Ed Berthiaume

Story by Ed Berthiaume / Communications

John Odin Jensen ’87 knows his way around a shipwreck.

He survived one.

Jensen grew up in Alaska in the 1970s and early ’80s, immersed in his family’s fisheries business, an isolated and often danger-filled upbringing. Then he headed to Lawrence University in 1983, a history major determined to get an education that would allow him to explore a new way of life and leave the seafaring world behind.

Mission accomplished. Sort of.

He did find a new life, earning a bachelor’s degree at Lawrence, a master’s at East Carolina University, and a Ph.D. from Carnegie Mellon University. He’s now on the history faculty at the University of West Florida.

But he never did escape the sea, or more specifically, his insatiable interest in the sea. The history of North American mariners, ships, and shipwrecks would dominate his career, from working as an engineer aboard a University of Wisconsin-Milwaukee Great Lakes research vessel to surveying shipwrecks as an underwater archaeologist with the Wisconsin Historical Society.

Now he’s written a book, Stories from the Wreckage: A Great Lakes Maritime History Inspired by Shipwrecks (Wisconsin Historical Society Press). A book tour will bring him to Appleton Nov. 11, where he’ll talk about shipwrecks and Great Lakes history from 5:30 to 7:30 p.m. at the History Museum at the Castle, co-sponsored by Lawrence’s Cheney Fund for Excellence in History. He’ll also meet with Lawrence students in Monica Rico’s Intro to Public History class.

For info on studying history at Lawrence, see here.

We caught up with the Lawrence alumnus in advance of his visit to Appleton, which comes one day after the 44-year anniversary of the 1975 sinking of the SS Edmund Fitzgerald on Lake Superior, arguably the most famous Great Lakes shipwreck thanks to singer-songwriter Gordon Lightfoot and his “The Wreck of the Edmund Fitzgerald.” Jensen talked with us about his own harrowing early adventures at sea and how his academic experiences at Lawrence set the course for what was to come.

Q: You’ve been immersed in maritime history for your entire career. What inspired the book?

A: In terms of the book itself, the inspiration was obligation and gratitude. Early in my career I had the extraordinary opportunity of getting in on the pioneering years of public underwater archaeology in Wisconsin. My work with the Wisconsin Historical Society led me to pursue a Ph.D. in history, and I know it was repeatedly instrumental to my success getting academic positions in a difficult job market. I have preached the gospel of Wisconsin public maritime heritage in classes, academic conferences, heritage policy forums and through public programs across North America from Alaska and Hawaii to New England, as well as internationally.

Everywhere I went, people were surprised and amazed by the Wisconsin/Great Lakes shipwreck heritage story. I wanted the readers of this book, particularly those from Wisconsin, to be equally surprised and enthused about their history and proud of their state’s public investment in preserving it.

Q: Speaking of inspiration. Your family was involved in commercial fisheries. How did growing up in that environment affect the decision to study maritime history?

A: Well, the conceptual underpinnings of the book and nearly all of the deeper ideas and themes I have explored as a scholar are inspired by my experiences growing up on Alaska’s coastal frontier as part of a Norwegian-American seafaring family. I began working with my dad in commercial fishing at a very young age, and this became really the center of my life and identity.

We often worked ridiculous hours; vile weather was pretty routine, and economic uncertainty was the norm. Ships sank and people I knew died — not regularly — but it was not that unusual. Our community was isolated — literally the western end of the American highway systems. The quality of available health care was marginal at best and services limited. The norms of behavior among those in the fishing community were, at minimum, colorful. As a child and young man, I had no grasp of how extreme our lives really were.

I was luckier than many people, but I witnessed and I experienced many things connected with life and work in a coastal community that marked and haunted me. The study of history — not just maritime history — has provided me with endless opportunities to make sense of, and derive positive benefits from, these experiences. 

Q: You are a shipwreck survivor yourself. What did that experience teach you?

A: This is a tough one. The book is a history inspired by shipwrecks. Typical shipwreck books look only at the actual wreck event and their surrounding circumstances.  Although dramatic — it is pretty unsatisfying because the wreck is often only a footnote or afterward in a much richer set of human stories of imagination, innovation, and success.

Like many people from my old walk of life, I have lived the human stories and the shipwreck — but very few people that I know have had the opportunity to spend decades dissecting and learning from these experiences. I have gotten to build a truly great life and a satisfying career on the foundations of one very, very bad day at the office.

