Rick Peterson

Author: Rick Peterson

Four faculty members promoted, granted tenure

Four members of the Lawrence University faculty have been granted tenure appointments by the college’s Board of Trustees.

Based on recommendations by the faculty Committee on Tenure, Promotion, Reappointment and Equal Employment Opportunity, and President Mark Burstein, tenure was granted to Sara Ceballos, Sonja Downing, Judith Humphries and Stephen Sieck. Each was promoted to rank of associate professor.

“The four persons who have been awarded tenure are outstanding members of our faculty,” said David Burrows, provost and dean of the faculty. “Each has contributed to our programs in distinctive, excellent ways and we are confident they will continue to do so for many years to come. Each is destined to become a leader among the faculty and to provide inspiration to generations of our students.”

Sara Ceballos
Sara Ceballos

Ceballos, a musicologist whose scholarship focuses on 17th- and 18th-century keyboard music, joined the conservatory of music faculty in 2008. She teaches classes as diverse as “The German Lied and National Identity,” “Music and Colonialism in the Age of Exploration” and “Music and Power Under the Sun King.”

She has been the recipient of awards for her research from the National Endowment for the Humanities, the University of California, and the Southwest and Northwest chapters of the American Musicological Society.

At Lawrence’s 2015 commencement, Ceballos was honored with the college’s Young Teacher Award in recognition of demonstrated excellence in the classroom and the promise of continued growth.

Ceballos, who plays piano, graduated Phi Beta Kappa from Colby College with a bachelor’s degree in music. She also earned a master’s degree and Ph.D. in musicology at UCLA.

Sonja Downing
Sonja Downing

Downing joined the conservatory of music faculty in 2008 as a postdoctoral fellow in ethnomusicology and was granted a tenure track appointment in 2011. Her research interests include traditional Balinese music, traditional music pedagogy and the intersection of gender and performance.

She was instrumental in the founding of Lawrence’s gamelan ensemble, Gamelan Cahaya Asri and has performed in the U.S. and in Bali with the American-based Gamelan Sekar Jaya.

Born in Switzerland, Downing earned a bachelor’s degree in music from Swarthmore College, a master of music in flute performance and a Ph.D. in music from the University of California, Santa Barbara.

A member of the Lawrence biology department, Humphries first joined the faculty in 2007 as a visiting assistant professor before being given a tenure-track appointment in 2010. Her scholarship focuses on invertebrate immunology, with a special interest in the immune system of snails and how they regulate their immune responses to parasites and other biological threats.

Judith Humphries
Judith Humphries

In addition to the biology department, Humphries contributes to topics in Lawrence’s neuroscience department.

Prior to Lawrence, Humphries taught at the Institute of Biological Sciences at the University of Wales and was a researcher in the pathobiological sciences department at UW-Madison.

A native of Northern Ireland, Humphries earned both a bachelor’s degree in biological sciences and a doctoral degree at Queens University in Belfast.

Sieck, who joined the conservatory of music faculty in 2010, directs Lawrence’s Viking Chorale and co-directs the Concert Choir and Cantala women’s choir, all of which have been invited in the past two years to perform at state or regional choral director association conferences.

Stephen Sieck
Stephen Sieck

His current research interests include inclusive pedagogy and effective teaching strategies for diction and for developing tenor voices. He also has published scholarly articles on Benjamin Britten and Aaron Copland. In 2014, he was recognized with Lawrence’s Young Teacher Award.

Prior to Lawrence, Sieck spent five years as the director of choral/vocal music at Emory & Henry College in Virginia. He serves as the music director at Neenah’s First Presbyterian Church and as President-Elect for the Wisconsin Choral Directors Association.

Sieck earned a bachelor of arts degree in music from the University of Chicago and master’s and doctoral degrees in choral conducting from the University of Illinois.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence takes “The Beggar’s Opera” to the Fox Cities Performing Arts Center

Lawrence University Opera makes its Fox Cities Performing Arts Center debut Feb. 25-28 with four performances of John Gay’s revolutionary “The Beggar’s Opera” in the Kimberly-Clark Theater.

Performances Thursday, Feb. 25- Saturday Feb. 27 begin at 7:30 p.m. A matinee performance on Sunday, Feb. 28 begins at 3 p.m. Tickets, at $15 for adults, $10 for seniors, $8 for students, are available at the Lawrence Box Office, 920-832-6749 or the PAC Box Office, 920-730-3760.

