Grammy Award-winning mezzo soprano Sasha Cooke brings her versatile repertoire and love of new music to the stage of the Lawrence Memorial Chapel Saturday, Feb. 24 at 8 p.m. in the second concert of Lawrence University’s 2017-18 Artist Series.
Tickets for the performance, at $25-30 for adults, $20-25 for seniors, $18-20 for students, are available through the Lawrence Box Office, 920-832-6749.
Cooke, the 2010 winner of the prestigious Marian Anderson Vocal Award, has performed works of Gustav Mahler to great acclaim on four different continents. Hailed as “equal parts poise, radiance and elegant directness” by Opera News, Cooke has become a highly sought-after talent by many of the world’s leading orchestras, opera companies and chamber music ensembles.
Steven Spears, a voice professor in Lawrence’s conservatory of music, calls Cooke “one of a handful of current singers who defines the phrase ‘consummate artist.’”
“One only needs to scan her biography to have a snapshot of music history,” said Spears. “At such a young age, Sasha has literally done it all – early music with Baroque expert Sir Harry Bicket to pieces where the ink isn’t even dried yet by innovative composers of contemporary vocal music such as John Adams and Nico Muhly. Her languages are excellent, technique top-notch, but those are nothing compared to the beauty and richness of her voice and her superior skills as an actor.”
Cooke earned a Grammy Award in 2012 for her work on the Metropolitan Opera recording of “Doctor Atomic,” an opera that examines the stress and anxiety experienced by the scientists involved with the development and initial test of the first atomic bomb. “Doctor Atomic” has been a work featured in Lawrence’s Freshman Studies program.
About Lawrence University Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.
Virtuoso jazz pianist Gerald Clayton brings his hard-swinging, melodic style along with an impressive pedigree to the Lawrence Memorial Chapel Friday, Feb. 24 at 8 p.m. for the third concert of Lawrence University’s 2016-17 Jazz Series.
Tickets for the Gerald Clayton Trio and special guest Dayna Stephens, at $25-30 for adults, $20-25 for seniors, $18-20 for students are available online through the Lawrence Box Office or by calling 920-832-6749.
One of the leaders of the new generation of young jazz musicians, Gerald Clayton learned his craft playing with his legendary father, composer, arranger, conductor bassist extraordinaire John Clayton, and his uncle Jeff Clayton, noted alto saxophonist and multi-reed instrumentalist, in the Clayton Brothers combo.
Beyond the family influences, Gerald has been a much in-demand sideman, playing and recording with the likes of Diana Krall, Ambrose Akinmusire, Roy Hargrove and Terry Lyne Carrington. National Public Radio called Clayton “a warm and graceful player, with plenty of personal nuance” while DownBeat magazine has hailed him for his “nuanced touch, precise articulation and the way he constructs a narrative for his solos.”
The trio will be joined for the Lawrence concert by tenor saxophonist Dayna Stephens, a former student of trumpeter Terence Blanchard, saxophonist Wayne Shorter and pianist Herbie Hancock at the Thelonious Monk Institute of Jazz.
Jose Encarnación, director of the jazz studies program at Lawrence, calls Gerald Clayton “one of my favorite voices in improvised music.”
“Gerald’s musical stories are always honest, fresh and natural. He is the kind of artist that is always exploring and innovating,” said Encarnación. “It will be an honor to have him perform as part of our Jazz Series.”
Clayton’s discography includes his 2010 debut, “Two Shades,” for which he earned a Grammy Award nomination for best improvised jazz solo for his arrangement of Cole Porter’s “All of You.” His most recent releases 2012’s “Bond: The Paris Sessions” and 2013’s “Life Forum” both earned Clayton Grammy Award nominations for best jazz instrumental album.
AboutLawrenceUniversity Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.
World-renowned Mnozil Brass and the impeccable Children of the Light Trio headline a diversely talented array of artists Lawrence University’s 2016-17 Performing Arts Series.
Subscriptions for both the Artist and Jazz series are on sale now. Subscribers may choose from either series or a “Favorite 4” package, with discounts available to senior citizens and students. Single-concert tickets go on sale Sept. 16. For more information, contact the Lawrence Box Office, 920-832-6749 or email@example.com.
All concerts are held in the Lawrence Memorial Chapel.
Mnozil Brass visits Lawrence March 29, 2017. Since it’s founding in 1992, the Austrian brass septet has established itself as one of the world’s premiere brass ensembles, captivating audiences with its blend of virtuosity and theatrical wit. With more than 130 performances a year, they have sold out concert halls around the world.
“I know this is an incredibly overused phrase, but the Mnozil Brass concert is an absolute ‘must-see’ event,” said Marty Erickson, an instructor of tuba and euphonium in the Lawrence conservatory. “They play everything from Bach to Zappa, from the classics to new movie music and it is all surrounded with choreographed theater and dance moves and a massive dose of humor.
“Not only are they considered the finest brass ensemble of its kind in the world, they do it all seemingly effortlessly with great fun,” Erickson added. “Imagine hearing Debussy and then Queen’s “Bohemian Rhapsody” or an opera excerpt followed by Stevie Wonder’s “Superstition.” While most of the members have classical-based backgrounds, they also are versatile in jazz, pop and more. They are a hoot!”
The members first met at the Vienna Conservatory as young brass musicians. In the ensuring years, they have embraced repertoire from classical and folk to jazz and pop, all executed with the same fearlessness and immense technical skill.
“Not only are they considered the finest brass ensemble of its kind in the world, they do it all seemingly effortlessly with great fun.” — Marty Erickson on Mnozil Brass
Children of the Light, featuring three members of the Wayne Shorter Quartet, performs Nov. 5 as part of the Fred Sturm Jazz Celebration Weekend.
The three multiple Grammy Award winners — keyboardist Danilo Perez, cellist John Patitucci and percussionist Brian Blade — celebrate Shorter’s old and new compositions. Their three-way conversations produce a collective improvisation, unfolding and constructing music like a rhythmic and smoldering chamber recital. As they apply their considerable individual talents to the trio, each member maintains his own distinct personality.
“When these three virtuosos come together, they bring layers of intricate melodies, rhythm and textures, which is explosive,” said José Encarnación, director of Lawrence’s jazz studies program. “Just as light naturally stimulates sights and makes things visible, so does this trio. They bring enlightenment and illumination to all their audiences.”
While Children of the Light is partially defined by the absence of Shorter, they add new influences, particularly of Latin and jazz, that are uniquely their own.
The Kavafian–Schub–Shifrin Trio opens the Artist Series Oct. 7. Friends for 25 years, violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin form a trio with palpable chemistry. Each is a member of the Chamber Music Society of Lincoln Center.
Kavafian is one of the most sought after chamber musicians in the country as well as a frequent soloist. Shifrin has appeared in critically acclaimed recitals across the country and is a frequent major orchestra soloist. As a piano recitalist, orchestra soloist and chamber musician, Schub has earned critic and audience acclaim since launching his career more than 30 years ago.
The trio’s programs include themes of dance, folk and French connections, highlighting a diverse range of 19th- and 20th-century works.
“Just as light naturally stimulates sights and makes things visible, so does this trio. They bring enlightenment and illumination to all their audiences.” — José Encarnación on Children of Light Trio
The Elias String Quartet, internationally acclaimed as one of the leading ensembles of its generation, performs Feb. 3, 2017. Known for its intense and vibrant performances, the quartet has traveled the globe collaborating with some of the finest musicians and playing in the world’s great venues.
In 2015, the quartet completed their ground-breaking Beethoven Project, performing and recording the complete string quartets of Beethoven. The project was broadcast by BBC Radio 3 and performed in 11 major venues in the UK.
Closing out the Artist Series, Roomful of Teeth makes a return visit April 7, 2017. The ensemble performed at Lawrence in 2014 as part of the college’s New Music Series.
Classically trained vocalists, RoT performs an eclectic repertoire commissioned specifically for the group, branching into everything from Tuvan throat singing, yodeling, Korean P’ansori and Hindustani music.
The New York Times has described their distinct style as “voices and percussion meshed to a colorful effect, the story propelled by a high-energy blend of stylistic influences including reggae, hip hop and rock.”
In March 2015, RoT performed the world premiere of “Drone Mass” by Icelandic composer Johann Johannsson, whose score for the film “The Theory of Everything” was nominated for an Academy Award.
The Luciana Souza Trio opens the Jazz Series Nov. 4, kicking of the Fred Sturm Jazz Celebration weekend.
