Tag: Lawrence Conservatory of Music

From Holiday to “Hamilton,” the coming months in Appleton look glorious

Publicity photo of "Hamilton" performance.
“Hamilton” to come to Fox Cities Performing Arts Center in October.

Story by Ed Berthiaume / Communications

If entertainment offerings in or near Lawrence University are a big part of campus life — and they are — we are in for a spectacular 14 months ahead.

We’ll define “near Lawrence” to mean downtown Appleton, 100% walkability.

Lawrence unveiled its 2019-20 Performing Arts Series earlier this month. The Fox Cities Performing Arts Center released its spectacular 2019-20 Broadway lineup a few weeks ago. And the Mile of Mile Music crew just announced plans for Mile 7.

All we can say is, where do we get in line?

We can’t do them all, of course, but the options look glorious. We’ve highlighted 20 shows to circle on the calendar. This doesn’t include all the great live music available on a regular basis in the downtown area, the weekly farmer’s market, other arts offerings, or all the great theater and music performances at Lawrence.

But these 20 have us pretty fired up.

1: John Holiday, faculty recital, 8 p.m. May 1, Lawrence Memorial Chapel: We’re starting with something that should definitely not slide under the radar. Holiday is one of the Conservatory of Music’s brightest lights. He’s a rising national star in the opera world and has significant chops as a jazz vocalist as well. After giving this recital – and it’s free – his upcoming schedule includes performances at the Apollo Theater in Harlem, shows in England, Shanghai and Switzerland and dates with the Metropolitan Opera in New York and the Los Angeles Opera. Joining him May 1 will be Mark Urness (double bass), Dane Richeson (drums), Andrew Crooks (piano) and Neeki Bey (piano).

Portrait of John Holiday
John Holiday

2: Derek Hough: Live! The Tour, 7:30 p.m. May 19, Fox Cities Performing Arts Center: This one is for the ballroom dancers out there. It’s a solo tour from the dancer who helped put “Dancing with the Stars” on the map.

3: Lawrence University Jazz Ensemble, 8 p.m. May 22, Lawrence Memorial Chapel: Fresh off its back-to-back DownBeat Awards, the LUJE highlights the incredible quality of musicianship up and down the roster in the Conservatory of Music. And May is a month where the Conservatory is on full display. Take your pick from a full calendar of Conservatory concerts.

4: John Prine, 8 p.m. May 24, Fox Cities Performing Arts Center: One of the greatest singer-songwriters to ever pick up a guitar, Prine returns to the PAC on the heels of his Grammy-nominated album, “The Tree of Forgiveness.”

5: Mile of Music, Aug. 1-4, downtown Appleton: The festival features more than 900 performances in 70 venues in and around College Avenue. It’s the seventh year of the all-original music festival that has grown into one of Wisconsin’s premier music events. Lawrence plays a big role, with the Conservatory faculty leading the music education portion of the festival. Best of all, most of the performances — mostly up-and-coming artists from around the country — are free.  

6: Nick Offerman, All Rise tour, 7:30 p.m. Sept. 11, Fox Cities Performing Arts Center: In the spirit of this standup show coming to Appleton, we quote (but don’t necessarily endorse) Ron Swanson, Offerman’s “Parks & Recreation” character: “Give a man a fish and you feed him for a day. Don’t teach a man to fish, and you feed yourself. He’s a grown man. Fishing isn’t that hard.”

7: Octoberfest, College Avenue, downtown Appleton, Sept. 28: The annual downtown bash ends the summer festival season with a bevy of live music, food and drink that takes over College Avenue with a mass of humanity. Look for the annual License to Cruise on Friday night, then the Octoberfest party all day Saturday. See info here.

8: “Hamilton,” Oct. 1-20, Fox Cities Performing Arts Center: Yes, it’s that “Hamilton.” We’ve been waiting two years since the announcement that the Broadway juggernaut is coming to Appleton. Season tickets are on sale now but individual tickets won’t go on sale until much closer to fall. An on-sale date has yet to be announced. Also, watch for information on possible Student Rush tickets for this and other shows at the PAC.

9: Brooklyn Rider, 8 p.m. Oct. 4, Lawrence Memorial Chapel: This is the kickoff of the Artist Series portion of the Performing Arts Series. A string quartet that melds classical, world and rock sounds. (Season tickets for the series are on sale now; single show tickets go on sale Sept. 17, 920-832-6749, boxoffice@lawrence.edu.)

10: Lawrence University Studio Orchestra, 7:30 p.m. Nov. 8, Lawrence Memorial Chapel: The Friday night kickoff to the Fred Sturm Jazz Celebration Weekend will put the talents of Lawrence music faculty and students on full display. The Jazz Ensemble and Symphony Orchestra will be doing a combo, filled with jazz classics and plenty of improvisation.

11: Miguel Zenon Quartet, 7:30 p.m. Nov. 9, Lawrence Memorial Chapel: The Saturday night of Fred Sturm Jazz Celebration Weekend features this multiple Grammy nominee from San Juan who is considered a groundbreaking saxophonist.

12: “The Phantom of the Opera,” Dec. 4-15, Fox Cities Performing Arts Center: The musical, a classic loved by some, loathed by others, returns to Appleton as part of the PAC’s Broadway series.

13: Blue Man Group, Jan. 24-26, Fox Cities Performing Arts Center: Performance art in the shade of blue. It’s a spectacle.

14: Bill Frisell: Harmony featuring Petra Haden, Hank Roberts, and Luke Bergman, 8 p.m. Feb. 7, Lawrence Memorial Chapel: Frisell, a prolific guitarist, will lead this group through a range of blues and popular American traditions. It’s part of LU’s Jazz Series.

Portrait of Tine Thing Helseth
Tine Thing Helseth

15: Tine Thing Helseth, 8 p.m. Feb. 28, Lawrence Memorial Chapel: A Norwegian trumpet soloist with a rock star following. Also part of the Artist Series.

16: Anderson & Roe Piano Duo, 8 p.m. April 3, Lawrence Memorial Chapel: A high-energy piano duo that is part of the Artist Series. The Miami Herald referred to them as “rock stars of the classical music world.”

17: Melody Moore, 8 p.m. April 18, Memorial Chapel: A soprano who has been drawing raves on some of the top opera stages in the world. Our own John Holiday hails her as “thoughtful, engaging and fiercely talented.” Part of the Artist Series.