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Elena Stabile as Polly Peachum and Mitchell Kasprzyk as Captain Macheath perform in Lawrence’s production of “The Beggar’s Opera.”

Written by Gay as an English counter-response to 18th-century Italian opera, “The Beggar’s Opera” challenges conventional ideas of criminal and governing factions, of love and necessity. The revolutionary opera changed theatre for the next two centuries, introducing the use of popular songs and ballads of the time in a biting satire on English government and society.

At the time, men called thief-takers received stolen goods from thieves and returned them to their rightful owners for a fee. Knowing the names and crimes of each thief they dealt with, the thief-takers could, if not provided enough bounty, turn him over to the authorities for a 40 £ reward. The authorities profitably cooperated with thief-takers in this corrupt system.

“John Gay and his fellow satirists observed and railed against the corruption in the magistrates and elected officials,” said Copeland Woodruff, director of opera studies and stage director of the production. “‘The Beggar’s Opera’ is rife with these antitheses, pointing out that Lords are no more upstanding that the Highwaymen.”

The opera follows the tale of Peachum, thief-taker and informer, who conspires to send dashing and promiscuous highwayman Macheath to the gallows after Macheath has secretly married Peachum’s daughter, Polly. The result is a tale of chase and escape, of thieves and prostitutes, of love and loss, all told by the Beggar, who insists that the performance be viewed like all other fashionable operas of the time. In reality, of course, “The Beggar’s Opera” deliberately breaks away from the form of any opera before it.

Woodruff credited his experience working with the PAC last fall on his special “Expressions of Acceptance” micro-operas event for the location change from Lawrence’s Stansbury Theatre to the downtown venue.Beggar's-Opera_newsblog-4

“After planning the micro-operas there and meeting and working with the wonderful, generous team at the PAC, it seemed a perfect fit for this opera,” said Woodruff. “The Kimberly-Clark Theater has a very intimate feeling and the audience will be feet away from performers in a piece that is of the people and by the people.”

Guest conductor Hal France directs the orchestra, while Bonnie Koestner serves as music director and vocal coach. Choreography was designed by Margaret Paek and fight choreography by J. Christopher Carter. Michael J. Barnes served as the production’s accent coach.

In the double-cast production, sophomores Ian Grimshaw and John Perkins share the role of Mr. Peachum. Senior Elena Stabile and junior Lizzie Burmeister portray Polly Peachum, while seniors Mitchell Kasprzyk and David Pecsi portray Captain Macheath. seniors Kelsey Wang and Katie Mueller share the role of Lucy Lockit.

In addition to live music played my members of the Lawrence Symphony Orchestra during the opera, Holy Sheboygan!, a local band of Lawrence alumni, will play a pre-opera concert beginning 30 minutes before the start of each day’s performance as well as during two 10-minute intermissions.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Century of the Brain series examines perception of rhythm in music and language

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John Iversen

Any musician will tell you playing music changes the way they think, but how exactly does music affect the perception of the human brain?

John Iversen, cognitive neuroscientist at the Institute for Neural Computation at the University of California, San Diego, seeks answers to that question in his studies of rhythm perception and production in music and language, spanning behavioral and neuroscience approaches.

Iversen presents “Rhythms in Music, Language, and the Brain: Using Music to Study Neural Function” Wednesday, Feb. 24 at 7 p.m. in the Wriston Art Center auditorium as the penultimate speaker in Lawrence University’s Liberal Arts in the Century of the Brain series. A question-and-answer session will immediately follow the presentation, which is free and open to the public.

Music perception and production is a key tool for understanding complex brain processes, including those that may underlie language. A common theme running through Iversen’s research is the perception of rhythm, including how a listener’s native language influences that perception, how listeners synchronize with the beat in complex rhythms and the differences in performance when a rhythm is presented aurally versus visually.

He currently directs the SIMPHONY project at UCSD, a longitudinal study of the effect of music training on children’s brain and cognitive development. Other research endeavors include a study of Japanese and English-learning infants, showing that language learning shapes basic rhythm perception. He earned  national attention for a study demonstrating that Snowball, a sulphur-crested cockatoo, can synchronize with a musical beat, an ability that was previously thought to be uniquely human.

Iverson earned a  bachelor’s degree in physics from Harvard University, graduate degrees in philosophy of science and in speech at Cambridge University and a Ph.D in speech and hearing science from MIT.

The Liberal Arts in the Century of the Brain series incorporates the interdisciplinary areas of neuroscience and cognitive science to create connections with other disciplines at Lawrence.

The closing speaker in the series will be:

Walter Sinnott-Armstrong, Chauncey Stillman Professor of Practical Ethics in the department of philosophy and the Kenan Institute for Ethics at Duke University. April 12. The author of five books and more than 100 published articles, Sinnott-Armstrong is a scholar of moral psychology and brain science, which his presentation will focus on, as well as uses of neuroscience in the legal system.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Rolf Westphal 1945-2016: A “poet” whose medium was steel

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Rolf Westphal (center) spent six years as Lawrence’s first Frederick R. Layton Distinguished Visiting Professor in Studio Art.

Rolf Westphal, Lawrence University’s first Frederick R. Layton Distinguished Visiting Professor in Studio Art, died Wednesday, Feb. 17 of natural causes at his home in Spring Hill, Fla. He was 70 years old.

A “poet” whose medium was steel, Westphal held the Layton Professorship from 1984-1990. One of his works, “Aerial Landscape,” a trio of brightly painted arched structures and four lower bollards, graces the outside of the Wriston Art Center. Originally installed in 1988, the piece was taken down in 2010 for repairs and restoration work and re-installed in 2014. Westphal returned to campus for its re-dedication ceremonies last spring.

During his tenure at Lawrence, Westphal converted a paper factory into a sculpture studio where he worked on his own massive creations while also giving Lawrentians the opportunity to create their own artwork.

In addition to Lawrence, he held teaching positions at Clarion State College in Pennsylvania, Vancouver College of Art and Design in British Columbia, the Kansas City Art Institute and the University of Texas, Austin.

As a large-scale metalworker whose personality matched the scale of his sculptures, his quest for commissions frequently took him to Eastern Europe, in particular to countries in or on the fringes of the socialist bloc. His first major international com- mission was for the state of Slovenia in the former Yugoslavia in 1978. Other large, abstract and powerfully geometric Westphal creations adorn sites around the world, including Austria, the Central African Republic, Finland, Germany, Poland, Sweden and Turkey. Besides Appleton, his sculptures can be found throughout the United States, including Anchorage, Detroit, Houston and Pittsburgh.

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Rolf Westphal’s “Aerial Landscape,” which graces the west entrance to the Wriston Art Center, was rededicated in 2015.

He once proudly proclaimed, “I have used every kind of material, but my forte has been steel.’’

Born in Germany in 1945, Westphal grew up in International Falls, Minn. He studied at the Kansas City Art Institute in Missouri, where he earned a bachelor of fine arts degree, and at the Cranbrook Academy of Art in Bloomfield Hills, Mich., where he earned a master of fine arts degree.

He is survived by his son, Ahti, 35, Bejing, China, and his first wife and life-long friend, Susan Schug of Gladewater, Texas.

A celebration of his life will be held this summer on a date still to be determined at Stop Island, Rainy Lake, International Falls, Minn.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Roads of the Future: Cornell University public policy expert discusses challenges of driverless cars

Cornell University Professor R. Richard Geddes examines the changes lawmakers will need to anticipate to operate and maintain the nation’s infrastructure in an age of increasing automobile technology in a Lawrence University economics colloquium.Richard.Geddes_newsblog

Geddes presents “The Policy Challenge of Driverless Cars” Tuesday, Feb. 23 at 4:30 p.m. in the Wriston Art Center auditorium. The talk is free and open to the public.

The anticipated increased use of driverless vehicles will generate a variety of benefits, most notably increased traffic safety due to their ability to be  programmed to stay in their lane, reducing vehicle-to-vehicle collisions and pedestrian injuries. There are also potential environmental benefits due to lower vehicle weights and improved fuel economy.  At the same time, however, the new technologies create new problems, such as determining responsibility for collisions and developing robust cyber-security measures.

Since roads are relatively long-lived and slow to change, Geddes believes policymakers must forecast how decisions made today will impact infrastructure-vehicle interaction well into the future. Because driverless cars rely on cameras, sensors and GPS to navigate the roadway, Geddes says it will be increasingly important to maintain line paint, signage, reflectors, visual markers and add such things as reflective glass beads embedded in line paint to assist driverless vehicles navigate at night.

Director of Cornell’s Program in Infrastructure Policy, Geddes specializes in policies addressing the regulation and funding of large infrastructure, including transportation, energy and water systems. He has  served as an advisor to numerous Fortune 500 companies, including United Parcel Service and CSX and has provided expert testimony before House and Senate committees more than a dozen times.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Shakespeare’s “Much Ado About Nothing” comes to Cloak Theatre

The power of words for good and ill are explored in the Lawrence University Theatre Arts Department’s production of one of Shakespeare’s most popular comedies.

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Kip Hathaway plays Benedick and Olivia Gregorich portrays Beatrice in Lawrence’s production of “Much Ado About Nothing.”

Four performances of “Much Ado About Nothing” will be staged in Cloak Theatre Feb. 18-20 with an 8 p.m. show each night and an additional 3 p.m. matinee on Saturday, Feb. 20. Tickets, at $15 for adults, $8 for students/seniors, are available through the Lawrence Box Office, 920-832-6749.

Written around 1598, within a few years of “As You Like It” and “Twelfth Night,” the play’s most well known story features  Beatrice and Benedick, bantering foes who are tricked into falling in love with each other by their well-meaning friends.

It chronicles the almost fairytale world of reunion, celebration, barbarous wit and mischief when Benedick and his fellow officers return from a successful battle and turn their attentions to pleasanter, more domestic matters. That witty world comes crashing down into a still comic, but gentler and more complex reality, where words cause real pain and communicate real love.

According to director Kristin Hammargren, the production is set in Regency England (1811-1820) in order to provide an appropriate context.

“Regency England is a time period that gives us the class distinctions, structured polite society, appreciation for conversation and even the military element (the Napoleonic Wars) that this play needs,” said Hammargren, a 2008 graduate of Lawrence, now a professional actor and teaching artist who is spending Term II at her alma mater as a visiting instructor of theatre arts.

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Director Kristen Hammergard

In her writing about the production she notes the production she envisioned is just as important for the coherence of the play as it is for the benefit of the student actors.

“Here you see an environment crafted for the imagination and play of young theatre artists,” Hammargren wrote. “History gives us a setting and a mood, Shakespeare gives us the story and poetry and the students give it all life.”

Olivia Gregorich, a junior from Greenwood, plays Beatrice while Kip Hathaway, a junior from Nimrod, Minn., plays Benedick. Senior Aiden Campbell, from Fort Collins, Colo., is cast as Claudio while freshman Ming Montgomery, from Minneapolis, Minn., plays Hero.

After graduating from Lawrence, Hammargren earned a master of fine arts degree from the University of Wisconsin-Madison. She has worked with several Shakespeare festivals, including the Oregon Shakespeare Festival, Montana Shakespeare in the Parks and Door Shakespeare in Wisconsin. She created an original one-woman show entitled “Discovering Austen,” which she performs regularly throughout the Midwest.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence Jazz Series welcomes the Ambrose Akinmusire Quartet

Incorporating modern classical, vanguard pop and spoken word, composer and trumpeter Ambrose Akinmusire brings his unique brand of modern jazz to Lawrence University’s Jazz Series.

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Trumpet player Ambrose Akimusire

The Ambrose Akinmusire Quartet performs Friday, Feb. 19 at 8 p.m. in Lawrence’s Memorial Chapel. Tickets, at $30/$25 for adults, $25/$20 for seniors and $20/$18 for students, are available through the Lawrence Box Office, 920-832-6749.

Joining Akinmusire on stage will be pianist Sam Harris, bass player Harish Raghavan and drummer Justin Brown.

Winner of the prestigious Thelonious Monk International Jazz Competition in 2007, Akinmusire, 33, released his first album, “Prelude to Cora,” the following year. His second album, “The Heart Emerges Glistening,” released in 2011 on Blue Note Records, drew rave reviews. After being named Downbeat magazine’s Rising Star Jazz Artist of the Year in 2011 and Trumpet Player of the Year in 2012, Akinmusire moved to the forefront of progressive jazzmen, becoming one of the most buzzed-about artists of his generation.

“The first time I heard Ambrose, I was completely captivated, enchanted by his warm, huge, beautiful trumpet sound,” said Jose Encarnacion, director of Lawrence’s jazz studies program. “He speaks from the heart. His musical stories will take you places you have never imagined. This will be a musical experience not to be missed.”

His most recent album, 2014’s “The Imagined Savior Is Easier to Paint,” was compared to Mark Rothko paintings by NPR music critic Ann Powers, who described it as “large, filling every corner of the frame, yet calm, spacious, their colors connected in subtle gradations.”

On “The Imagined Savior,” Akinmusire flexed his composition talents, drawing inspiration from a local homeless man in his neighborhood, a 16 year-old imprisoned young woman and police brutality. He collaborated with numerous vocalists on the album, giving each an outline of the music and allowing them to create their own lyrics.

“He speaks from the heart. His musical stories will take you places you have never imagined.”
— Jose Encarnacion, director of LU’s jazz studies program

In the track “Rollcall for Those Absent,” a young girl reads the names of numerous African-American men and women killed by police.

Having a young voice read the names, according to Akinmusire, was “like the beginning of life talking about the end of life. I wanted to capture that.”

A native of Oakland, Calif., Akinmusire began playing the trumpet professionally while still in high school, touring Europe with the Five Elements band.  He went on to earn a bachelor’s degree from the Manhattan School of Music and a master’s degree from the University of Southern California. Along the way, he studied with trumpet luminaries Terence Blanchard, the late Lew Soloff and the late master teacher Laurie Frink.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Enhancing creativity and problem-solving focus of Century of the Brain series presentation

What is creativity? How does it occur?  How do attention, cognitive control, motivation, personality and biology influence it?

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Darya Zabelina

Darya Zabelina, a National Science Foundation graduate research fellow at Northwestern University, applies perspectives ranging from cognitive neuroscience to social psychology while attempting to answer those questions.

Zabelina presents “Leaky Attention and Creativity: Behavioral, EEG and fMRI Evidence,” Wednesday, Feb. 17 at 7 p.m. in the Wriston Art Center auditorium as part of Lawrence University’s The Liberal Arts in the Century of the Brain series. A question-and-answer session follows the presentation, which is free and open to the public.

With a focus on ways of enhancing and fostering the development of creative thinking and problem-solving abilities, Zabelina’s research has shown some people are more sensitive to sensory input than others.

“We find that people with real-world creative achievements are less likely to filter out sound than their less creative counterparts,” Zabelina wrote for “The Creative Post” blog. “Additionally, they do it involuntarily, as this happens very early in the processing stream—only 50 ms (miliseconds) after the onset of the sound.”

This “leaky” attention is a two-way street according to Zabelina. Extra sensory input can be distracting to people, but it also may result in processing ideas that lead to more creative thinking.

Zabelina earned bachelor and master’s degrees in psychology from North Dakota State University and her Ph.D. in psychology from Northwestern.

The Liberal Arts in the Century of the Brain series incorporates the interdisciplinary areas of neuroscience and cognitive science to create connections with other disciplines at Lawrence.

The remaining speakers on the series include:

  • John Iverson, associate project scientist at University of California-San Diego’s Institute for Neural Computation. February, 24. A cognitive neuroscientist, Iverson will discuss his research on rhythm perception and production in music and language, work that spans behavioral and neuroscience approaches. He is currently overseeing a study of the effect of music training on children’s brain and cognitive development.
  • Walter Sinnott-Armstrong, Chauncey Stillman Professor of Practical Ethics in the department of philosophy and the Kenan Institute for Ethics at Duke University. April 12. The author of five books and more than 100 published articles, Sinnott-Armstrong is a scholar of moral psychology and brain science, which his presentation will focus on, as well as uses of neuroscience in the legal system.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Outagamie County Historical Society Honors Anthropologist Peter Peregrine

Lawrence University anthropologist Peter Peregrine’s work in locating long-forgotten gravesites at the Outagamie County Asylum Cemetery in Grand Chute has been recognized by the Outagamie County Historical Society.

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Peter Peregrine

Peregrine has been named the 2016 recipient of the historical society’s annual Lillian F. Mackesy Historian of the Year Award, which honors outstanding contributions to Outagamie County history.

It’s the second straight year a Lawrence faculty member has received the award. Music librarian Antoinette Powell was the 2015 recipient.

Nominated by the Friends of Outagamie County Cemetery, Peregrine will receive his award March 8 at the annual meeting of the Outagamie County Historical Society.

“I am extremely pleased that Peter has received the Outagamie County Historical Society ‘s Lillian Mackesy Historian of the Year award,” said Provost David Burrows. “This award is a wonderful recognition of the high quality of his work. It also symbolizes how talented Lawrence faculty can be successful in projects that cross disciplinary lines — in this case history and anthropology. Lawrence is honored to have one of its faculty recognized in this way.”

With the help of Lawrence students and a magnetometer that allowed him to conduct archeological work below the ground without doing any excavation, Peregrine mapped the cemetery. He was able to identify the final resting place for 133 people buried in unmarked graves who died at the Outagamie County Asylum for the Chronic Insane and whose bodies went unclaimed.

“The entire community is indebted to Professor Peregrine for his extraordinary efforts and commitment to locate the burials at the cemetery.”
   — Linda Shinkin, Friends of Outagamie County Cemetery

A formal rededication of the cemetery, which include the unveiling of a granite memorial stone with the name of each person interred, was held last September.

“Professor Peregrine is receiving the historian of the year award specifically for his work with the Outagamie County Asylum Cemetery and public presentation of that work,” said Matt Carpenter, executive director of the History Museum at the Castle. “More broadly, though, the award acknowledges Peter’s commitment to a community-wide conversation about our past and the importance of heritage preservation and public history based on solid methodologies.”

In nominating him for the award, Linda Shinkin on behalf of the Friends of Outagamie County Cemetery wrote “Professor Peregrine’s report completely changed the scope of the restoration of this historic cemetery.

“It really was an educational community project,” wrote Shinkin. “The entire community is indebted to Professor Peregrine for his extraordinary efforts and commitment to locate the burials at the cemetery.”

Established in 1976 by the Outagamie County Historical Society, the award is named in honor of Lillian Mackesy, a former columnist and editor for The Post-Crescent, whose columns included: “Looking Back 100 Years,” “Historically Speaking” and “Remember When?”

Mackesy, the award’s first recipient, was devoted to the preservation and promotion of the region’s historical heritage. Her personal collection forms the core of the History Museum’s research files and photograph collection.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Broadcaster, author Krista Tippett presents “The Mystery and Art of Living”

Award-winning broadcaster and best-selling author Krista Tippett explores the essence of what it means to be human in a Lawrence University convocation.

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Krista Tippett

Tippett presents “The Mystery and Art of Living,” Tuesday, Feb. 16 at 11:10 a.m. in the Lawrence Memorial Chapel. She will conduct a question-and-answer session immediately following her remarks. The event is free and open to the public.

As host and executive producer of the nationally syndicated radio program “On Being,” Tippett explores religious and spiritual issues, especially as they relate to how people want to live their lives.

Raised as a Southern Baptist in Oklahoma, Tippett was politically active in her youth, working as a freelance journalist in divided Berlin in the 1980s and later serving as a special assistant to the U.S. ambassador to West Germany.

After returning to the states, she earned a master’s of divinity degree from Yale University and launched her radio program in 2003, a project she considered a reconciliation between her intellectual and spiritual selves.

Originally called “Speaking of Faith” and airing on just two stations, “On Being” has become phenomenally successful. It is now heard on more than 400 stations nationally while Tippett’s podcasts are downloaded more than 1.5 million times a month.

The New York Times once described Tippett’s interview style as “a fusion of all her parts – the child of small-town church comfortable in the pews; the product of Yale Divinity School able to parse text in Greek and theology in German; and, perhaps most of all, the diplomat seeking to resolve social divisions.”

Tippett’s broadcasting work was honored in 2008 with a George Foster Peabody Award for “The Ecstatic Faith of Rumi,” an interview she conducted with Fatemeh Keshavarz, a professor at Washington University, on the life of the 13th-century Muslim mystic and poet.

In 2014, President Obama presented Tippett with the National Humanities Medal for “thoughtfully delving into the mysteries of human existence. On the air and in print, Ms. Tippett avoids easy answers, embracing complexity and inviting people of all faiths, no faith and every background to join the conversation.”

She also is the author of two books. “Einstein’s God: Conversations About Science and the Human Spirit” is a collection of 13 interviews with distinguished scientists and writers on science that made the New York Times bestseller list in 2010. “Speaking of Faith: Why Religion Matters—and How to Talk About It,” published in 2008, is a conversational journey that explores the role of faith in the world.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.