Grammy Award-winner Luciana Souza is one of jazz’s leading singers and interpreters. A native of São Paulo, Brazil, Souza’s work transcends traditional boundaries with a musical style rooted in jazz, winding through world music and incorporating an enlightened approach to new music.
Souza has been releasing acclaimed recordings since 2002, including six discs that earned Grammy nomination. She has performed and recorded with such high-profile artists as Herbie Hancock, Paul Simon, James Taylor and Bobby McFerrin as well as the New York Philharmonic and the Los Angeles Chamber Orchestra.
Gerald Clayton, one of the foremost pianists of his generation, performs Feb. 24, 2017. Schooled in hard-swinging, melodic jazz by his father, John Clayton, uncle Jeff Clayton and mentors Billy Childs and Kenny Barron, he also has collaborated with contemporary jazz innovators Ambrose Akinmusire and Kendrick Scott. In his long-standing trio with drummer Justin Brown and bassist Joe Sanders, Clayton blends those styles into a musical language all his own.
A 2006 runner-up in the prestigious Thelonius Monk Institute of Jazz Piano Competition, Clayton garnered Grammy nominations in 2010, 2011 and 2012.
Delfeayo Marsalis, one of the top trombonists, composers and producers in jazz today, comes to campus May 13, 2017. In January 2011, Delfeayo and the Marsalis family — father Ellis and brothers Branford, Wynton and Jason — received the National Endowment for the Arts Jazz Masters Award, the nation’s highest jazz honor.
Marsalis has toured internationally with Art Blakey, Slide Hampton and Max Roach as well as leading his own groups. In 2005 Marsalis released “Minions Dominion,” a tribute to legendary jazz drummer Elvin Jones followed by a reorchestrated verson of the classic Ellington suite “Sweet Thunder.”
Marsalis’ most recent album, “The Last Southern Gentlemen,” displays his technical expertise and frequent touches of humor, such as his playful rendition of “Can you tell me how to get to Sesame Street?”
AboutLawrenceUniversity Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.
Four-time Grammy award-winning tenor Anthony Dean Griffey brings his powerful, lyric voice to the stage of the Lawrence Memorial Chapel Friday, April 9 at 8 p.m. Accompanied by pianist Warren Jones, Griffey performs in concert as part of Lawrence’s 2009-10 Artist Series.
Tickets, at $22-20 for adults, $19-17 for seniors and $17-15 for students, are available through the Lawrence Box Office, 420 E. College Ave., Appleton, 920-832-6749.
Best known for his “achingly vulnerable and alarming interpretation” of the title character in Benjamin Britten’s “Peter Grimes,” Griffey has performed with leading symphonies and at prestigious opera houses around the world, including the Metropolitan Opera and the Opera Nationale de Paris. Among his other starring roles, Griffey has performed as Mitch in “A Streetcar Named Desire” and Lennie Small in “Of Mice and Men.”
Steven Spears, assistant professor of music at Lawrence, says Griffey boasts three outstanding qualities that make him a bona fide star.
“First and foremost he has a sweet tone, which is not usual for a tenor voice of its size,” said Spears, who sang with Griffey at the Opera Theater of St. Louis in 1994. “He also possesses a keen intellect and musicianship, which is necessary for more difficult repertoire, both vocally and musically. And thirdly, he brings sensitive insight into the text and his character comes from a beautiful soul.”
A North Carolina native, Griffey added a pair of Grammy Awards to his collection in 2010 as the principal soloist on a live recording of the San Francisco Symphony’s performance of Gustav Mahler’s Symphony No. 8 and the Adagio from Symphony no. 10. The recording earned Grammys for best classical album and best choral performance.
Griffey appeared on DVD in the Grammy-winning Los Angeles Opera production of “Rise and Fall of the City of Mahagonny,” which also aired on PBS and has been featured as Artist of the Week on A&E’s “Breakfast with the Arts.”
Jones, who accompanies many of today’s prominent singers, performing nearly all his music from memory, was recently named “Collaborative Pianist of the Year” for 2010 by Musical America.
A member of the faculty at the Manhattan School of Music in New York City, Jones leads a graduate degree program in collaborative piano and conducts frequent master classes around the country. He also performs as principal pianist for the West Coast chamber music group Camerata Pacifica.