Lawrence University continues to feel the love from The Princeton Review.
After being named the No. 4 Impact School in the country on a Princeton Review ranking earlier this year, Lawrence has made the education service company’s list of the best 385 colleges in the country — only about 13% of eligible four-year colleges make the “Best” book.
“The Best 385 Colleges,” published each August, has been an annual resource for prospective students since its debut in 1992. The book does not rank the schools within the list of 385, but it does include a series of Top 20 lists in a variety of sub categories. The lists come after data is gathered from school administrators and interviews are done with students from each of the schools.
Earlier this year, Lawrence was hailed by The Princeton Review as one of 200 “Best Value Schools” in the United States. That book placed Lawrence at No. 4 in the category of best schools for Making an Impact, which focused on life on campus but also post-college work.
“The college ranking field is full of many flowers,” notes
Ken Anselment, dean of admissions at Lawrence. “But one of our favorites is
being shortlisted as one of the Princeton Review’s Impact Schools because it
underscores the quality of life our graduates enjoy after Lawrence. It affirms
that our mission of providing a transformative education is, indeed, having an
Here’s a quick guide to Lawrence’s evaluation in the most
What students are
saying about academics: “Tutoring is readily available, and the school
‘places an incredible focus on mental health issues and counseling.’ Lawrence
is especially good at ‘providing a creative and explorative atmosphere within
the college,’ and structuring itself in a manner that allows for student
flexibility, so students ‘are able to explore and study whatever we are
interested in, and we are encouraged to do so.’”
What students are
saying about life at Lawrence: “Many people take advantage of the school’s
offered activities like dances, comedians, musicians, speakers who are brought
to campus, and movies shown in the cinema, and every term has a big event, such
as the Fall Festival, Trivia, Winter Carnival, Cabaret and LUaroo. … As the
university houses a popular music conservatory, ‘there is ALWAYS a type of concert
What students are
saying about their classmates: “Students here ‘are not afraid to show who
they really are’ and ‘truly just love expressing how every person is their own
and that we all accept it.’”
What the Princeton Review editors are saying: “Lawrence University takes a holistic approach to the admissions game. The school does its best to look beyond numbers and get a full sense of each applicant.”
In addition to the Princeton Review rankings, Lawrence also was honored earlier this year by the U.S. Department of State’s Bureau of Educational and Cultural Affairs for being among the top-producing institutions for the Fulbright Program, the U.S. government’s flagship international educational exchange program. With five recent graduates teaching abroad on Fulbright awards, Lawrence landed on the prestigious list of U.S. colleges and universities that produced the most Fulbright students during the past academic year.
There has been a special blend of music in the air in Appleton each August since Mile of Music was founded in 2013.
From the debut six years ago through the upcoming seventh edition, Lawrence University has been tightly connected to the all-original music festival every step of the way, most notably by leading the robust music education component, but also providing performance spaces and counting its alumni among the performing artists.
Music returns for Mile 7 Aug. 1-4, with 900 performances taking place in 70
venues along a mile stretch of College Avenue in the city’s downtown. Nearly 50
music education workshops will be included, organized by the Music Education
Team (MET), allowing festival-goers to get interactive instruction in diverse
forms of music and dance.
I talked with Brian Pertl, dean of the Lawrence Conservatory of Music, and Leila Ramagopal Pertl, a Lawrence instructor in music education and the festival’s music education curator, about the five deepest ties between Lawrence and Mile of Music.
1. Lawrence’s fingerprints have been on Mile of Music from the start
spring of 2013, Mile of Music co-founders Dave Willems and Cory Chisel
approached Brian Pertl with a vision of using the new festival as a way to support
music education in the community. Pertl referred them to Ramagopal Pertl, whose
passion for music education led her to the motto, “Music is a birthright.”
She suggested the new festival incorporate hands-on music-making workshops, an idea that proved to be brilliant. The music education component was a hit from the get-go, and has grown far more robust in the six years since that debut. It has solidified Mile of Music’s reputation as a special community learning experience.
“It’s what sets this festival apart from probably any other festival in the world, that there’s this priority on allowing people in the community to learn,” Ramagopal Pertl said.
2. Music Education Team has a Lawrentian vibe
The Music Education
Team is responsible for organizing and leading the Mile’s music education
workshops, which give festival guests the opportunity to discover their musical
selves through a variety of music and dance instruction. It continues
this year courtesy of a grant from the Bright Idea Fund within the Community
Foundation for the Fox Valley Region.
The MET is made up of professional artists and educators with a knack for engaging a crowd. The team is heavy on Lawrence participation, from music faculty to alumni to students; the latter can receive class credit for participating.
The seven members of Porky’s Groove Machine, all Lawrence alumni, are a big part of the MET. The Minneapolis-based funk band, also a popular festival performer, has been returning for the festival for five years, in large part because of the opportunity to engage with people in the workshops. Each of the band members — Matt Lowe ’14, Marshall Yoes ’14, Eli Edelman ’14, Nick Allen ’14, Luke Rivard ’15, Ilan Blanck ’16 and Shasta Tresan ’17 — are tied in to music education on some level, making the music workshops they do here and elsewhere a natural extension of their passions.