18: Tigran Hamasyan Trio, 8 p.m. May 1, 2020, Lawrence Memorial Chapel: A pianist and composer with a jazz-meets-rock sound that has drawn wide praise. Lawrence’s Jose Encarnacion calls him “one of the most remarkable and distinctive jazz piano virtuosos of his generation.” His performance is part of the Jazz Series.

19: “The Band’s Visit,” May 5-10, 2020, Fox Cities Performing Arts Center: The sixth of seven shows on the PAC’s Broadway lineup, this is a touring version of the musical that won 10 Tonys in 2018. It’s based on a 2007 Israeli film.

Publicity photo of "Dear Evan Hansen" performance.
“Dear Evan Hansen”

20: “Dear Evan Hansen,” June 23-28, 2020, Fox Cities Performing Arts Center: The finale of the PAC’s Broadway season, this musical tells the emotionally rich tale of a lonely teen who becomes a social media sensation, all quite by accident. For a full listing of shows at the PAC, visit here.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Study: Lawrence’s economic impact in Fox Valley tops $70 million

Mark Burstein hugs Cathie Tierney during Tuesday's Report to the Community.
Lawrence University President Mark Burstein hugs Cathie Tierney after awarding her an honorary Bachelor of Liberal Studies degree at Tuesday’s Report to the Community.

Story by Ed Berthiaume / Communications

A new economic and community impact study released Tuesday offers new data on just how significant Lawrence University’s ties are to the community it calls home.

The study from Appleseed, an independent economic consulting firm, shows Lawrence’s annual impact on Appleton and the greater Fox Cities totals nearly $70.3 million — from employee earnings, goods and services, construction projects, off-campus spending and visitor spending. It also highlights how the liberal arts college’s contributions to the community go well beyond economics, highlighting ongoing cultural and charitable relationships.

The first-time study, commissioned by Lawrence, details those deep ties between the school and the community.

Nearly 200 leaders from Lawrence, area governments, and the business and nonprofit communities gathered on campus Tuesday for Lawrence’s annual Report to the Community, which included the rollout of the study and the granting of an honorary Bachelor of Liberal Studies degree to Cathie Tierney, president and CEO of Community First Credit Union and a longtime community leader.

“The Appleseed study is a testament to how ideally situated Lawrence is here in the Fox Cities,” Lawrence President Mark Burstein said. “It speaks to how tightly woven we are into the very fabric of this community. Lawrence is proud of that, proud of our deep roots in Appleton and the economic, cultural, charitable and intellectual contributions that come from our faculty, students and staff.”

A crowd of nearly 200 people take in Tuesday's Report to the Community in the Somerset Room.
Nearly 200 leaders from Fox Valley government bodies, the business community, nonprofits and Lawrence University attended Tuesday’s Report to the Community in the Somerset Room in the Warch Campus Center.

See a copy of the full economic impact report here.

The report estimates that in fiscal year 2017, Lawrence, its students and visitors directly and indirectly accounted for 1,059 jobs in the Fox Cities region, with earnings totaling $44.1 million, and nearly $70.3 million in regional economic output.

The fortunes of Lawrence and Appleton have forever been intertwined. After all, Lawrence and Appleton have grown up together, Lawrence having been founded in 1847 and Appleton incorporated six years later. The new village — it would become a city in 1857 — was named for the wife of the school’s founder, Amos Lawrence. Her maiden name was Appleton.

The new study demonstrates just how significant those ties remain and how important the relationship is going forward.

Pastor Mahnie, executive director of B.A.B.E.S., a nonprofit child abuse prevention program, was among the speakers embracing the connections between Lawrence and the community.

Lawrence is a host site for the Funding Information Network and provides workshops for area nonprofits to help them pursue needed grants. It’s an important piece of the puzzle that allows nonprofits to do their work.

“Your willingness to not only house the Funding Information Network, but to also host free workshops to educate us on how to utilize the database and improve our grant-writing skills is invaluable,” Mahnie said.

“Thank you for the access. Access gives us knowledge. Access leads to progress. Access to the Funding Information Network is vital for the work of serving our community.

“Lawrence University, the Oshkosh Area United Way, United Way Fox Cities and the Community Foundation for the Fox Valley Region, thank you for helping us to feed the hungry, to clothe the naked, to rescue the lost, to give hope to the hopeless, to diaper their infants, to educate the young and inexperienced parents, to tutor their children, to supplement their household cleaning and personal hygiene items, and the list could go on and on. Because of you, because of your generosity, because of access, we, the nonprofits of the Fox Valley, we can accomplish our mission to serve.”

Economic impact studied

The economic data provided in the Appleseed report shows just how significant the Lawrence footprint is in the Fox Cities. Among the notable numbers:

  • 886 Lawrence graduates live and work in the Fox Cities (5% of area residents with a bachelor’s degree are Lawrence graduates).
  • $1.44 million in financial aid is provided to LU students from the Fox Cities.
  • 605 faculty and staff are directly employed by Lawrence, with a payroll totally nearly $29.9 million. The earnings of faculty and staff employed full-time averaged $58,240 in 2017.
  • $1.4 million was paid to contractors and vendors in the Fox Cities for various construction and renovation projects in 2017. Another $2.2 million went to contractors elsewhere in Wisconsin.

Lawrence is a residential liberal arts college with an enrollment of about 1,500. During the 2016-17 academic year, Lawrence provided $36.9 million in financial aid from its own resources.

The school’s impact on the community goes far beyond economics, the study says.

  • Faculty, staff and students have ongoing relationships with 100 agencies and organizations in the Fox Cities. Nearly 10,450 hours of community volunteer work was reported in the 2016-17 academic year.
  • Nearly 1,500 children across the Fox Cities participate in the Lawrence Academy of Music, a division of the Conservatory of Music.
  • Lawrence plays a major role in the arts community in the Fox Cities. The Conservatory features upwards of 20 performances throughout the year by internationally recognized artists. Three convocations a year bring in nationally recognized speakers. The Wriston Art Gallery presents about 10 art exhibits a year. All are open to the public.
  • The Warch Campus Center has become a popular location for booking community and corporate events, as well as weddings and other celebrations.
  • Lawrence has worked closely with local leaders in efforts to make Appleton and the Fox Cities a more welcoming and inclusive community for people of all backgrounds.

“Lawrence and the Fox Cities are forever linked,” Burstein said. “Progress for one is progress for the other, and neither of us can afford to rest on what we’ve already accomplished. We share similar goals, including the need to attract and retain talented employees and students. That means ensuring that our communities offer people from diverse backgrounds attractive and welcoming places to study, live, work, build careers and have families. We can never relent on those efforts.”