Q: Did you come to Lawrence with a maritime history career in mind?

A: Absolutely not. I came to Lawrence during the winter term of 1983 to escape my maritime history. However, I was probably accepted in the first place because of my application essay, where I described how the lessons of my shipwreck experience made me a good fit for Lawrence. I guess it was my first written shipwreck history story.

Q: How did your Lawrence experience later inform your work and your career path?  

A: It was through Lawrence — particularly some amazing faculty — that I eventually learned to see broader value of my early life experiences, and I internalized a liberal arts/interdisciplinary approach to thinking and problem-solving. As a professor at the University of West Florida, I struggle consciously on a daily basis to live up to and pass on the high standards that Lawrence faculty set for academic excellence, professional integrity, and extraordinary mentoring.  

Q: What advice would you give to today’s students interested in history?

A: Now more than ever, the country and the world need people who can think historically and who are historically literate. The person who understands history has real advantages in coping with and finding opportunities in a world of perpetual change. I am biased, but an imaginative and hardworking student who completes a history major at Lawrence University will never lack for meaningful opportunities in the workforce and to make a difference in the world.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Story by Ed Berthiaume / Communications

Mei Xian Gong ’11 was a trailblazer when she arrived on the Lawrence University campus in the fall of 2007, a member of the school’s first group of Posse Foundation scholars.

A dozen years later, she’s blazing a new trail as the first of the Posse alumni to be elected to Lawrence’s Board of Trustees. She joins the board as a Recent Graduate Trustee, a three-year term for an alum within two to 10 years of graduation.

It was in the fall of 2007 that Lawrence welcomed its first group of 10 Posse scholarship students after forming a partnership with the New York-based Posse Foundation. The nonprofit organization assesses and develops students from diverse backgrounds who show leadership potential.

For a story on newly elected trustees, click here.

For more on the Posse Foundation, click here.

Gong tapped into her leadership skills as an undergraduate, serving on the Lawrence University Alumni Association Board of Directors and as a member of the LUAA Connecting to Campus Committee.

Now a market manager for Mettler-Toledo in Columbus, Ohio, Gong called her Lawrence experience a “major force” in her development and wants to pay it forward as a trustee.

“I want to have a better understanding of Lawrentians at different points of their journey, from alumni to current students and future Lawrentians,” Gong said. “I am sure much has changed since I was last on Main Hall green, so I hope I can learn from our current students on how we can continue to nurture them.”

Gong majored in chemistry and interdisciplinary chemistry/biology at Lawrence, later earning an MBA at Ohio State University. She has been with Mettler-Toledo since 2016, and has stayed involved with Lawrence in various alumni volunteer roles over the past eight years.

Posse experience

Lawrence is one of more than 50 colleges and universities that partner with the Posse Foundation, nearly double the number of partner schools since Lawrence and Posse first linked arms in 2006.

Gong was selected as part of the debut Lawrence group — known on campus as Posse 1 — and she says she continues to lean on her Lawrence and Posse experiences to this day.

“I still remember the moment when I internalized who I want to be,” she said. “It was the summer of 2007, before we started freshman year at Lawrence, when my Posse was tasked to complete an activity together in New York City. We had a guideline, with minimal directions, an envelope to open when we completed the task, and many ideas for what we can do.

“After a long discussion, we finally decided to take the ferry to Staten Island and go clean up a nearby beach. We had a common goal and yet still went through the different stages of group development. … My Posse members were young leaders with different backgrounds, experiences, and thoughts. Yet, still, I was shocked that we went through the forming, storming, norming, and performing stages when completing this as a team. … We acknowledged what role we took, and shared what role we would want in the future. I wanted to take on a more adaptable role, be what the group may need at different times, and chose ‘trailblazer.’

“Many of my Posse memories are like this … open discussions in safe spaces where I learned more about who I was and who I want to be. I learned from my Posse, relied on them to help me grow and take risks, and welcomed the person I was becoming.

“This continued at Lawrence and throughout my four years there.”

Gong said much of what she learned at Lawrence came well beyond the classroom. She got involved in alumni relations and worked as a class agent, which gave her opportunities to connect with faculty and administrators in a different capacity and gave her insights into the importance of campus finances, alumni connections and university stewardship.

