trethewey combines the personal and the historical in her work. The author of four collections of poetry, her writing frequently addresses societal issues regarding class, race and war.

Following the release of her first collection, 2000’s “Domestic Work,” Trethewey received the Cave Canem Poetry Prize, which recognizes the best first book by an African American poet. “Domestic Work” also was honored with the 2001 Mississippi Institute of Arts and Letters Book Prize and the 2001 Lillian Smith Award for Poetry.

Her third book of poems, “Native Guard,” was awarded the 2007 Pulitzer Prize.  “Native Guard” has been a part of Lawrence’s Freshman Studies reading list the past two years.

A photo of the cover of the book of poems "Native Guard" by Pulitzer Prize-winning poet Natasha Trethewey.More recently she has released  “Beyond Katrina: A Meditation on the Mississippi Gulf Coast,” a non-fiction personal profile of some of the people whose lives were forever changed by the hurricane.  “Thrall,” her fourth book of poetry published in 2012, explores historical representations of mixed-race families. Trethewey will read from “Thrall” as part of her address.

In 2012, Trethewey was named the 19th Poet Laureate of the United States by the Library of Congress, one of numerous honors she has received for her work. She also has been awarded fellowships from the Academy of American Poets, the National Endowment for the Arts, the Guggenheim Foundation and the Rockefeller Foundation.

Trethewey is a member of the faculty at Atlanta’s Emory University where she is the Robert W. Woodruff Professor of English and Creative Writing.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.”  Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.