Honorary degree to Tierney

Tierney, meanwhile, was honored for her long and distinguished leadership in the Fox Cities. She studied at Lawrence before embarking on her career.

“I’m astonished, delighted and humbled at this amazing honor,” she said.

Tierney has been with Community First Credit Union since 1976 and has held multiple executive officer positions, spending much of her career as vice president of marketing and branch operations. In 1993, Tierney graduated from the first CU Executive Leadership Program at the Stanford University Graduate School of Business and was named president/CEO of Community First in 1994.

She had attended Lawrence for a year before leaving school for family reasons. Despite the success she would later find in the business world, she said that decision to leave school has always haunted her. But she maintained a strong relationship with Lawrence as she became a community leader.

“We all know of Lawrence’s incredible academic rigor, the quality of the faculty and the enriching experience gained through an education at Lawrence University,” she said. “As a lifelong citizen of Appleton, I have seen first-hand the significant contributions that Lawrence University, its staff and faculty and graduates have made in our community, our state, our country and our world.”

To now get an honorary degree — and to be called a Lawrentian — is humbling and moving, she said.

“Through this process I have learned, there is no right path, only your path,” she said.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

LU Jazz Ensemble takes a top DownBeat award for second year in a row

Story by Ed Berthiaume / Communications

Link to video of Lawrence University Jazz Ensemble
Click above to see video of the Lawrence University Jazz Ensemble.

It’s back-to-back wins for the Lawrence University Jazz Ensemble.

The ensemble has been named the winner in the undergraduate Large Jazz Ensemble category in Downbeat magazine’s 42nd annual Student Music Awards (SMAs) competition, which awards some of the highest honors in jazz education each spring. 

“The students in the Jazz Ensemble work together on music that is unique, challenging, and a joy to perform,” said Patty Darling, a music professor in the Lawrence Conservatory of Music who directs the much-lauded ensemble. “This includes a lot of contemporary jazz rep and premier works from Lawrence’s student jazz composers and arrangers.”

The honor was announced Tuesday and appears in the newly published June edition of DownBeat magazine.

This is the second consecutive year that Lawrence has won the top honor in the large ensemble category, and the fifth time in the ensemble’s history that it has been honored by DownBeat.

More on the Conservatory of Music and the LUJE here

Lawrence University Jazz Ensemble performs at Memorial Chapel.
Lawrence University Jazz Ensemble

This is not small stuff. DownBeat’s SMAs are top-tier honors in the world of jazz education. They are presented in 13 categories in five separate divisions: junior high, high school, performing high school, undergraduate college and graduate college.

Lawrence has been a major player in those awards over the past four decades. To date, students and ensembles in the Lawrence Conservatory have won 28 of these awards in various categories, including undergraduate large ensemble, small group, jazz composing, jazz arranging, solo performance, and jazz vocal group. 

This was the fifth time in its history the Jazz Ensemble has been honored by DownBeat. It was previously recognized in 1985, 2000, 2007 and 2018.

Back-to-back wins for the Jazz Ensemble is something the school, its faculty and students can take great pride in, Darling said.

“It is a privilege to work with such talented, dedicated musicians who are so receptive and have such down-to-earth attitudes,” Darling said. “We are incredibly proud of them and I am very grateful to the jazz faculty who are their mentors.”

If you want to see the LUJE in concert, you can catch them at 8 p.m. May 22 at Memorial Chapel. Admission is free.

The DownBeat Student Music Awards were launched in 1978. Judging criteria are based on musicianship, creativity, improvisation, technique, sound quality and balance, excitement, and authority. Recordings are submitted from institutions worldwide and are judged by panels of respected jazz performers and educators who determine the awards in each of the categories. 

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Roomful of Teeth’s Estelí Gomez to join Lawrence Conservatory

Head shot of Esteli Gomez
Estelí Gomez

Estelí Gomez will join Lawrence University’s Conservatory of Music in the fall as the newest addition to the voice department.

The Roomful of Teeth vocalist has been part of two Grammy Award wins and was nominated in 2017 for the prestigious Gramophone Award as a soprano soloist. She’s also an accomplished voice instructor, holding a master of music degree from the McGill Schulich School of Music and a bachelor of arts degree in music from Yale.

“She is the rare professional vocalist who can sing at the highest level in practically any style,” said Brian Pertl, dean of the conservatory. “She is intellectually curious and loves to push the boundaries of classical music, and she is a passionate teacher. Estelí is the perfect fit for Lawrence and we are thrilled to welcome her to our faculty.”

Learn more about our award-winning Conservatory of Music!

Gomez, who performed at Lawrence with Roomful of Teeth in 2014 and 2017, said she’s thrilled to be joining Lawrence.

“In my musical travels over the last decade, having visited nearly 80 institutions of higher learning, no school has better exemplified my ideals for a multi-faceted, holistic approach to music education than Lawrence,” Gomez said. “As an undergraduate at Yale, I benefitted so deeply from my liberal arts education, while also exploring courses and ensembles offered through the graduate School of Music and Institute of Sacred Music. I believe wholeheartedly in access to interdisciplinary resources, and know that such access allowed me to become the adaptable, multi-genre, self-managed musician I am today.”

More details will be released at a later date.

2019-20 Performing Arts Series loaded with impressive, creative talent

From a legendary guitarist who has delivered transformative performances for decades to a rising trumpet virtuoso who is already hailed as one of her generation’s best, the lineup for Lawrence University’s 2019-20 Performing Arts Series is stacked with impressive talent.

The lineup was announced Monday, with season tickets immediately going on sale for the Artist Series, the Jazz Series or a compilation of four shows from either of the series. Single show tickets will go on sale Sept. 17. All performances will be in the Lawrence Memorial Chapel. For more information, call the Lawrence Box Office at 920-832-6749 or email boxoffice@lawrence.edu.

Artist Series

Portrait of four members of Brooklyn Rider
Brooklyn Rider

Brooklyn Rider, 8 p.m. Friday, Oct. 4, 2019: With a focus on healing, this string quartet has been drawing rave reviews from classical, world and rock circles. They’ll be performing their new project, Healing Modes, a nod to the healing properties of music. It’s a return visit to Lawrence for the talented foursome.

“Their captivating performances often include collaborations with musicians from outside the classical music sphere” said Samantha George, associate professor of music with the Lawrence Conservatory of Music. “During their last visit to Lawrence, they performed with kamancheh player Kayhan Kalhor and offered a master class to our students that focused on chamber music skills, improvisation, and extended string techniques. I am thrilled that we will have the chance to hear them play and work with them again next season.”