“I would not be who I am today if I did not have the Posse plus Lawrence experience,” Gong said. “The Lawrence bubble is a thriving environment where we had many opportunities and mentors to guide us as we took risks, stepping a bit outside of our comfort zone.”

For the Posse Foundation, seeing one of its scholars appointed to the trustee position is testament to the strong bonds between the program and Lawrence.

“We are so proud of Mei,” said Posse Foundation Founder and President Deborah Bial. “As a Lawrence Posse alumna, she exemplifies leadership of the highest standard. Her professional expertise combined with her commitment to giving back make her an invaluable member of our community. We are thrilled for her and grateful to President Burstein and his fantastic team for our 13-year partnership, which has allowed us to serve so many dynamic students.”

From NYC to Lawrence

Born in Guangzhou, China, Gong came to the United States with her family in 1998. She grew up in Manhattan, and, with parents who spoke little English, she assumed certain leadership and outreach roles in her family. She would become the first member of her family to attend college.

Then a senior at Millennium High School, Gong said the Posse scholarship opened new doors for her. She chose Lawrence as one of her preferred schools in part because of the small student-to-faculty ratio.

“I really like the small environment, so I picked Lawrence as one my top choices,” she said.

The Posse Foundation puts an emphasis on diversity and the benefits that come when diversity is celebrated and nurtured. Being part of a Posse group — particularly as a member of the first Posse class at Lawrence — provides insights and tools that she and other Posse students can take into their post-college careers as they build and encourage positive workplace relationships, Gong said.

“I think it definitely makes it smoother as we go to work in different organizations,” she said.

The ongoing connections with Lawrence, even before her appointment as a trustee, have continued to be significant and beneficial.

Gong praised Cal Husmann, Lawrence’s vice president for alumni and development, and his staff for their efforts to stay connected with Lawrentians after they leave campus.

“He takes a vested interest in the student’s world,” she said of Husmann. “That’s really helpful, especially early in our careers when there are so many changes in our lives. He continued to reach out and show interest in my growth. That helped me feel confident in my abilities, knowing there is someone back at Lawrence who cares about my development.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Story by Ed Berthiaume / Communications

Lee Shallat Chemel ’65 has been doing a fair bit of soul searching.

Since graduating from Lawrence University 54 years ago, Chemel has forged an impressive career as a director, first in theater and then in television — a 10-year stint as a conservatory director at South Coast Repertory in Orange County, California, eventually led to a more than three-decade run working behind the scenes on some of the most iconic shows in TV history.

Now she returns to Lawrence as the 2019 Commencement speaker on Sunday, June 9, ready to impart insight and wisdom drawn from a professional career that she says has everything to do with the liberal arts education she received at Milwaukee-Downer College and then Lawrence.

“It’s forced me to investigate my entire life,” she said with a laugh. “It’s been a fascinating experience.”

She’ll be joined at the Lawrence Commencement ceremony by her husband, David, and her daughter, Lizzy. Her son, Tucker, won’t be able to make it.

Details on 2019 Commencement, related events

19 things to know about Lawrence’s 2019 Commencement

Without stealing from her Commencement speech —no spoiler alerts here — we chatted with Chemel, an English major as an undergraduate, about her journey, her deep affection for Lawrence and why she has a special fondness for Michael J. Fox, Lauren Graham and Jason Bateman.

On how Milwaukee-Downer and Lawrence — she was part of the first Downer class to merge with Lawrence, spending her first three years in Milwaukee and her senior year in Appleton — lit a fire in her for the arts and planted the seed that a career in the arts might be possible: 

“My path to theater happened because of Lawrence. And that’s kind of significant. I never thought I would ever enter the arts of any kind as a way to live. Being a woman who was brought up in the ’40s and then the ’50s, I didn’t even foresee that possibility for myself. 

“I grew up in very modest circumstances, five people in a one-bedroom apartment when I was young. I didn’t have big dreams of anything except going to college. That was a big deal to me. I loved my teachers, so I thought I really want to teach. I never had the dream of doing anything in the arts. It didn’t seem like it would be practical enough. It just never occurred to me that that would be something I would do.”

On seeing her first theater production at Lawrence, a staging of Macbeth directed by David Mayer III:

“I was just blown away by it. I had done some theater. I wasn’t one of those kids who did musicals and stuff in high school, but at Downer I had done theater. And I was just blown away by this production.”

