#CJW – Publishing

Tag: #CJW – Publishing

REVIEWING MEDIA FOR A LIVING: THE DREAM JOB

Do you ever watch a show and say “this is great, and I can pinpoint exactly why I love it”? Do you ever play a video game and say “this is awful,” and rant to your friends about the things you dislike? Well, consider putting that on paper! If you feel you have strong opinions on media, and you can write well, becoming a media reviewer of some kind might just be the job for you. There are two main types of media reviewing: TV/Movies and video games.

For video game reviewing, there are many sites that are almost always hiring, like Polygon, GameSpot, and IGN. Most accept freelance gigs and you can get your work put up on their website, and maybe a job opportunity can come through that. Otherwise, you can be hired as an editor. Freelance work, of course, is remote, but if you get to work as an editor, you likely will have to relocate. Polygon is based in New York, and IGN is based in Los Angeles. IGN is constantly hiring and have job postings up near perpetually (in both Los Angeles and New York offices). Since Polygon is owned by Vox, there are job openings on LazyApply and others (looking them up on Google doesn’t hurt… just look up “Polygon careers Vox” and they’ll pop up). And finally, GameSpot has jobs up currently on WellFound, and you can be remote or work in San Francisco.

To review movies, there are typically not many websites dedicated to just movie reviews. The New York Times, Variety, and the aforementioned Polygon and IGN all have OpEd writers dedicated to talking about film and TV shows. However, two big, modern sites dedicated exclusively to TV and movies are Screen Rant and DiscussingFilm. It appears that positions with DiscussingFilm are entirely remote, and to apply for a job there, you have to DM them on Twitter to ask if there is anything open… and Screen Rant, while based in Canada, has offices in Canada, the United States, and even the United Kingdom, and has their job postings up on their main site.

If you’re interested in the next level, and you have some experience in video production (that’s putting it very professionally, but maybe you just like making videos), you may have a place in creating videos for their YouTube pages as a producer. Job listings are the same as mentioned before, and if you like reviewing media and creating content, and you could start a YouTube channel where you do just that!

To be a reviewer requires writing experience and working for The Lawrentian would be a great place to get that experience. You don’t need to have a specific major to get involved. Just as long as you have interest and motivation in the subject, and your work is good, you have a good shot at getting involved!

WORKS CITED:
Screen Rant Careers!
Sample GameSpot Job!
Polygon Jobs!
IGN Careers!

Spencer R. Brown is a senior in their second year at Lawrence University, with a major in Government. They work as the Career Peer Educator for students in both Communication, Journalism & Written Arts (#CJW) and Government, Law & International Relations (#GLI) career communities in the Career Center. A writer and animator by trade, they are fascinated in finding ways to make digesting information entertaining. Feel free to connect with them on LinkedIn here!

The Denver Publishing Institute

By Lauren A. James-Spielman

Entering the publishing world is no easy feat, especially without experience. To stand out, additional education beyond Lawrence may be necessary.  Rather than attend a two-year graduate program, a much shorter training program exists to help you learn the relevant skills, create influential connections, and understand the ins and outs of the industry. The Denver Publishing Institute (DPI) is an option to turn your passion for books into a profession. 

Every summer, the Denver Publishing Institute enrolls 95 students in their four-week graduate-level publishing program that has launched the careers of over 4,000 participants across the country since 1976. Graduates can be found at work in every aspect of the publishing business–trade and textbooks, children’s and scholarly books. They have gone on to become designers and production specialists, sales reps and literary agents, editors, marketers, and publishers.

According to their handbook, “the program includes multiple workshops focusing on important processes within the publishing field. In the Editing Workshop, you will work on actual manuscripts to engage with the various stages of editing and will have the opportunity to practice editorial skills such as the preparation of a reader’s report, developmental manuscript editing, copyediting, and proofreading. In the Marketing Workshop, you will gain practical experience writing a publicity release for an actual manuscript, learn to identify target audiences and develop a complete marketing plan.”

In addition to hands-on workshops, prominent publishing executives from every area of the business will share their expertise on a broad range of publishing issues. You will also have many opportunities to gain general career knowledge, including tips on résumés, cover letters, interviews, and making job connections.

To learn more about the DPI, including costs and application requirements, visit their website here. Priority application deadlines are at the end of March, although applications are still accepted through early May.

Breaking into Publishing

By Jonathan Hogan

If you are certain that the publishing industry is right for you there is likely one question on the tip of your tongue: how do I break into the publishing industry? Unfortunately for those aspiring, the publishing industry is nearly as exclusive as the film industry; however, if you’re an especially determined (or curious) soul, read on for my overview of how to break into the publishing industry.

For the best chances of breaking into the publishing industry after graduating from Lawrence, you’ll want to have some experience with the field before applying to your first position. Internships, especially internships with one of the Big 5—Hachette Book Group, HarperCollins, Macmillan Publishers, Penguin Random House, Simon and Schuster—are highly desirable. Most publishers’ websites will have information on their internships and their application processes so make sure to keep an eye out for new opportunities. Before applying, however, it’s important to do your research. The publishing industry is not only very exclusive, it also revolves around a passion for books. To apply successfully you will likely need to have a passion for the books that your target publishing house has published.

If you fail to land an internship, either because the cost of spending a summer in New York is prohibitive or because you aren’t one of the lucky few, fret not! An alternative method of getting the necessary experience required to enter the field comes in the form of masters or certificate-level courses such as those from NYU’s School of Continuing and Professional Studies or the Columbia Publishing Course.  These programs generally offer hands-on experiences with magazine, digital, and book publishing and are often available as summer courses. In addition to hands-on experiences, these courses offer an extremely valuable commodity in the publishing industry: an address in a major city and the ability to network.

In addition to experience, networking is essential to break into the publishing industry, thus, names and relationships carry weight. While conducting an internship or higher-ed course (ideally in New York City) it is important to attend social events (or virtual social events should there be a global pandemic). If you don’t know the first thing about networking in the publishing industry, the Young to Publishing Group (YPG) website is invaluable. YPG, in their own words, “strives to give junior employees a chance to build a community outside of their own publishing houses and to educate themselves about the industry as a whole.”  They do this by posting upcoming social events in the publishing network in most major cities.  If you find yourself in a major city, especially San Francisco, Boston, or New York, be sure to keep an eye on YPG!

If both internships and higher education courses are unappealing, don’t be afraid to forge your own path. Freelance writing allows you to build a resume while potentially holding a more stable job. For more information about freelance writing and the publishing industry, I recommend reading the brief article “10 ways to break into the publishing industry” to hear first-hand from someone who has successfully navigated the freelance industry.

Jonathan is a Third Year German and Government major. He works as a Peer Educator to assist students in the CJW and GLI career communities. In addition to professional development, Jonathan is interested in the cultural construction of the modern nation-state, normative constraints on rational behavior, and all things German. You can schedule an appointment with him here to improve your resume, learn more about the CJW and GLI career opportunities, and work on anything else professional development-related.

Alternatives to Journalism

Print Journalism is quickly being relegated to the past. With the advent of radio, television, and finally the internet, the industry has been left unable to compete with cheaper and more expedient forms of media. The amount of print readers, for example, has been halved in the past two decades. Yet, despite the faltering nature of the print industry, the allure of ink on cheap newspaper still draws many to print journalism. To those individuals I recommend two things: (1) this article about the importance of print journalism and the shortcomings of new media for validation and (2) the remaining paragraphs of this article in which I offer a couple of alternatives to print journalism which demand similar skillsets and interests.

Freelance

Whereas print journalism is expected to continue to decline, at least in the near future, freelance writing continues to employ more and more writers. Freelance writers are self-employed writers that can be found writing almost anything that can be found online, ranging from New York Times articles to product descriptions for online marketplaces. To learn more about freelancing, follow this link to read my article about some of the finer details of the industry.  

Public Relations

PR specialists pride themselves on their ability to make authentic connections with their customers while skillfully guiding potential customers to their product. Similar to freelancing, public relations also demand a propensity for entrepreneurial strategizing. PR specialists, even those working exclusively through social media, rarely publish content spontaneously and each release is typically statistically analyzed. Compared to freelance, it is arguable that public relations is less writing intensive and more analytics intensive; however, if you have a love for both writing and analytics, this is the perfect job for you. For a more in-depth look at PR in social media, follow this link.

Publishing

If you are drawn to print journalism for the high level of collaboration between different departments, working in publishing may be the career for you. Compared to print journalism, physical book sales have been making a comeback as of late. To work in the publishing industry in a literary capacity one must be willing to trade their passion for writing with a passion for reading; however, for many, working closely with fellow booklovers in departments ranging form editing to cover-design is worth the trade. For a brief overview of the editing aspect of publishing, click here.

Jonathan Hogan

Jonathan is a Second Year German and Government major. He works as a Career Peer Educator to assist students in the CJW and GLI career communities. In addition to professional development, Jonathan is interested in the cultural construction of the modern nation-state, normative constraints on rational behavior, and all things German. You can schedule an appointment with him here to improve your resume, learn more about the CJW and GLI career opportunities, and work on anything else professional development-related.

A Career as a Book Editor

Outside of working as an author, few careers are more ideal for lovers of books than that of a book editor. Book editors work within the broader publishing industry and are tasked with acquiring and editing books.  Within any given editorial department, there are various editorial positions. For the sake of efficiency, this article will discuss two broad categories: assistant/associate editors and editors. Assistant editors dedicate the majority of their time doing what their title implies—editing. Granting insight into the nature of assistant editing, Corley Miller, an intern at a major publishing house, insisted that “you have to love reading… and proofreading”. For lower-ranking employees and interns reading and rereading and rereading is the order of the day. Yet, reading and editing books is not just confined to the offices. Miller reports that during breaks, coworkers would talk books as well. In fact, after a day of reading, it is not uncommon in the industry for assistant editors to go home and cozy up to a nice book of their choice.

The nature of work for fully-fledged editors is slightly different. Editors spend the majority of their days meeting with authors and coworkers to discuss ongoing projects—their actual editing is often done after-hours or over the weekend. Editors are tasked with selecting a publishing house’s books, collaborating with authors throughout the editing process, and coordinating with other departments to bring the best out of a book. Yet, despite the corporate implication of a day of meetings, the work of fully-fledged editors still requires and feeds off of a deep passion for books. Catharine Bleeke, an editor for Flatiron Books (which is indeed located in the beautiful Flatiron building in downtown New York), goes as far as to describe the experience of finding an author whose book she would like to publish as “falling in love,” and states that as an editor “You’re the main supporter of this book. You’re the book’s person. There are a lot of people involved, but the first job of the editor is to make your own enthusiasm contagious. You want to get everybody just as excited as you are”

Assistant editors and editors, with their passion for good books, function as the backbone of the publishing industry. Yet, the publishing industry is much more than editors. For a broad overview of the publishing industry, its different departments, its big firms, and its broader work culture keep an eye out for the next edition of the CJW newsletter.   

Jonathan Hogan

Jonathan is a Second Year German and Government major. He works as a Career Peer Educator to assist students in the CJW and GLI career communities. In addition to professional development, Jonathan is interested in the cultural construction of the modern nation-state, normative constraints on rational behavior, and all things German. You can schedule an appointment with him here to improve your resume, learn more about the CJW and GLI career opportunities, and work on anything else professional development-related.

Works Cited

Bourne, Michael. “A Day in the Life of a Book Editor: Caroline Bleeke of Flatiron Books.” Poets & Writers, 19 Sept. 2018, www.pw.org/content/a_day_in_the_life_of_a_book_editor_caroline_bleeke_of_flatiron_books.

Miller, Corley. “What It’s like to Work in Publishing.” The Tab US, thetab.com/us/2016/06/07/like-work-publishing-15073.

Peterson, Valerie. “Major Departments in a Publishing House and What They Do.” The Balance Careers, 21 Oct. 2019, www.thebalancecareers.com/major-departments-in-a-publishing-house-2800046.