Portrait of Tine Thing Helseth
Tine Thing Helseth

Tine Thing Helseth, 8 p.m. Friday, Feb. 28, 2020: The Norwegian trumpet virtuoso has quickly risen in stature, her intensity and enthusiasm garnering her rock star status. She has been hailed as one of today’s foremost trumpet soloists, at ease playing Bach and Haydn but also incorporating arrangements from the likes of Puccini and the Beach Boys.

“She makes such a beautiful sound on the trumpet, and phrases so expressively that you really don’t care what she’s playing, it’s captivating,” said John Daniel, associate professor of trumpet. “I would be happy to listen to her practicing scales or long tones.”

Portrait of Greg Anderson and Elizabeth Joy Roe
Anderson & Roe Piano Duo

Anderson & Roe Piano Duo, 8 p.m. Friday, April 3, 2020: Known for their adrenalized performances, original compositions, and must-see music videos, Greg Anderson and Elizabeth Joy Roe bring high energy to the piano duo experience. The Miami Herald referred to them as “rock stars of the classical music world.” They performed at Lawrence several years ago.

“The Anderson & Roe Piano Duo always give exciting and inventive performances,” said Michael Mizrahi, associate professor of music. “We are thrilled to be welcoming them back to Lawrence.”

Portrait of Melody Moore
Melody Moore

Melody Moore, 8 p.m. Saturday, April 18, 2020: A soprano who has played some of the world’s leading stages, Moore is drawing plenty of notice. Opera News called her “a revelation.” Her resume during the past year has included performances with the Houston Grand Opera and the Los Angeles Opera, and she is set to record a solo album of American music for Pentatone Records.

“I am so thrilledto know that my friend and colleague will be visiting Lawrence to present what I know will be a phenomenal recital,” said John Holiday, assistant professor of voice in the Conservatory of Music. “I first met Melody Moore in 2015 at the Glimmerglass Festival, where she made an explosive role debut as Lady Macbeth. We met each other and have been inseparable as buddies. Not only is she the consummate artist, but she is kind, thoughtful, engaging and fiercely talented.

“The beauty in combination with the ferocity with which she sings is something that is mind-blowing to witness. Buckle up, Lawrentians, because we are in for an amazing treat.” 

Jazz Series

Side-by-side photos of Lawrence Jazz Ensemble and Symphony Orchestra.
Lawrence Jazz Ensemble and Symphony Orchestra

Lawrence University Studio Orchestra, part of Fred Sturm Jazz Celebration Weekend, 7:30 p.m. Friday, Nov. 8, 2019: A special event combining sounds of the Jazz Ensemble and Symphony Orchestra with featured performances by members of the jazz faculty. Works include music by Fred Sturm, Chuck Owen, Duke Ellington, and more. More than 100 performers will showcase music that integrates jazz, improvisation and the beautiful sonorities of the orchestra.

Portrait of Miguel Zenon
Miguel Zenon

Miguel Zenon Quartet, part of Fred Sturm Jazz Celebration Weekend, 7:30 p.m. Saturday, Nov. 9, 2019: Miguel Zenon is a multiple Grammy nominee. He’s considered one of the most groundbreaking and influential saxophonists of his generation. He also has developed a recognized voice as a composer and as a conceptualist, focused on a mix of Latin American folkloric music and jazz. A native of San Juan, he has released 11 albums under his own name while also working with a bevy of jazz innovators.

“His music honors two traditions — jazz and the traditional folkloric elements of Puerto Rico,” said Jose Encarnacion, assistant professor of music and director of jazz studies. “Every single album tells a complete, beautiful story that reflects a unique musical personality through contemporary arranging, creative imagination and improvisation.”

Portrait of Bill Frisell with Hank Roberts, Luke Bergman and Petra Haden
Bill Frisell with Hank Roberts, Luke Bergman and Petra Haden

Bill Frisell: Harmony featuring Petra Haden, Hank Roberts, and Luke Bergman, 8 p.m. Friday, Feb. 7, 2020: Frisell has carved out a prolific career as a guitarist, composer, and arranger, showing extraordinary range and depth. His work is rooted in jazz but incorporates elements of blues and other popular American music traditions. The Grammy winner has collaborated with a wide range of musicians, filmmakers, and painters through the years.

“The way he moves complex harmonic voicings and linear phrases on the guitar with seamless sophistication is unparalleled,” Encarnacion said. “I personally love everything about his music, especially his collaborations with John Zorn and the Paul Motian’s group.”

Portrait of Tigran Hamasyan
Tigran Hamasyan

Tigran Hamasyan Trio, 8 p.m. Friday, May 1, 2020: The pianist and composer is called one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. A piano virtuoso with groove power, his most recent recording was 2017’s An Ancient Observer, his eighth release as a sole leader.

“I really enjoyed listening to his original compositions and improvisations, which are beautifully influenced and fused with the rich folkloric music of Armenia,” Encarnacion said. “Tigran is definitely one of the most remarkable and distinctive jazz piano virtuosos of his generation.” 

Lawrence University named first Deep Listening Affiliate Campus

A student participating in a Deep Listening retreat at Bjorklunden during the winter sits on a bench looking out at the lake.
A retreat held at Bjorklunden in late 2018 gave participants a chance to practice Deep Listening skills in nature.

Story by Ed Berthiaume / Communications

Lawrence University made a commitment nine years ago to embrace the practice of Deep Listening, a pledge to teach skills that improve the breadth and depth of one’s listening.

Now the school has earned the honor of becoming the first Deep Listening Affiliate Campus of the Center for Deep Listening at Rensselaer Polytechnic Institute.

That’s a big deal, says Brian Pertl, dean of the Lawrence Conservatory of Music and a longtime proponent of the Deep Listening practices developed by the late American composer and musician Pauline Oliveros. He received notice of the new affiliation earlier this month.

“It’s a great honor for Lawrence,” Pertl said.

Deep Listening practices were first introduced in the conservatory, a process for students and faculty to immerse themselves more deeply in the music and movement of the arts. But it soon took root in other areas of campus life, being utilized in classrooms, at Bjorklunden retreats and in the programming offered through the Center for Spiritual and Religious Life.

“Deep Listening’s focus on attentive listening, mindfulness, creativity, and building community not only has been a positive enhancement to our world-class conservatory music training, but also allows our students who aren’t pursuing music degrees to explore immersive musical experiences,” Pertl said.