On her early mentors in theater at Lawrence, Mayer and Ted Cloak:

“When I got to Lawrence, I decided I would take an acting class from Ted Cloak, who was probably one of the best acting teachers I have ever had, even including the three years I spent with Duncan Ross (in a professional acting program in Seattle) and all these other fabulous people. But Ted Cloak was a wonderful acting teacher, and he loved theater and understood it, and the productions they did, they were just phenomenal.

“I really believe that because of David Mayer and Ted Cloak, I found that theater was more than I thought it was. I really loved it although I still didn’t buy the idea of it as a career at that point. But I became much closer to that idea. Lawrence opened my eyes completely to the richness of the arts, particularly the theater and the film arts. It was remarkable what an influence it had on me.”

On making the transition from Milwaukee-Downer to Lawrence:

“I was only at Lawrence for one year. But it was a year that was packed with amazing things for me. Downer was a very good school in that the professors there were kind of radical. … They were sharp people. They radicalized me politically. Got me involved in the Civil Rights movement. Linus Pauling came to talk with us, Upton Sinclair. It was amazingly rich for a tiny, tiny school. But Lawrence took that and just broadened it – everything became broadened and deepened.”

On ditching her teaching career for theater after she and then-husband Phil Shallat moved to Seattle so he could study theater in graduate school:

“I was teaching high school there. … He said, there’s a new thing they’re doing (at the University of Washington School of Drama), a professional acting training program. I said, wow, that is so cool. Meanwhile, I had applied to teach at a terrific private school there. … But Phil suggested I also audition for that M.F.A. program. And I did, just on a lark. And on the same week, I got an acceptance into the (acting) program and an offer for my total dream teaching job. I held those two envelopes up and went back and forth and said, oh, heck, I’m going to do the acting thing. It was a whim almost.”

On her forays into acting after earning a master’s in fine arts from Washington’s Professional Actor Training Program:

“I acted in Seattle, but I knew somewhere in my head that acting, I just didn’t have a tremendous passion for it. I liked it. I loved doing it. But it wasn’t complete for me. I wasn’t secure with it or something.”

On her introduction to directing:

“I moved away from Seattle and down to San Francisco and then I got a job at South Coast Repertory in 1975, and they didn’t hire me for acting but they hired me to teach in the conservatory. And that led me to teaching at the colleges around there, so I was kind of cobbling together a bunch of teaching jobs but then what happened is Orange Coast College said we don’t have the money for you to teach next quarter but do you want to direct a play? So, I directed The Rivals, an 18^th Century English play that I really liked. And I fell in love with directing right then and there.”

On embracing and thriving as a theater director, earning five L.A. Drama Critics Awards along the way:

“It all happened through my education in a way. If I hadn’t had the background of this liberal arts education I wouldn’t have been able to make a living doing the teaching part while I searched for what finally struck home for me — the directing.”

On turning to TV directing in the mid-1980s:

“That was another leap. That was like a crazy leap where I was now a resident director at South Coast Repertory. … I’d done some good directing, a lot of directing, to the point where in L.A., I had a little bit of a name. There weren’t a lot of women directing in theater then. 

“But I began to wish sometimes in productions I directed that I could do a close up. That sort of made me realize, maybe you really need to look at film. I applied to the AFI, the American Film Institute; they had a program for helping women get into film. But I didn’t get accepted. I continued to direct in L.A., and my friend Joe Stern, who was a producer on Law and Order, knew TV people as well as theater people. He said, Gary Goldberg has this new show called Family Ties. He’s looking for a woman director because there was some pressure at the time to start hiring women. You can see how far that got after 35 years.

“He said he wants someone who was good with actors, not just technical. I went in and I met Gary Goldberg, and he liked me, and we were the same age, so that was cool. He said, come in and observe. … So, after almost 10 years (at South Coast), I just quit. I had no idea if this was going to take me anywhere or whether I would succeed or not. I just moved up to L.A. and started observing on Family Ties, and I remember I was observing that show from August until, I think, October. … I started borrowing money from my boyfriend, … and then finally on the schedule my name came up for a show in February. So that’s how it all started.”

On how difficult the transition to TV proved to be:

“I think I did six to eight episodes of Family Ties. But not all before I moved on. That year I did one, then the next year I did two. Family Ties people knew me before I stepped up and they were there to support me because I’d been observing there and they were kind to someone just starting out. You go to other shows and they don’t know that. They just know that you don’t know what you’re doing yet. So those are tough times. Part of my speech is how tough it was. You get a few episodes and you try to develop. … You try to get as many gigs as you can and hopefully make a good impression so they’ll ask you back. What I realized is it takes 10 years to be good at that. And we were live-cutting shows. That was really, really hard.