“Mile of Music is what really prompted us to think, ‘Oh, we
can do this as a group together,’” Lowe said. “I would attribute that to Brian
Pertl and his wife, Leila, who are the star music educators of the world. They
taught us a lot of what we know and how to do things, and we’re definitely inspired
Other alums also are returning to lead workshops, Corey Torres ’12 and Bernard Lilly ’18 among them.
Porky’s Groove Machine keeps the funk rolling. See more here.
workshops range from mariachi, hip-hop and samba to Afro-Cuban drumming, P-bone
funk and Balinese angklung.
the 25-member Music Education Team led nearly 50 music education events that
were attended by more than 7,000 festival-goers. By the end of this year’s
festival, more than 25,000 people will have participated in the interactive
events since they were launched during Mile 1.
Pertl said connecting people to the music — as participants, not just passive
listeners — has proven to be a draw.
“It’s really important for people to come and feel what it’s like to make music in collaboration with other people around you,” she said. “Not only are you probably rediscovering something that was yours to begin with, but you have a greater understanding of why artists on the Mile play music. That was important for us here on the MET.”
3. Lawrence alumni on stage at Mile of Music
alumni have graced the Mile of Music stages since the festival’s founding.
Porky’s Groove Machine is coming back to the Mile this year in full costume to
put on a funk-inspired show, and Lilly, performing as B. Lilly, will showcase his
signature blend of R&B, jazz, hip-hop and gospel, in addition to leading a songwriting
and performance workshop.
Both have been popular draws at previous Mile of Music festivals. Both also return to Appleton frequently to perform, their fan bases helping to establish this as a second home.
The Mile of Music performance schedule has just been released. See it here.
Porky’s will perform at 9:30 p.m. Friday, Aug. 2 at Deja Vu Martini Lounge, 519 W. College Ave., and 7:40 p.m. Saturday, Aug. 3 at Emmett’s Bar and Grill, 139 N. Richmond St. They’ll also be performing on the Mile of Music bus at 10 p.m. Saturday.
B. Lilly will perform at 7:40 p.m. Friday, Aug. 2 at Fox River House, 211 S. Walnut St., and 6:40 p.m. Saturday, Aug. 3 at OB’s Brau Haus, 523 W. College Ave. He’ll also be on the Mile of Music bus at 9:30 p.m. Saturday.
For more on B. Lilly, Porky’s Groove Machine and other Mile of Music performers, including a chance to sample their music, visit here.
4. Lawrence venues anchor the east end of the Mile
performance facilities and beautiful green spaces make the Lawrence campus a
great place to host music events.
Each year, Lawrence provides Mile of Music with venues for concerts and music education workshops. These include Stansbury Theater and Memorial Chapel, the latter being one of the festival’s main stages where artists from around the country enjoy resonant sound quality and intimate performance experiences.
Memorial Chapel, one of the festival’s Main Stages, will host more than 25 performances between Thursday and Saturday, including start-your-day medleys featuring three artists each at noon Thursday, 11:30 a.m. Friday and 11 a.m. Saturday. Some of the notables scheduled for the chapel stage include Dan Rodriguez with The Talbott Brothers (6:45 p.m. Friday), King Cardinal (8:40 p.m. Friday), a combo of Tanya Gallagher, Paul Childers, Megan Slankard and Bascom Hill (6:30 p.m. Saturday) and Hugh Masterson (8 p.m. Saturday).
Harper Hall and outdoor green spaces such as The Grove and the Conservatory Green often host music education events on the east end of the Mile.
5. Bonding over shared philosophies of community engagement
Mile of Music both emphasize community, a connection that has brought success
since their partnership began in 2013. As part of that, the Music Education
Team has put an emphasis on diversity, sharing instruments and music from
across cultures in interactive, intimate settings.
“Our MET team has a deep commitment to celebrating the
diversity of cultures and music-making that exists right here in our
community,” Pertl said.
For the first time this year, Mile of Music will
represent Native American and Asian-Indian music with workshops on Native
American flute and dances of India.
Mile of Music is all about using music to create
community. And Lawrence’s work in creating a close-knit community on campus has
extended to its partnership with Mile of Music.
“Lawrence’s commitment to building community through music and music education perfectly aligns with the mission of Mile of Music,” Pertl said. “The seven-year partnership between Mile and Lawrence has helped redefine Appleton as a city that deeply values art, music and music education.”
Isabella Mariani ’21 is a student writer in the Communications office. Awa Badiane ’21 contributed to this report.
If you’ve ever taken a summer walk in picturesque Whitefish Dunes State Park in Door County, perhaps you’ve admired the incredible Pitcher’s thistle, an endangered flowering plant found on the sand dunes of the Great Lakes shores.
If you’ve taken a closer look, maybe you’ve spotted the invasive weevils that threaten the rare plant’s survival.
Lawrence University Assistant Professor of Biology Alyssa Hakes has been studying this plant-insect relationship since she heard about it in 2013. For a few weeks each summer, Hakes and a group of students conduct field work at Whitefish Dunes State Park, located 10 miles south of Björklunden, Lawrence’s Door County satellite campus. Their goal for each trip is to measure weevil distribution and behavior and assess its damage on the plants.