A student musician plays the violin during a concert at Lawrence.
Deep Listening at Lawrence was initially focused on music education in the Conservatory of Music but has since been expanded and embraced across the campus.

Pertl and Leila Pertl, an instructor in the Music Education Department, hold Deep Listening certifications and will be teaching a course, Deep Listening Lab, during spring term.

Leila Pertl is one of six instructors in the international Deep Listening Certification Program.

Lawrence has sent a summer intern to the Center for Deep Listening in Troy, New York, each of the past nine years, and will do so for a 10th time this summer.

For more on Deep Listening opportunities at Lawrence, click here

More photos from the Deep Listening retreat at Bjorklunden here

While much of the Deep Listening practices have been centered around music education in the conservatory, the practices have become part of other events and teachings across campus. It’s been embraced in the Office of Spiritual and Religious Life, where being fully present in the moment can be cathartic.

“The campus community has been fortunate to have Deep Listening as part of memorial services, as a way of centering in times of community distress, and as a place for rehumanizing ourselves with one another in times of disagreement,” said Linda Morgan-Clement, dean of Spiritual and Religious Life.

There is a student-led Deep Listening Club on campus that meets for weekly sessions and leads Deep Listening retreats to Bjorklunden in Door County.

Mary Simoni, dean of Humanities, Arts, and Social Sciences at Rensselaer, said in a letter to Brian Pertl that the Center for Deep Listening was launching its affiliates program to honor those institutions that have embraced the teachings of Oliveros and to forge closer communications. It’s an acknowledgement of the “commitment” Lawrence has shown to embracing Oliveros’ vision, she wrote.

For the Pertls, it’s all part of the daily teachings at Lawrence.

“A dedication to improve the breadth and depth of one’s listening is at the core of Deep Listening practice,” Brian Pertl said. “Oliveros described Deep Listening as listening to all things at all times in every way possible. Deep Listening also includes attention to movement, and also sound created in one’s mind — sound in memory, dreams, or actively imagining sound.”

Lawrence’s John Holiday finds joy in recruiting young music talent

John Holiday works with a student in his voice studio.
John Holiday works with a student at the Lawrence Conservatory of Music.

Story by Ed Berthiaume / Communications

John Holiday slips comfortably into multiple roles.

There’s John Holiday the performer, considered one of the rising young countertenors on the world opera stage.

There’s John Holiday the educator, a sought-after voice instructor at Lawrence University’s Conservatory of Music.

And then there’s John Holiday the recruiter, a man on a mission to draw some of the finest student musicians in the country to Lawrence.

He’ll be wearing all those hats this week as he joins the conservatory’s Presto! tour to Houston, but perhaps none as significantly as that of recruiter.

Houston is Holiday’s hometown. His connections there are deep, meaningful and current, and he’ll spend much of this week connecting young musicians from his beloved Texas to the university 1,200 miles away that he now calls home.

Collaborations key to Presto tour to Houston: See story here

“I have significant ties to Houston because of my family and my upbringing and my church,” said Holiday, who was born in Houston and grew up in nearby Rosenberg. “Subsequently, whenever I travel home, I always make sure that I plan to visit many of the high schools in the Houston area, chiefly the High School for the Performing and Visual Arts, which is a long-standing, well-known school for the creative arts, one of the best in the United States. They have won many, many awards at the national level.”

The Presto! tour, a six-day visit to Houston featuring two Lawrence music ensembles and seven faculty members, brings Holiday’s skills in performance, teaching and recruitment into almost ideal alignment. He’ll perform on March 21 along with the two ensembles in a public concert at the Midtown Arts and Theatre Center and spend considerable time teaching and recruiting at area high schools.

He usually makes the visits to the schools solo. This time he’ll have a team with him, spreading the word of the Conservatory of Music and selling high-achieving students on why a Lawrence education would make sense.

“What I do when I go home is I always make sure that I set up master classes and important meetings with the students, not only at HSPVA but other high schools and junior highs in the area as well, so they can become acquainted with me in terms of the opera singing and the jazz singing that I do, but also so they can become acquainted with what I know is an excellent, excellent place for them, which is the Conservatory of Music at Lawrence University.

“So, it’s really keeping with that that we came up with the idea to take Presto! to Houston.”

Texas is a state that’s rich with music talent. The 33-year-old Holiday, who has been teaching at Lawrence for nearly two years, already has three students from Texas studying in his voice studio. He makes no secret that he’d love to draw more.

“Texas is a huge, huge, huge arts state,” Holiday said. “As long as we’ve got football, there’s always going to be a phenomenal band and choir in Texas. And, because I’m from Houston, I think Houston has the best.

“But I also can say I’ve experienced wonderful singing and wonderful learning in the Dallas and Austin areas, San Antonio, too. They are all over.”









“It’s my endeavor wherever I go to find those students who I believe represent what I think is a good Lawrentian.”

John Holiday


Holiday has much to sell when it comes to student recruitment. First, of course, there is the world-class quality and social outreach of the Lawrence Conservatory. Then there is his own impressive resume, which includes winning the prestigious Marian Anderson Vocal Award and performing on some of the world’s most celebrated stages.

Consider his performance schedule in the coming weeks and months. In addition to his teaching duties and the Presto! tour, there’s a date with the Dallas Opera, a May 1 faculty recital here in Appleton, a recital at the Apollo Theater in Harlem, a run of performances in England, a recital in Beverly Hills, a tour to Shanghai, a performance at the Metropolitan Opera in New York, performances in Switzerland and then an early 2020 run of performances at the Los Angeles Opera.

That will get the attention of any aspiring musician looking for a mentor.

“Whenever I am somewhere singing a show, I am always recruiting,” Holiday said. “So, if I am in Florida, I’m finding a high school or a group where I can go in and mentor them and do a master class. If I’m in California, I’ll try to find the same thing. I’m actively recruiting because I believe in this school. I believe that we are a phenomenal institution and I believe that we should make it possible for students to get here, so it’s my endeavor wherever I go to find those students who I believe represent what I think is a good Lawrentian.

“A lot of these students have already heard of Lawrence. Then they are able to put a face with a name, with me. And then put a face with the school. Now they say, I know this person is there, so I should totally give it a look.”

More information on Lawrence Conservatory of Music here

It’s hard to put a value on that sort of outreach and energy, said Brian Pertl, dean of the conservatory.

“For us, it’s been an incredible advantage having him on the faculty because he just loves the recruiting,” he said.