“I had the support of knowing that I was educated. And that sounds weird, but it was actually quite significant to me that I knew things. I knew I could analyze a script, I knew that I could understand things. I could communicate well, I understood tone, I understood people. I was older than a lot of people who start. So, I had lived some life, too. And these were the things that buoyed me up during these very tough times.”

On highlights of a career that would include directing and/or producing work on Murphy Brown, Spin City, Northern Exposure, Arrested Development, Gilmore Girls, and The Middle, among others:

“Murphy Brown was certainly a big jump up for me. That’s when my agent finally talked somebody into getting me onto what you’d call a real major show. Working with such good writers. … And once I had Murphy Brown under my belt, that got me an Emmy nomination, and, all of a sudden, I was kind of accepted. I was brought into the club, I guess you could say.”

On her latest work, a nine-year run as director on The Middle:

“I got to be full-time on that for nine years, and we all became a family. That was a wonderful experience.”

On directing Michael J. Fox, first on Family Ties and later on Spin City, when, unbeknownst to most, he was beginning his battle with Parkinson’s disease:

“Michael J. Fox, I love to talk about him. Initially, Family Ties was supposed to be about two hippie parents who all of a sudden discovered that their kids are conservative. It was that reversal thing. But here comes this guy playing the conservative son who likes Nixon and stuff, and he was so funny and so inventive, and what happens in comedy is that the writers want their jokes to sail, so they start writing for that guy because he’s so good. All of a sudden, the show flipped, because Michael was so damn funny it became more centered on him. He became the star of the show.

“Michael is an interesting guy. He plays the comedy so well and it was a delight to watch him develop and sail, and you take good writers and then you take this great young actor and you watch it as they just start feeding each other. That was quite a wonderful thing to see. I loved watching that.

“Then I got to work with him on Spin City for a whole year in New York. And that’s when I learned that he had Parkinson’s. Nobody knew about it except me and Gary Goldberg because they didn’t want to make it public yet. And it was very challenging for Michael. But he was ever wonderful and I admire him so much.”

On working with Lauren Graham on Gilmore Girls, first as a director, then as an executive producer:

“Lauren Graham and I became friends during that last season on Gilmore Girls. It was very challenging because Amy Sherman-Palladino, the creator of the show, went away and that took the heart of the writing with it. Now she’s doing The Marvelous Mrs. Maisel, and she’s a brilliant writer. But here we were with a whole year to do the final season of the show; the actors and writers worked incredibly hard to keep the tone of the show consistent. That is a very hard thing to do when for all previous years, Amy had written most of the scripts. Bless those writers and Lauren, they did a phenomenal job.”

On her respect for Jason Bateman, who she directed on Arrested Development:

“I love Jason Bateman. I adore him. Jason and I did a few pilots together before Arrested Development. A lot of the network people thought he was going to be or should be the next Michael J. Fox. But he wasn’t, that wasn’t Jason’s humor.

“I think he went through some real struggles, and then all of a sudden Mitch Hurwitz writes this brilliant series called Arrested Development and it taps into the real place where Jason can shine. I was so happy for him because it validated him, and now he’s got a great, great career. And he’s the nicest guy in the world and he was just very lovely to work with always.” 

On whether last year’s series finale of The Middle means the end of her career:

“I don’t know. I did the pilot for a spinoff from The Middle this fall, with the Sue character. It didn’t get picked up. I wrote a note to my agents and said, I’m not dead yet. But I don’t know. I feel maybe it’s time to give back again and do some other things. I’m at a crossroads, but I’ll see what comes up next season.”

On returning to Lawrence while not knowing what comes next:

“I’m like the graduates in a way. What am I going to do now? I just want to be open to stuff. I feel like I am in an interesting place in my life.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Story by Ed Berthiaume / Communications

Michelle Gibson ’17 had visions of being a religious studies professor.

She arrived at Lawrence University six years ago as a first-year student enamored with the idea of teaching about life’s mysteries, about how our human qualities make us more alike than different despite our cultural and faith histories and how a thirst for learning can lead us to the inner peace we crave.