This year, Hakes wanted to create decoy Pitcher’s thistles to use as weevil traps to test their attraction to the visual cues of the plant. To put her plan in motion, she received the help of biology major Harsimran (Hari) Kalsi ’21, who created impressive 3D-printed decoys of the Pitcher’s thistle as an independent study project.
Hakes had received a recommendation to work with Kalsi from David Hall, assistant professor of chemistry, and Angela Vanden Elzen, the reference and learning technologies librarian and assistant professor who oversees the Makerspace wing of the Seeley G. Mudd Library.
In his freshman year, Kalsi received 3D printing training from Vanden Elzen. He has since done 3D printing projects for Hall, designing and printing virus structures.
the experience I needed in a collaborator,” says Hakes. “I had never worked
with a 3D printer before, so I needed Hari and Angela’s help and expertise for
enthusiastic about taking his 3D printing experience to a new level.
excited because I could use my skills to make a difference and potentially save
a living organism on the verge of extinction,” he says. “I’m a huge proponent
of translational science research and this is a great example of recognizing a
problem in the world and designing an intervention to study and fix it.”
Field work in Door County
The weevils (Larinuscarlinae) were introduced to the U.S. in the 1970s to control area populations of weedy thistles. However, it turns out that no thistle, even an endangered one, can avoid the weevils’ destruction.
Pitcher’s thistle dies after flowering, so it only has one chance to reproduce.
But the weevil comes along during egg-laying season and pierces the flower with
its snout and lays her eggs within. The eggs hatch and the larvae eat the
seeds, destroying the plant’s only chance to reproduce. That’s trouble for the
Pitcher’s thistle species and for the ecosystem.
“It is one of the only flowering plants on the sand dunes, making it an important nectar resource to bees and butterflies,” Hakes notes.
must be tracked and studied in their interactions with the Pitcher’s thistle in
order to solve this problem. How do they choose a plant to lay their eggs in?
How do they move about the dune landscape?
To find out, Hakes and her team use the mark-recapture method. This involves catching weevils and marking their backs with multicolored dots (Hakes calls these “weevil makeovers”) in order to track and identify them when they reappear in the wild. Here’s where Kalsi’s decoy plants come into play.
Pitcher’s thistles are designed to trap weevils for study. They are coated in a
sticky spray to snag the insect as they land to lay their eggs in the bud. The
ability to manipulate the placement of the decoys makes them helpful in
understanding how the weevils choose their host plant.
“This summer we tested whether weevils were attracted to our 3D-printed traps,” Hakes says. “Some traps were near real plants, and others were not. Our preliminary data on the mark-recapture study suggest that the traps are potentially more effective near real plants.”
already setting goals for future field work based on this summer’s success with
“We caught a few this summer. Ultimately, it would be great to use them to trap evil weevils en masse. The prototype will need to be improved if it is to be an effective tool in the future.”
appearance of the decoys can be manipulated, she also hopes to use them to
assess the weevil’s preferences for bud size, bud number, color and scent in
the future. The possibilities are endless. Luckily, Kalsi says, “the
decoys are easy to print, economically feasible and easy to transport and
deploy in the field.”
In the end,
the collaboration between professor and student, and ecology and tech,
indicates a bright future in research.
“I love how
projects like this help students and faculty collaborate across the campus and
think creatively about solving problems,” says Hakes. “It’s been such a fun way
to combine art and science.”
benefits go both ways. Kalsi’s 3D printing work has rewarded him as a student.
think the research I conducted with Alyssa supplements my educational path at
some level,” he says. “Being a biology major who tends to focus on the
molecular side of things, it was nice to work on an ecology-oriented project.”
Isabella Mariani ’21 is a student writer in the Communications office.
A $2.5 million gift will allow Lawrence University to create an endowed professorship to teach the psychology of collaboration, adding to the school’s efforts to better prepare Lawrentians for life after Lawrence.
The donation from J. Thomas Hurvis ’60 to create the J. Thomas Hurvis Professorship of Social and Organizational Psychology was announced at the May meeting of the Board of Trustees.
It is the latest in a long line of generous gifts to Lawrence from Hurvis, founder and chairman of Old World Industries and longtime philanthropist.
The new position, which will be based in the Psychology Department but will contribute regularly to the Innovation and Entrepreneurship program, will provide teaching that is focused on cross-cultural collaboration, group life, ethical thought and moral judgment. It’s the type of study usually found in business schools or as part of doctoral programs. At Lawrence, it will build on existing Lawrence strengths to allow students across disciplines to access teachings that will better prepare them to be the leaders of tomorrow, no matter their career direction.
The position is expected to be filled in time for the 2020-21 academic year.
“I am deeply grateful to Tom Hurvis for his vision and generosity in endowing the J. Thomas Hurvis Professorship in Social and Organizational Psychology,” President Mark Burstein said. “Tom’s passion for collaboration is the hallmark of his success both as a businessman and a philanthropist. This new appointment will allow us to offer courses that will provide students access to research on group life, leadership, and social psychology, areas of increasing student interest, while also enriching and expanding interdisciplinary points of contact with our Innovation and Entrepreneurship program.”
The new professorship is an extension of efforts already under way to enhance offerings and programming to better prepare students for life after Lawrence. A year ago, Hurvis made a $2.5 million gift to create an endowed deanship, which was part of the public launch of Lawrence’s $220 million Be the Light! Campaign. Named for Hurvis’s founding partner in Old World Industries, the Riaz Waraich Dean for Career, Life, and Community Engagement position is now filled by Mike O’Connor, who is overseeing efforts in the Center for Career, Life, and Community Engagement (CLC) to bolster connections and skills to make Lawrentians both job market-ready when they graduate and prepared to lead fruitful and fulfilling lives going forward.
This new professorship in Psychology and Innovation and Entrepreneurship will build on that investment to enhance skills needed in the modern world across all disciplines.
“Through this new appointment, Lawrence will join the select handful of liberal arts colleges that provide the interdisciplinary skills fostered by a liberal arts education through programming that gives students the opportunity to develop creative, integrative approaches to real world issues,” Provost and Dean of the Faculty Catherine Kodat said. “The curricular possibilities inherent in the Hurvis Professorship — in exploring the dynamics of effective leadership and collaboration, in partnering with co-curricular programming and off-campus internships to put classroom concepts into action — are exciting to contemplate.”
For Hurvis, working collaboratively hits close to home, and he believes strongly that the skills tied to collaboration are critical for success in almost any field.
“Partnership has been at the core of all of my life’s success,” he said. “Collaboration requires skills and a personal inclination. I am thrilled we can now ensure every Lawrence student has the opportunity to develop these skills and better understand the importance of this work. Collaboration is easy to describe but very, very hard to do.”
The latest Hurvis grant builds on the Be the Light! campaign, which has the student journey as one of its cornerstones, a focus on educating the whole student, from classroom learning in programs of distinction to personal development through wellness, career advising and the fostering of cross-cultural skills.
To date, the Be the Light! campaign has raised $182.8 million — 83% of the goal — since the quiet phase launch in 2014. Endowed positions, in addition to the Hurvis-funded deanship and new professorship, have included the Dwight and Marjorie Peterson Professorship in Innovation, the Dennis and Charlot Nelson Singleton Professorship in Cognitive Neuroscience, the Wendy and KK Tse Professorship in East Asian Studies, and the Jean Lampert Woy and J. Richard Woy Professorship in History.
“The generosity of the Lawrence community is extraordinary,” said Charlot Singleton ’67, one of the tri-chairs of the Be the Light! campaign. “Members of our community have invested in initiatives that will enhance the education the college offers for generations. We have made excellent progress toward our goals.”
The campaign progress thus far during 2019 has been strong, with $25.3 million in new campaign commitments outpacing the $22.5 million at this time last year.
Fundraising efforts continue for a number of special projects within the Be the Light! campaign — Full Speed to Full Need has reached $81.6 million (toward a goal of $85 million); the Center for Career, Life, and Community Engagement is at $1.7 million (toward a goal of $2.5 million that was in response to Hurvis’ challenge when he established the endowed Riaz Waraich Deanship last year); and the Center for Academic Success has reached $735,550 (toward a goal of $1 million).
Lawrence University has been certified as an affiliate of
the Bee Campus USA program, making it the 71st campus in the nation
to earn the bee-friendly designation — and only the second one in Wisconsin.
To celebrate, a pollination-themed picnic will be held on the Main Hall green from 10:30 a.m. to noon Sunday, June 16. It will follow a 10 a.m. public unveiling of the honey bee observation hive that is now visible from the fourth floor of the Warch Campus Center. The picnic will feature coffee from Tempest Coffee Collective, fruit pies, berry shakes, smoothies, and honey pizza from Harmony Cafe. All are invited.
Bee City USA and Bee Campus USA are initiatives of the Xerces Society for Invertebrate Conservation, a Portland-based nonprofit that encourages communities to develop practices that help sustain pollinators by providing them with healthy habitat rich in native plants and free of pesticides.
Israel Del Toro, an assistant professor of biology, has led efforts at Lawrence to not only make the campus bee-friendly but to turn the campus into a living lab of sorts to study ways to keep bee populations healthy in an urban environment. The new Bee Campus USA designation comes after a formal application was submitted in the spring.
It’s one step in a larger journey, Del Toro said.
“With the designation of Lawrence as a Bee Campus, we
are one of only two universities in Wisconsin to publicly commit to
improving our campus for native biodiversity and pollinators,” he said. “This
is a small but significant victory that keeps us moving toward a campus ethos
of sustainability and stewardship of our natural resources.
“Over the next five years our campus will experiment with
various approaches and bee-friendly management activities like altered mowing
habits, reduced use of pesticides and removal of invasive species.”
For more on Lawrence’s sustainability efforts, click here
The only other Wisconsin school with the bee-friendly designation is Northland College in Ashland.
Del Toro also is working with the city of Appleton to help
it qualify for a Bee City USA designation.
“The program aspires to make
people more PC — pollinator conscious, that is,” said Scott Hoffman Black,
Xerces’ executive director. “If
lots of individuals and communities begin
planting native, pesticide-free flowering trees, shrubs and perennials, it will
help to sustain many, many species of pollinators.”
Pollinators such as bumble bees, sweat bees, mason bees, honey bees, butterflies, moths, beetles, flies, and hummingbirds are responsible for the reproduction of almost 90 percent of the world’s flowering plant species and a third of the food we consume, Hoffman Black said.
Lawrence will need to continue to work to maintain its status as a Bee Campus. Certification needs to be renewed each year. Details can be found at beecityusa.org.
Among the bee-inspired efforts, Del Toro and his team launched the Appleton Pollinator Project to turn area homeowners and gardeners into citizen scientists, helped install and study pollination sites across the Fox Cities, and pushed students in the biology lab and campus environmental clubs to work to improve the on-campus habitat for bees.
The observation hive installed last month at Warch is the latest step in the on-campus efforts. There also are hexagon-shaped pollination boxes just southeast of Main Hall and in the S.L.U.G. (Sustainable Lawrence University Gardens) gardens on campus.
Ed Berthiaume is director of public information at Lawrence University. Email: email@example.com
More than 330 graduates received their diplomas Sunday morning in a Commencement ceremony on the Main Hall green.
Faculty Marshal Kathy Privatt led the march across College Avenue for an outdoor ceremony replete with pomp, circumstance and tradition, along with a colorful assortment of umbrellas and rain gear. A light but steady rain did nothing to dampen the enthusiasm of what David Blowers ’82, chair of the Board of Trustees, called the “high point of the academic year.”
President Mark Burstein praised the senior class for a myriad of contributions to Lawrence, for setting a tone of compassion and empathy on campus and always exhibiting a desire to learn and grow.
“In a time when community is such a scarce commodity and people of different backgrounds and views are likely to argue, compete, or ignore each other, you came together to learn, to celebrate, and to struggle, as one community, with the issues that face Lawrence, this country, and the world,” he said.
See a livestream replay of the Lawrence Commencement ceremony and other 2019 Commencement Weekend events here.
Burstein said the heart and drive of the Class of 2019 is wonderfully represented in Jordyn Pleiseis, who the graduates chose to be their senior class speaker.
“Jordyn has left her mark on Lawrence in ways both physical,
like the mural that adorns the Wellness Center that she helped install as an
ally of native students, and ineffable, like the connections and supportive
environment she fosters,” Burstein said. “Jordyn also speaks of the wonderful
dynamic among Lawrence students both inside and outside of the classroom. You
are friends, sharing fun and support, and you are also colleagues, learning
from one another’s insight and experiences.”
Commencement speaker Lee Shallat Chemel ’65, a longtime theater and television director who worked behind the scenes on some of the most beloved TV shows of the past 35 years, implored the graduates to embrace their liberal arts education, to be OK with uncertainty and to never let the fear of failure zap their creative energies. Her Lawrence education, she told them, has been a guiding light for more than four decades of beautiful chaos.
“You chose a liberal arts education; you chose to keep your horizon wide, to explore a broad range of cultural and intellectual content,” she said. “You can adapt, improvise, synthesize. You can handle a world that is a bit chaotic.”
Pleiseis, an anthropology major, told her classmates they
are deserving of today’s accolades, a four-year journey full of hard work and
perseverance finally coming to fruition.
“We made our mark on this place, just as much as this place made its mark on us,” she said.
Watch a replay of Jordyn Pleiseis’ Commencement speech here.
Chemel, whose directing credits include stints with Murphy Brown, Northern Exposure, Arrested Development, Gilmore Girls, Hannah Montana, and The Middle, among many others, told the graduates she made bold leaps of faith along her journey, jumping from teaching to acting to theater directing to TV sitcoms and dramas. There was never a promise of success at any step in the process, only the prospect of a worthy challenge and the knowledge that she had a strong liberal arts education to lean on.
She never stopped learning.
Chemel said some of her most profound life lessons came from her darkest days. She said firings and failures at one point had her so focused on not screwing up that she could no longer find joy in her work. Her creativity quickly waned.
She told the story of working on an episode of Gilmore Girls that was going so badly
that production came to a halt — so badly that she and star Lauren Graham
laughed until they cried.
“Then I suddenly stopped myself,” Chemel said. “I shouldn’t
be laughing. The scene isn’t working. … Lauren said, ‘What’s up?’ I looked at
her and said, ‘Oh, I just got caught off-guard being happy.’ … And from there
we laughed our way back into rehearsing; the scene started to unlock itself. It
“I’d been painting myself into a corner of seriousness in order to keep failure at bay. Don’t do that. Let joy and spontaneity exist side by side. … Don’t let fear of failure kill your joy.”
Burstein encouraged the graduates to take Chemel’s message of perseverance and career nimbleness to heart as they take that next step, embracing life after Lawrence with a mixture of promise and uncertainty.
“Perhaps her example will help as you, the Class of 2019, set out on the path that begins today,” he said. “You have already raised our expectations for what is possible. We count on your talent, your work, your leadership to move us forward.”
Watch a replay of Lee Chemel’s Commencement speech here.
Awards and farewells
Two long-serving tenured faculty members — psychology professor Bruce Hetlzer and voice professor Kenneth Bozeman — were honored during the ceremony as they retire, each having taught at Lawrence for more than four decades. See details here.
Three faculty awards were announced during the ceremony. Music professor Erin Lesser received the Excellence in Teaching Award, Director of Jazz Studies Jose Encarnacion received the Excellent Teaching by an Early Career Faculty Member Award, and geology professor Marcia Bjornerud received the Excellence in Scholarship or Creative Activity Award. See details here.
For more photos from Sunday’s 2019 Commencement, click here.
Ed Berthiaume is director of public information at Lawrence University. Email: firstname.lastname@example.org
Three members of the Lawrence University faculty — two key music talents in the Conservatory of Music and one highly acclaimed geologist — were honored Sunday, June 9 for their academic and scholarly achievements.
The awards, announced during the 2019 Commencement ceremony and considered to be among Lawrence’s highest faculty honors, went to gifted instrumentalist and music instructor Erin Lesser, jazz musician and instructor Jose Encarnacion and highly lauded geology scholar and author Marcia Bjornerud.
For more coverage of Lawrence’s 2019 Commencement, click here.
Lesser took home the 2019 University Award for Excellence in Teaching. A member of the acclaimed ensembles Wet Ink, Decoda, and Alarm Will Sound, she is both a highly regarded performer and an accomplished instructor. She has been teaching at Lawrence since 2011.
In her award citation, Provost and Dean of Faculty Catherine
Kodat praised Lesser for her ability to balance the demands of being a touring artist
with those of the classroom.
“Your brilliance in the concert hall finds its bright reflection in the Lawrence Conservatory studio, where your grateful students grow as musicians and thinkers in their own right, thanks to your thoughtful, attentive efforts to meet them where they are and then give them the tools and support that helps them realize their artistic goals.”
Encarnacion was given the 2019 Award for Excellent Teaching by an Early Career Faculty Member.
While Encarnacion has been an assistant professor at
Lawrence for just five years, his ties to the Conservatory date back to 2002,
when he came here shortly after receiving his master’s of jazz and contemporary
media from the Eastman School of Music. He would leave for a six-year stint as
director of jazz and band ensembles at Eastman before returning to Lawrence in
2011 as a lecturer. He became a tenure-track faculty member in 2014 and now
leads a jazz program that is regularly lauded in national music education circles.
“Your return has had a measurable effect — since 2015, the excellence of Lawrence’s jazz program has been recognized by no less an authority than DownBeat magazine, which has presented the university with four awards in four years,” Kodat said.
Bjornerud, who came to Lawrence in 1995, is the recipient of the 2019 Award for Excellence in Scholarship or Creative Activity. She has been among the college’s most honored faculty members. The Walter Schober Professor in Environmental Studies and founder of the Environmental Studies major has earned two Fulbright Senior Scholar awards, was named a Fellow of the Geological Society of America, received the Outstanding Educator Award from the Association of Women Geoscientists and was named a Fellow of the Wisconsin Academy of Sciences, Arts, and Letters.
The faculty scholarship honor comes after her 2018 book, Timefulness: How Thinking Like a Geologist Can Help Save the World, was widely praised for making complex geological concepts — and their importance in the ongoing debate over how we care for the Earth — both accessible and substantial. It was long-listed for the PEN/E.O. Wilson Prize for Literary Science Writing, was a finalist for a Los Angeles Times Book Prize and received the PROSE Award in Popular Science and Popular Mathematics from the American Association of Publishers.
“In Timefulness, you draw on your research into the physics of earthquakes and mountain formation to show how an understanding of the multiple, overlapping temporalities of the Earth’s deep past can help us gain the perspective we need if we are to confront and address the environmental challenges that face us,” Kodat said.
Ed Berthiaume is director of public information at Lawrence University. Email: email@example.com
Two tenure-track faculty and one long-time adjunct faculty will bid farewell to Lawrence University at the close of spring term.
Bruce Hetzler, a fixture in the psychology department for more than four decades, and Kenneth and Joanne Bozeman, key players in the growth and success of the Conservatory of Music, are retiring. The three have a combined 110 years of teaching at Lawrence.
Lawrentians with long memories may recall that the Bozemans,
then a young married couple, also served as head residents of Trever Hall for two
years in the early 1980s.
Hetzler and Ken Bozeman came to Lawrence at the same time, joining the robust incoming faculty class of 1977. Joanne Bozeman joined as an adjunct faculty member in 1993.
They talked to us about Lawrence pride, new journeys and the emotions of saying goodbye.
Bruce Hetzler: “We were one of the few undergraduate institutions to have a neuroscience program.”
Bruce Hetzler has been a leading voice in the psychology
department at Lawrence since 1977. You might even say his 42-year run has been
Hetzler has often mixed his love of magic with his passion
for teaching about the brain.
Much of his work at Lawrence focused on neuropharmacology,
effects of alcohol on the brain, computer analysis of brain waves and
He and his students through the years published dozens of papers
on a wide range of brain-focused topics, the latest being a study on why some
people co-abuse methylphenidate (most common trade name is Ritalin) and
alcohol. That paper, with co-authors Lauren W.Y. McLester-Davis ’18 and Sadie
E. Tenpas ’17, was published in the June edition of the journal Alcohol.
“I have mixed emotions,” Hetlzer said of his retirement. “I’ve been here a long time, and I’ve loved it. I’ve enjoyed teaching, I’ve enjoyed doing research, and I’ve enjoyed working with students in the laboratory. But it has been 42 years, so I think it’s time for this chapter in my life to close.”
Hetzler spent much of his career doing research on the effects of drugs on the brain, most specifically alcohol. He is a charter member of the International Society for Biomedical Research on Alcoholism.
He was part of a faculty group that launched the initial
neuroscience program at Lawrence in the early 1980s.
“At the time we were not able to put together a neuroscience
major, but we did start the neuroscience program,” Hetzler said. “In 1980, we
were one of the few undergraduate institutions to have a neuroscience program.”
It eventually became a major at Lawrence, and the number of
faculty positions tied to the program has grown considerably.
“That wasn’t just me, it was a lot of people who put that
together,” Hetzler said. “But it’s been very pleasing to see it grow like
Outside of his teaching duties at Lawrence, Hetzler for years could be found doing table-side magic at local restaurants such as B.J. Clancy’s and Ground Round.
He persevered with both his teaching and his magic after
suffering a major stroke in the summer of 2011. Relearning magic tricks, he
said, helped with his long and slow recovery.
Now he hopes to dedicate more time in retirement to the physical
therapy that’s needed to regain many of his magician skills.
“I’d love to be able to do table-side magic at a restaurant again in the future, but that depends on my determination to do exercises to increase my dexterity and my ability to walk without a cane,” Hetzler said. “The year before I had a stroke I was doing 100 magic shows a year. Now I do maybe five. I’m not sure my wife would like me to do 100 again, but somewhere in between would be nice.”
Kenneth Bozeman: “When you are working on someone’s voice, in a sense you are messing with their soul.”
Music professor Kenneth Bozeman, retiring after 42 years on the Conservatory of Music faculty, has left an impressive imprint that’s difficult to measure.
He led the voice department for much of his tenure, in the process providing important leadership not just in the Conservatory but across campus. In addition to his work as a respected voice teacher, he has led or been a part of talent searches for Conservatory faculty and new deans and has played a big role in campus projects such as the expansion of the Music-Drama Center and the building of the Warch Campus Center.
In recent years, his focus has been in the growing field of
acoustic voice pedagogy. He’s become an in-demand scholar on that topic across
But it’s in the voice studio, working one-on-one with students, where Bozeman says his heart remains.
“Voice teaching is totally one-on-one, so it’s pretty personal,” he said. “When you are working on someone’s voice, in a sense you are messing with their soul. Their sense of personal identity is wrapped up in their voice.”
He’s done it well. In 2018, Bozeman was chosen by his peers for
the Lawrence Faculty Convocation Award, which honors a faculty member for
distinguished professional work. He was the ninth faculty member so honored.
Bozeman is the author of two books, Practical Vocal Acoustics: Pedagogic Applications for Teachers and Singers and Kinesthetic Voice Pedagogy: Motivating Acoustic Efficiency. He was awarded the Van Lawrence Fellowship by the Voice Foundation in 1994 for his work in voice science and pedagogy.
He has been recognized with two Lawrence teaching honors,
the Young Teacher Award in 1980 and the Excellence in Teaching Award in 1996.
Under his guidance, the voice department within the Conservatory has grown from about 40 students and four instructors to nearly 100 students being taught by five full-time studio faculty, one adjunct faculty, two choral directors, opera and theater directors, a vocal coach and other contributors.
“We’ve seen a lot of growth,” Bozeman said. “There’s been
good quality all along. There was always some good talent in the student pool.
… But now it certainly feels like there is a lot more talent here. It’s
definitely harder to get in here. The talent floor has risen because of the
competitiveness of it.
“And what we’re able to provide in terms of training is much
deeper and richer as well.”
As the years have gone by, an increasing number of voice students have gone on to sing professionally or pursue voice in graduate school programs.
“Now it’s pretty routine that that happens,” Bozeman said.
He said he’ll continue to do voice work in retirement. He’s already committed to a weeklong workshop on acoustic voice pedagogy this summer at the New England Conservatory of Music in Boston. He’ll also be presenting at multiple conferences and will be doing private voice teaching, focused on young professional singers.
Joanne Bozeman: “The change between an 18-year-old singer and a 21- or 22-year-old singer is a huge transition.”
Joanne Bozeman has been an adjunct member of the voice department at Lawrence since 1993, teaching studio voice and related course work.
She also was a sought-after soloist in recital, concert and oratorio for nearly four decades. She’s appeared with, among others, the Fox Valley Symphony, the Green Lake Music Festival, the Bach Chamber Choir in Rockford, Illinois, and the Lawrence University Concert Choir and Orchestra.
While she’ll stay active in private teaching and related projects in retirement, it’s the voice studio instruction — working one-on-one with students as their voices and their music knowledge transform over four years — that will be difficult to leave behind.
“I’ll miss working with students in the long term, four or
five years, developing their skill set and seeing them master certain things,”
she said. “The change between an 18-year-old singer and a 21- or 22-year-old
singer is a huge transition. It’s really exciting to be involved with that.”
Many instrumentalists arrive at the Conservatory having been in training for a dozen or more years. Not so much for voice students.
“Singers don’t know they have an instrument until they’re
maybe 14, 15 or 16 years old,” Bozeman said. “They maybe haven’t had theory or
lessons and they come in a little more raw. To see their incredible strides and
development over that period of time is really cool.”
Bozeman called working with the voice faculty in the Conservatory a joy.
“We don’t always agree with each other, but we really do get along,” she said. “I admire my colleagues’ skills in the studio, and we are friends. I’ll miss that kind of intimate relationship. I’ll miss the people in the office, and I’ll miss my wonderful colleagues all over the Conservatory.”
In addition to giving private voice lessons, Bozeman is working on a book about women’s singing voices as they go through perimenopause and menopause. The book, which she is co-writing with two other women, has included interviews to date with nearly 60 women, ranging from elite professional singers to those who participate in community choirs.
It’s an emotional and very personal issue for women who want
to continue singing as they age, Bozeman said.
“Some breeze through it,” she said. “Some struggle. I really
struggled. That’s kind of what fueled my interest in the issue.”
William “Bill” Perreault, a biology professor who spent 35 years on the Lawrence University faculty before retiring in 2006, passed away on Saturday. He was 81.
Perreault began his career at Lawrence in 1971. At the time
of his retirement, he said he still relished the challenge of trying to
coordinate molecular techniques with microscopy techniques and the interplay
between them in search of a better understanding of how cells work.
When Lawrence was planning its new Science Hall in the late 1990s, Perreault personally designed the plans for the building’s microscopy suite. Over the years, he individually tutored more than 100 students — and a few faculty colleagues along the way — on the finer points of using either Lawrence’s transmission electron microscope or the scanning electron microscope.
“I’m extremely proud of that,” Perreault had said of his work with the TEM
Before arriving at Lawrence, Perreault spent seven years in the U.S. Army,
reaching the rank of captain. Two of his years in the service were spent as a
microbiologist at the U.S. Army Biological Laboratories at Fort Detrick in
Originally from Cohoes, N.Y., an upstate mill town near Albany, Perreault often served as the biology department’s “welcoming face.” He taught the introductory course Principles of Biology for 33 of his 35 years. He said he took particular joy in teaching it because the course attracted many students from disciplines outside of the sciences.
“I like to think part of my legacy will be the sheer number
of students who received an understanding of the beautiful science of biology
because they took my intro class,” Perreault said.
Perreault and his wife, Marvia, were married for 56 years and have four children, Bill, Michele, Melanie, and John. Michele ’90 and Melanie ’90 are Lawrence alumni.
Known for both his academic work with cells and his
infectious enthusiasm — not to mention a legendary sense of humor — Perreault
was not one to cheat life.
“He lived a life full of love, travel and bad pranks,” his
family wrote in his obituary.
No public memorial services are planned.
“A private memorial gathering with family will be scheduled at a later date,” the obituary reads. “In the meantime, in his memory, take that trip you have been putting off.”
Members of Matika Wilbur’s Project 562 team returned to Lawrence University in recent days to work with Native American students to restore a mural on the side of the Buchanan Kiewit Wellness Center that was first created as part of a mid-April convocation.
Due to harsh weather in April, the Project 562 Indigenous Land Project mural was unable to properly cure during its installation. Members of LUNA (Lawrence University Native Americans) and UWGB’s Intertribal Student Organization continued to work closely with the Project 562 artistic team to repair the mural once weather conditions improved.
That work has now paid off. The large mural, featuring the faces of three generations of Native Americans, is back in place. It includes the words Indigenize Education.
The mural was not created to be a permanent installation. The wheat paste project is expected to last two to five years, depending in part on weather conditions.
Wilbur, creator and director of Project 562, has used photography and art installations to tell the story of Native American communities.
“I’m so proud of you,” Wilbur said at the time of the
April convocation, addressing the more than a dozen Native American students
from Lawrence and UWGB who helped create the mural. “And I’m proud of Lawrence
for taking this huge step. This is a huge step to have indigenous representation
on a college campus.”
Wilbur, a visual storyteller from the Swinomish and
Tulalip tribes of coastal Washington, has been traveling the country — and
beyond — as part of Project 562, visiting close to 900 tribal communities in
all. The 562 is a reference to the number of federally recognized tribes in the
United States at the time the project launched in 2012.
After her travels are done, Project 562 is expected to live on in books, exhibitions, lecture series, web sites, new curriculum and podcasts, Wilbur said.
“Matika has a magical way of giving our Native
students and their allies permission to acknowledge and be proud of their own
cultural traditions, families and indigenous ways, even in spaces that may have
not been historically designed for us,” Brigetta Miller, an associate professor
of music in the Lawrence Conservatory of Music and a member of the
Stockbridge-Munsee (Mohican) Nation, said at the convocation.
“This work is more than making art for the sake of social justice,” she said. “It’s a way to truthfully show who we are. It’s a way for us to tell our own story.”