Doing that recruiting in your hometown? Even better.

“I’m so looking forward to it,” Holiday said of this week’s Presto! visit to Houston. “It makes my heart soar just knowing there are Texas students coming here, because I am a Texas guy through and through.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Collaborations key as Lawrence Conservatory takes its social impact mantra on the road to Houston

Poster and link to information on the Presto Houston tour.

Story by Ed Berthiaume / Communications

Three years ago, Brian Pertl, equipped with donated funds that would allow the Lawrence Conservatory to launch an annual music tour, set forth a vision for what that might be.

Concert performances would be only one part of any touring experience, the dean of the conservatory said. Any tour would have to mesh with how the conservatory has been evolving and growing over the past decade.

“We’ve been trying very hard to redefine what a conservatory education is,” Pertl said. “Part of that vision is to really ask the question, how can music impact society in positive ways?”

It was with that mission in mind that Presto! was launched three years ago, an annual music tour that would take Lawrence musicians — students and faculty — into a chosen metro market for a mix of musical performances and community outreach, an immersion aimed at establishing relationships and community well-being as much as sharing talents and expanding the conservatory’s musical footprint.

First came a multi-day visit to Minneapolis, with outreach efforts focused on mental health awareness, in addition to public performances. The second year was a deep dive into Chicago, where concerts were supplemented with outreach efforts with groups serving underrepresented communities.

Link to video of Presto visit to Chicago in 2018.
Video: Revisit the 2018 Presto! tour to Chicago

Now comes year three, and the most ambitious Presto! excursion to date. Beginning today, the New Music Ensemble and a select jazz ensemble, along with seven faculty members, will embark on a six-day trip to Houston — hometown of rising opera star and Assistant Professor of Music John Holiday — to perform at the Midtown Arts and Theatre Center and do music outreach and education.

Presto! 2019 details: Houston info here

Meet LU’s John Holiday: Rising music star and talent recruiter

The outreach will include two days of music collaborations with young artists who create electronic music at Workshop Houston, a nonprofit after-school organization that recently made news when it received a $100,000 donation from rapper Travis Scott.

The Lawrence students also will spend three days in an elementary school working with third- and fourth-graders, teaching arts-integrated lesson plans.

John Holiday head and shoulders photo
John Holiday

A concert on Thursday, March 21 will showcase both of the Lawrence ensembles, featuring students and faculty members. Transitioning from one ensemble to the next will be a set by Holiday, first displaying his talents with a classical repertoire, then pivoting to jazz, where his talents are equally lauded.

Faculty members and Lawrence students also will pay visits to Houston’s High School for the Performing and Visual Arts. The school is a hotbed for the kind of smart, talented musicians Lawrence covets. Pertl said he would love to see more HSPVA students choose to come to Appleton.

“Texas has probably the most astounding public-school music programs in the country,” Pertl said. “It’s phenomenal, the musicians coming out of Texas and the number of musicians coming out of Texas.

“So, for us, if we’re looking at recruiting, anywhere in Texas is a big deal — the fact that John Holiday is from Houston, the fact that John has already created this really amazing relationship with the High School for the Performing and Visual Arts, makes Houston a logical choice for the tour. We already have several students from Texas at our conservatory, and we would love to see more.”

Holiday was honored a year ago as the winner of the prestigious Marian Anderson Vocal Award and is considered one of the rising stars of the opera world, a countertenor who got a hometown welcome in November when he sang the National Anthem at a Houston Rockets game.

“He is quickly becoming one of the top operatic countertenors in the world, and his hometown of Houston is embracing their hometown hero,” Pertl said.

Featuring Holiday on the Houston trip, both in recruiting young talent and being showcased at the concert, ties everything together. In the case of the concert, that tie is literal, with the two ensembles and their distinctly different repertoires bookending the set from Holiday.

“Since John does both classical music at the highest level and jazz at the highest level, it seemed like a great idea to have him as the pivot point between the New Music Ensemble and the jazz,” Pertl said.










Brian Pertl: “It’s really an amazing thing, and it changes our students.”

Music Tour With a Mission

The underlying tone of the Presto! Houston tour — music with a purpose — speaks to the direction the conservatory has taken since Pertl arrived in 2008. From the Music for All series that takes live performances into spaces that rarely experience such things to ongoing ensemble performances in a nearby prison, the conservatory has put an emphasis on community outreach and positivity.

The Lawrence Conservatory education is deep, focused on bringing students to the highest level of musicianship, but the education doesn’t stop there. Lawrence is also focused on how music can positively impact society. That’s something that separates Lawrence from other conservatories, and people are taking notice.

“A blog that came out last year on musicschoolcentral.com was all about Lawrence and it was titled, ‘Is this the world’s most socially conscious music school?’” Pertl said. “Yes, we are. I’ll take that headline any day.”

More on ensembles on Presto tour: New MusicJazz

When monies donated three years ago by Lawrence alumnus Tom Hurvis ’60 and his foundation made the annual tour possible — the original commitment was for three years but that has now been extended to at least five — Pertl and his faculty set out to create a touring experience that would be substantive and heartfelt for not only the students but the community to which they would be reaching out.

“The vision we wanted to explore, which nobody really had done, is integrating high-level performance experiences with deeply meaningful community collaborations,” Pertl said. “How can a tour impact a place positively? How can we form meaningful collaborations with organizations so both parties feel like it’s an incredible, positive experience?”

Getting creative in Houston

The Lawrence contingent will try to do just that in Houston, most notably with Workshop Houston, an after-school organization that has programs in Houston’s Third Ward that range from fashion design to dance to music. The students who gather in the music spaces work on computers to create electronic beats.

Workshop Houston officials have been sending tracks their students created to Lawrence. Conservatory professors Jose Encarnacion and Patty Darling and their jazz students have been listening to them and are preparing to collaborate with the young artists when they get to Houston, mixing live playing with the electronic beats to create new music.

“So, improvisation, creating riffs and music over the top, and then at the end of the two days there will be a concert featuring the students from Workshop Houston and Lawrence,” Pertl said.

The key is the collaboration — honing and developing skills and finding the joy in creating something together, said Betsy Kowal, who is helping to facilitate the trip for Lawrence.

Workshop Houston originally opened as a bike repair shop where kids could go after school to work on their bikes. It has evolved over the past 15 years into a multi-tiered program drawing students between sixth and 12th grades interested in a range of arts and academic activities.

Deidra Motton, the community liaison at Workshop Houston, said there are 25 to 30 students who regularly work on music in the organization’s Beat Shop. The five or six students who are the most deeply involved in exploring electronic music will be the ones partnering with the Lawrence contingent in creating new music that melds the computer-generated beats with the live performance.

“This is very new to us,” Motton said. “I just love to see these two worlds collide. It seems like Lawrence is very focused on the classical aspects of music composition and performance, and our students are really digging into the whole programming aspect. I’ve never seen a program merge those two worlds quite like this, so I’m really excited.”

Meanwhile, the outreach with students at Scarborough Elementary School is being facilitated, in part, by Craig Hauschildt, a Lawrence alumnus who is an arts integration specialist in Houston. The goal during the three-day residency in the school is to use music to teach skills that can be used long after the Lawrence students have departed, including preparing the young students for success in their state standardized testing.

“When we design our community engagement residencies, we’re always asking ourselves, how can this residency serve the mission of our partner and benefit their organization in the long run?” Kowal said.

Lessons learned in Minneapolis and Chicago will be applied to Houston. That includes a focus on those lasting impacts. Appleton is 1,200 miles from Houston, so a return visit isn’t realistic. But how can the work being done on this tour pay dividends going forward?

“Each year brings a new understanding of how this project can grow and develop,” Kowal said. “We’re constantly learning as we go, and it’s an ever-evolving understanding.”

The results thus far have been positive, Pertl said, if for no other reason than showing conservatory students in a very real way the power of music and how it can change someone’s world. In a survey following last year’s Chicago tour, 65 percent of the students who participated said their vision of what they wanted to do with music changed because of their Presto! experience.

“It’s really an amazing thing, and it changes our students,” Pertl said. “I love to see that. That’s a lot better than just going on tour and the thing you remember is going out to Denny’s at 1 in the morning.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Shared musical experiences foster camaraderie, community connections

This column by Michael Mizrahi, Associate Professor of Music at Lawrence University, first appeared in The Post-Crescent on Sunday, Feb. 3 as part of its weekly Voices of the Arts feature.

On a small grassy field in downtown Appleton, my children and I are trying to draw sounds from plastic trombones. We laugh at the squeaks and squawks coming from our instruments while dancing with dozens of others along to the funky rhythm laid down by the Mile of Music’s Music Education Team.

Portrait of Michael Mizrahi
Michael Mizrahi

We shout in excitement as my six-year old daughter finally gets one low trombone note to sustain.

In the Lawrence Memorial Chapel, the audience sits in rapt silence as a performance by the Lawrence Academy Girl Choir fills the beautiful space. The high school-aged musicians have spent weeks rehearsing their parts, and years before that practicing their vocal skills and musicianship. After their thirty-minute set reaches its exciting conclusion, the audience erupts into sustained applause.

Shared musical experiences like the ones I’ve described can take a variety of forms here in Appleton, from seeing a live band at Houdini Plaza to joining a sing-along at Mile of Music to attending a Lawrence Symphony Orchestra concert. In fact, all the examples I’ve given so far represent admission-free events in our community. No matter the venue, a shared musical experience has the potential to create a spirit of community and camaraderie.

I am a professional performing musician myself (on piano, not trombone!), and a member of the Lawrence Conservatory of Music faculty. For the past five years I have co-directed Music For All, a series of free performances presented by Lawrence students and faculty in a variety of spaces around the Fox Cities, including Riverview Gardens, the Pillars Adult Shelter, the Freedom Center Food Pantry, various retirement communities, and at local public schools.

Most of the singers and instrumentalists who perform on our series are studying classical music performance at Lawrence. One of our objectives is to present concerts in which audiences can sit up close to the performance, and all members of the community have an informal space in which to mingle before and after the event.

Noah Vazquez, a Lawrence University sophomore and piano performance major, says that “being in the position to establish some level of interpersonal connection before, after or sometimes even during a performance immediately adds a whole new layer to the experience.”

Cosette Bardawil, a Lawrence University senior and flute performance major, says that in these performances “there is an exchange of listening and responding that happens between performers and audience members that creates a unique and momentary energy.”

In these cold winter months, when our city’s fields and plazas are covered with snow, we are fortunate to have many other welcoming spaces in which to experience the warmth of a shared musical community.

On Sunday, February 17, the Music For All series is partnering with Mile of Music to present a free Family Concert at Riverview Gardens. The event is designed for children of all ages, but especially geared towards elementary-aged children. The event will begin at 1:30 p.m. and feature a variety of music-making stations that invite interaction and participation, followed by a short, engaging concert presented by students and faculty of the Lawrence Conservatory.

Michael Mizrahi is Associate Professor of Music at Lawrence University. He wrote this column for The Post-Crescent in partnership with the Fox Arts Network (FAN), a grassroots organization of nonprofit arts groups serving the Fox Cities and surrounding communities.  FAN’s goal is to encourage trial in all art forms. For more information contact foxartsnetwork@gmail.com

Lawrence welcomes eight new tenure-track appointments to the faculty

Lawrence University welcomes eight new scholars to tenure-track faculty appointments this fall for the 2018-19 academic year. The first day of classes for Lawrence’s 170th year is Sept. 11.

The new tenure track appointments include: Ann Ellsworth, conservatory of music (horn); Danielle Joyner, art history; Nora Lewis, conservatory of music (oboe); Linnet Ramos, neuroscience; Andrew Sage, statistics; Elizabeth Sattler, mathematics; Katherine Schweighofer, gender studies; and Allison Yakel, Spanish. Each joins the faculty at the rank of assistant professor, except for Lewis, who will start her Lawrence career as an associate professor.

“Over the past year, I had the great pleasure and privilege to work closely with search committees in the college and conservatory to identify and recruit talented candidates to our tenure track faculty rank,” said Catherine Gunther Kodat, provost and dean of the faculty. “These eight new faculty members will enrich the university in myriad ways, introducing new fields of study and fresh perspectives on traditional subjects. I’m thrilled to be able to welcome our newest colleagues to campus.”

Ann Ellsworth
Ann Ellsworth

Ann Ellsworth, conservatory of music (horn)
An international performer and recording artist, Ellsworth also brings nearly 30 years of teaching experience to the Lawrence Conservatory of Music. She joins the faculty from New York City, where she teaches at New York University, the Brooklyn College Conservatory and the City University of New York Graduate Center.

With a focus on new music, overlooked or rarely played pieces and arrangements, Ellsworth has recorded four solo albums, including “Rain Coming,” which was released in 2017. She has performed in music festivals around the world, been a guest artist or principal horn with nearly 20 orchestras or symphonies, including Manhattan Chamber Orchestra, San Francisco Symphony and the Oslo Philharmonic, among others. She also has performed for more than a dozen Broadway shows, as well as in concert with touring artists ranging from Shakira and Aretha Franklin to Diana Ross and Johnny Mathis.

A native of Palo Alto, Calif., Ellsworth earned a bachelor of music degree from Eastman School of Music, a bachelor of arts degree from the University of Rochester, took graduate studies at Juilliard School of Music and the Rimsky-Korsakov Conservatory in Russia and earned a master of music degree from the University of Maryland.re

Danielle Joyner
Danielle Joyner

Danielle Joyner, art history
Joyner, whose scholarship interests include ecocriticism, environmental history and conceptions of the natural world, spent eight years in the department of art, art history and design at the University of Notre Dame and since 2015 has taught in the art history department of Southern Methodist University.

Born and raised in Salt Lake City, Joyner is the author of the 2016 book “Painting the Hortus Deliciarum: Medieval Women, Wisdom and Time,” and has a second book “Before there was Nature: Rethinking Landscapes and Early Medieval Arts” in progress.

She earned a bachelor’s and a master’s degree in art history from the University of Utah, a master’s degree in medieval studies from the University of Toronto, and a master’s and doctorate degree in art history from Harvard University.

Nora Lewis
Nora Lewis ’99

Nora Lewis, conservatory of music (oboe)
It will be a homecoming for Lewis, a 1999 Lawrence graduate who returns to her alma mater, replacing her former oboe professor, Howard Niblock, who retired earlier this year. She has taught oboe the past two years at Western Michigan University. Prior to that, Lewis spent nine years building oboe studios at Austin Peay State University (2007-08) and Kansas State University (2008-13).

During her career, Lewis has engaged extensively in national and global outreach, including artist residencies in Cuba, Guatemala, Haiti, India and Panama and has delivered scores of master classes throughout the United States.

Since 2010, she has performed with the PEN Trio, touring with the chamber ensemble across the country. Her first book, “Notes for Oboists: A Guide to the Repertoire,” is in progress with Oxford University Press.

A double degree graduate of Lawrence — she earned a B.A. in philosophy and a B.M. in performance — Lewis also holds a master’s degree from the Yale University School of Music and a doctor of music degree from Northwestern University.

Linnett Ramos
Linnet Ramos

Linnet Ramos, neuroscience
Ramos joins the faculty from Temple University, where she held an appointment as a postdoctoral researcher. She also held an adjunct professorship in the psychology department at Temple. Prior to Temple, Ramos worked as a postdoctoral researcher at The Children’s Hospital of Philadelphia from 2015-17. She served as a member of the diversity committees at both Temple and Children’s Hospital.

Her scholarship interests focus on identifying novel therapeutics to manage various mental health disorders, including drug addiction. Her research has examined the effects of these therapeutics on the neural circuits underlying social behavior.

A native of San Juan, Puerto Rico, Ramos earned a bachelor’s degree in biology from Temple University, a master’s degree in neuroscience from the University of Hartford and a Ph.D. in behavioral pharmacology from the University of Sydney in Australia.

Andrew Sage
Andrew Sage

Andrew Sage, statistics
A former high school math teacher, Sage has taught statistics courses at Iowa State University since 2014. As a graduate teaching assistant at Miami University prior to Iowa State, Sage was recognized with the mathematics department’s “Effective Graduate Teaching Award.

Sage’s research interests include data mining, statistical machine learning and statistics education. While at Iowa State, he was involved in a project using data analytics to help improve student retention among STEM majors.

Originally from Chardon, Ohio, Sage graduated Phi Beta Kappa from The College of Wooster, where as an undergraduate, he wrote a computer program to project complete times for tire tests at the Goodyear Tire and Rubber Company. He earned his master’s and doctorate degrees in statistics at Iowa State.

Elizabeth Sattler
Elizabeth Sattler

Elizabeth Sattler, mathematics
Sattler joins the mathematics department with research interests in symbolic dynamics, ergodic theory and fractal geometry.

A native of Dickinson, N.D., Sattler has spent the past two years on the faculty at Carleton College, where she’s taught courses in calculus, real analysis and complex analysis. From 2011-2014, she taught at North Dakota State University, where she also earned her bachelor’s degree and Ph.D. in mathematics.

While at NDSU, she was the recipient of two graduate student teaching awards. She’s been involved as a faculty advisor and mentor for undergraduate research projects at Carleton and NDSU. As a proponent of fostering an inclusive environment, Sattler co-founded the Society of Women in Math and Statistics (SWiMS) at Carleton for women and non-binary math students.

Katherine Schweighofer
Katherine Schweighofer

Katherine Schweighofer, gender studies
Schweighofer brings teaching and research interests in histories of sex and gender, feminist and queer theory, LGBTQ studies, queer geography and gender and sports cultures to the Lawrence faculty. She is especially focused on the histories of sexual identity, geography and political resistance and how it reframes the impact of the U.S. women’s land movement of the 1970s and ’80s.

Since 2015, Schweighofer has taught at Dickinson College following appointments at Butler University and Indiana University, where she received the Barbara C. Gray Award for Teaching Excellence. At Dickinson, she served on the college’s LGBTQ Advisory Board and was recognized in 2017 with a service award by the office of LGBTQ Student Services.

Schweighofer, who grew up in Rochester, Mich., earned a bachelor’s degree in English with a certificate in women’s studies from Princeton University. She also holds a master of arts from New York University and earned a master’s degree and a Ph.D. in gender studies from Indiana University.

Allison Yakel
Allison Yakel ’06

Allison Yakel, Spanish
Like Lewis, Yakel is returning to alma mater, where she earned a bachelor’s degree in Spanish and government in 2006. Since 2014, she has taught Spanish courses as a graduate assistant at the University of Houston.

With an interdisciplinary approach, Yakel’s scholarship unites phonetics and phonology, sociolinguistics as it pertains to Spanish and English in contact, and applied linguistics. Her teaching experience includes teaching Spanish as a Heritage Language.

While a student at Lawrence, Yakel spent three years as a Spanish/Italian tutor in the university’s Center for Teaching and Learning. After graduating from Lawrence, she earned a master’s degree in Spanish at Texas State University and a Ph.D. in Hispanic linguistics at the University of Houston.

A Wisconsin native, Yakel grew up in Edgerton.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.”  Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.