Today, nearly two years after graduating as a religious studies major, Gibson is indeed teaching those principles she holds so dear. But the students staring back at her, well, they’re a little younger than the college students she once envisioned.

Welcome to Appleton’s Lincoln Elementary School, where Gibson is a second-grade teacher, one year removed from a year-long apprenticeship program that provided a different path to the classroom than most of her teaching peers.

It turns out Gibson’s journey through Lawrence ignited a new spark, one that called her to the elementary classroom. And the launching of an apprentice partnership between Lawrence and the Appleton Area School District proved to be ideal timing, providing the opportunity she was looking for.

Gibson became one of the first two graduates of the Teacher Education Apprenticeship Program, and on April 28 she was honored with the Early Career Education Award presented by the Wisconsin Association of Colleges for Teacher Education (WACTE). The award goes to teachers in their first three years of teaching who are already making an impact.

It was during Gibson’s sophomore year at Lawrence — her last name was Johnson then — that the seeds of a new career were first planted. She took a sociology of education course that brought her into a kindergarten classroom during her practicum.

“I realized that when I was in that classroom, that was when I felt the most at home and actually felt happy,” she said. “I wasn’t stressed. It was almost like a release for me to go hang out with those kids.”

But it wasn’t until the following year, when she took a philosophy of children class taught by Assistant Professor of Education Stephanie Burdick-Shepherd, that she was convinced the elementary classroom would indeed be her calling.

“That’s when I realized, oh my goodness, I need to teach,” Gibson said. “We were finding ways where you can pose these philosophical questions like you do in religious studies, but with children.”

In a religious studies college classroom, she figured she would mostly be speaking to students with a similar view of the world — “We are all human, we are all the same, we need to find the sameness within us to really come together as a world and as a community,” she said.

“Or I could go into an elementary classroom and be working with young students and really be helping them to see that truth and having those large philosophical conversations with them about the sameness within people and how as humans we are more alike than different, and how that can build community rather than divide us.”

That’s where the post-graduate apprenticeship program, a collaboration between Lawrence, the school district and the Mielke Family Foundation, pays dividends. It allows for undergraduates in any major at Lawrence to apply for admittance, giving them a one-year path to teacher certification as an elementary teacher.

“Our program is rare in the sense that, at its core, what we value most is the education of the liberal arts, that an education about learning to love and engage deeply in learning across disciplines and subject areas is the best preparation for teaching young children,” Burdick-Shepherd said. “The elementary school teacher teaches how to learn, and our students learn to teach learning in our elementary teacher certification program.”

Lawrence saw two graduates, Gibson being one of them, jump into the apprenticeship program in 2017. Another graduate is in the program this year and two more are lined up for next school year.

Burdick-Shepherd said her courses that are focused on working with young children are consistently full, and not just with students on a teaching path. And, as they did for Gibson, such courses might just light that fire.

“Michelle is a shining example of how someone who never saw themselves as an elementary teacher learns to recognize a call to change the world by working with young people,” Burdick-Shepherd said. “Michelle is one of LU’s outstanding alums. There was not a book you could throw at her that she wouldn’t read deeply. She wrote magnificently. A religious studies major, she traveled the world engaging deeply with other cultures and traditions.

“Michelle could do any job she wanted, but she chose to learn to teach. I think she chose this because she wanted to share her love of learning in the most impactful way she could.”

Gibson, who grew up in Minoqua, was one of two teachers honored by WACTE. The other is Dan Singer, a band teacher at Oshkosh West High School who has mentored eight student-teachers from Lawrence through the years.

Lawrence’s apprenticeship program, Gibson said, provided the guidance she needed to transition smoothly into an elementary teaching career.

“The apprenticeship, that’s when you really felt, OK, this is what teaching actually looks like,” she said. “This isn’t just reading from a textbook on what teaching looks like, this is actually what it looks and feels and smells and is like.”

She liked the full-year apprenticeship, as opposed to a one-semester student-teaching stint. It provided time to absorb, to adjust, and to ask questions.

“I knew I had an entire year to see where the kids grew, where they started off and where they ended, and I could even map my own growth alongside them,” Gibson said.

She also found her teaching style, her own pacing and methods of student interaction, heavily influenced by her liberal arts background. That’s an important thing, a base to build on.

“I could just start off with a very inquiring style of teaching,” she said.

“I had Lawrence modeling, that conversational style of teaching in the college setting, which was actually very easy to transition into a first- or second-grade room.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu