Posts Tagged ‘theatre arts’

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Theatre Arts Department Presents Irish Historic Drama “The Plough and the Stars”

Tuesday, May 7th, 2013

Irish playwright Sean O’Casey’s dramatic story on Ireland’s revolt against British rule will be retold May 9-11 in four performances of Lawrence University’s production of “The Plough and the Stars.”

Performances will be staged in Stansbury Theatre of the Music-Drama Center at 8 p.m. each night with an additional 3 p.m. matinee Saturday, May 11. Tickets, at $10 for adults and $5 for students and seniors (free to Lawrence students/faculty/staff with I.D.), are available at the Lawrence Box Office, 920-832-6749.

Written just a decade after the “Easter Rising,” an armed insurrection staged in 1916 with the goal of ending British occupation of Ireland, “The Plough and the Stars” explores the events leading to the uprising as experienced by working-class occupants of a Dublin tenement house. Ten years after the uprising, O’Casey’s poetic portrayal of the still-sensitive subject matter sparked a riot at the play’s 1926 premier at the Abbey Theatre.

“Sudden political changes can spark unforeseen social consequences including divided families, civilian casualties and a crisis of faith in social institution,” said director and Professor of Theatre Arts Timothy X. Troy.”Our production will be thoroughly rooted in the close quarters of a tenement house in Dublin, highlighting the local accent, use of idiomatic language and how people with a variety of perspectives lived in same household.”

Employing both heartbreak and humor, O’Casey’s play focuses on the social and political complexities of the Easter Rising without glorifying violence in the name of freedom.

Junior Erik Morrison, an English and theatre arts major from Denver, Colo., spent the 2012-13 fall term studying theatre in Dublin.  He was cast in the production as Captain Brennan of the Irish Citizen Army.

“It’s great to be able to thank my Irish friends by doing a play central to their history and one that honors what’s best about Ireland and the Irish in times of crisis,” said Morrison. “I couldn’t think of a better play for such a bitterly polarized time in our own country.”

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.

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New Student Playwriting Series Honors Former Theatre Professor

Monday, February 25th, 2013

Three original one-act plays will be presented in Lawrence University’s first biennial Fred Gaines Student Playwrights Series Feb. 28-March 2 in the Cloak Theatre of the Music-Drama Center, 420 E. College Ave.

Tickets, at $10 for adults, $5 for seniors and students, are available at the Lawrence University Box Office, 920-832-6749.

The series, which honors former theatre professor and department chair Fred Gaines (1977-2000), who passed away in 2010, features the work of juniors Emma Brayndick and Zachary Cooper and 2012 graduate Reena Novotnak, who is participating in a year-long internship at The Playwrights Center in Minneapolis, in one night of student-written theatre.

Cooper’s “It’s All Happening at the Zoo” takes place during one frustrating rehearsal of Edward Albee’s famous absurdist play “The Zoo Story.” Brayndick’s “Shifts” is a half-hour slice of life that explores relationship dynamics of four characters in a small used bookstore. “While Our Eyes Adjust,” written by Novotnak, examines the emotional lives of three young art students.

Brayndick said her “Shifts” was inspired by a discussion of the dichotomy between a private conversation and a public setting.

“I had a thought for a couple of characters working in a bookstore and it just sort of grew from there,” said Brayndick, who is neither directing or acting in “Shifts.” “The ‘take home’ message, as corny as it might seem, is be yourself and surround yourself with the people who understand and encourage that you, whoever that may be.”

While she enjoyed writing the play, Brayndick said it’s been even more fun watching it come to life in rehearsals.

“As an actress I have always worked with words from the other side, so it has been an interesting challenge to write a play, but very rewarding to find out that it works outside of my head. That actors can take something that was once just a germ of an idea I had and fill it with life is very rewarding.”

Timothy X. Troy, professor of theatre arts and 1985 Lawrence graduate, launched the play-writing series as a tribute to his former teacher and later department colleague.

“My dear hope is that through our biennial Gaines Series, I can pay forward some of the wisdom I learned from Fred by guiding young artists who are making theatre with each other, for each other,” said Troy.

The three plays selected for the inaugural Gaines Student Playwrights Series were culled from works that originated in Troy’s 2012 play writing class.

“Each class member, all the faculty and staff of the theatre arts department voted on a slate of three plays they thought would work best together as an evening of engaging theatre.”

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.

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Lawrence University Presents Benjamin Britten’s Comic Opera “Albert Herring”

Monday, January 28th, 2013

In commemoration of the 100th anniversary of the birth of Benjamin Britten, Lawrence University brings the great British composer’s hilarious coming-of-age comic opera “Albert Herring” to the stage Feb. 14-17.

Performances in Stansbury Theatre of the Music-Drama Center are scheduled for 7:30 p.m.  Feb. 14-16 with a 3 p.m. matinee performance Sunday, Feb. 17.  Tickets, at $10 for adults and $5 for seniors and students, are available through the Lawrence University Box Office, 920-832-6749.

Originally set in 1900, guest director/choreographer Nicola Bowie transports the production to 1947, the year Britten wrote the opera.

“It is a period that resonated with me, and I believe further serves to accentuate the characters, making them more relevant to an audience in 2013,” said Bowie, an accomplished director who has staged operas with the New York City Opera, Lyric Opera of Chicago and Washington Opera, among others.  “It proved to be a perfect fit, emphasizing that life in many rural areas of Britain and probably elsewhere has changed very little over the last few hundred years.”

Intricate and Witty

Pairing an intricate but “listenable” score with a witty libretto, “Albert Herring” parodies life in a rural British village, poking fun at puffed-up politicians, flighty school teachers, vapid vicars, bumbling police officers and an assortment of other eccentrics. But his treatment of shy young Albert’s coming of age has an underpinning of sensitivity and genuine emotion.

When the village committee fails to find a local girl virtuous enough to be crowned queen of its May Day festival, Albert, a virginal “mama’s boy,” is crowned May King instead. Unhappy with his prudish reputation and with the help of with the help of a little spiked lemonade, Albert breaks away from his mother’s domination and the suppressive morals of his elders for a night of debauchery and adventure.

While comic in tone, the opera is as musically complex as any the more serious works penned by Britten, named the most frequently performed opera composer born in the 20th century by Opera America.

“’Albert Herring’ is a wonderful learning experience for our students because it features a large cast of characters, each of whom has significant musical, dramatic and vocal challenges,” said Bonnie Koestner, associate professor of music at Lawrence and vocal coach for the production. “With its theme of a young man’s awkward journey to manhood and independence, it is an ideal dramatic subject for college students.  This opera is a major undertaking for undergraduates, but our students have risen to the challenge admirably and are prepared to give our audience a very entertaining evening of musical theatre.”

The double-cast production features junior Ian Koziara and senior Issa Ransom as the titular character. Junior Zoie Reams and sophomore Elizabeth Vaughan play Albert’s overbearing mother. Senior Cayla Rosche and junior Gabriella Guilfoil play Lady Billows, an elderly autocrat, while senior Susan Borkowski and junior Graycie Gardner play Florence, Lady Billows’ companion.

Octavio Mas-Arocas conducts a 13-piece orchestra. Karin Kopischke served as the production’s costume designer and Steve Barnes designed the set. Dave Owens served as technical director while 2004 Lawrence graduate and New York City-based consultant Aaron Sherkow served as the production’s guest lighting designer.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.

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Wild Space Dance Company Bringing “Luscious Layers” to Lawrence University

Friday, January 4th, 2013

Weaving together nature, music, prose and a generous helping of humor, members of Milwaukee-based Wild Space Dance Company present “Luscious Layers/Fevered Sleep” Friday, Jan. 11 at 8 p.m. in Lawrence University’s Stansbury Theatre.

 Tickets, at $10 for adults, $5 for senior citizens and students, are available through the Lawrence University Box Office, 420 E. College Ave., Appleton, 920-832-6749.

The performance features Wild Space affiliate artists Monica Rodero and Daniel Schuchart, and vocalist/performer Amanda Schoofs in an evening of original work and premieres.

“Luscious Layers” fuses the sweet and forbidden, dreamy desires and tempting realities into full-bodied dances, including “In This Condition,” a solo piece about objects, actions and places that flows from spoken word to Mozart through movement, and “Here,” a duet blending dance and vocals.

Wild Space Dance Company has served as a company-in-residence at Lawrence since 2000, bringing professional dance to the Lawrence community and providing students principles of dance art in performance through classes and workshops taught by artistic director Debra Loewen and members of her company.

Named 2011 Artist of the Year by the Milwaukee Arts Board, Loewen has led Wild Space Dance Company for 25 years. Known for its site-specific dance events and artistic collaborations, the company merges dance with visual art, architecture and music to create inventive choreography and emotionally-charged performances. It has toured performance work to Chicago, Minneapolis, New York, South Korea and Japan.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.

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Tony Award-Winning Musical “The Drowsy Chaperone” Performed at Lawrence University

Thursday, October 18th, 2012

Four performances of Lawrence University’s production of the Tony Award-winning musical “The Drowsy Chaperone” will be staged Oct. 25-27 in Stansbury Theatre of the Music-Drama Center.

Curtain time is 8 p.m. each night with an additional 3 p.m. matinee performance Saturday, Oct. 27. Tickets, at $10 for adults and $5 for students and seniors, are available through the Lawrence Box Office, 920-832-6749.

A “musical within a comedy,” “The Drowsy Chaperone” parodies 1920s musicals with a show-within-a-show plot device. The show begins in the apartment of a character known only to the audience as Man in Chair, an agoraphobic Broadway fanatic who has acquired a recording of a fictional 1928 musical titled “The Drowsy Chaperone.” As he listens to the record, the musical’s characters appear in his apartment to tell the farcical story of fiancés Janet Van de Graaf, a Broadway chorus girl giving up show business for married life, and Robert Martin, an oil tycoon.

“This piece echoes the 1920s, the decade that developed our shared definition of Broadway, and through those references lets us explore our own ideas about entertainment and escape,” said Kathy Privatt, associate professor of theatre arts and the production’s director.

Associate Professor of Music Phillip Swan serves as the music director for the production, which is based on a book by Bob Martin and Don McKeller.

Among the 1920s-era musical clichés “The Drowsy Chaperone” spoofs are stock characters — a ditzy chorus girl, comic gangsters and a stiff English butler, among others — impromptu tap-dancing numbers and mistaken identities.

Freshman David Pecsi plays the Man in Chair, with juniors Madeline Bunke and Alex York portraying Janet Van de Graaf and Robert Martin. Junior Gabriella Guilfoil plays the titular character, the drowsy chaperone, an alcoholic stage diva tasked with keeping Janet away from Robert until the wedding.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a world-class conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,450 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.

 

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Baroque Opera “The Fairy Queen” Gets “Hippie” Update in Lawrence University Production

Friday, February 24th, 2012

Baroque composer Henry Purcell’s opera “The Fairy Queen” receives a modern adaptation in Lawrence University’s production of the fantastical tale of romance and magic. The opera will be performed March 1-3 at 8 p.m. and March 4 at 3 p.m. in Stansbury Theatre of the Music-Drama Center.

Tickets, at $10 for adults and $5 for senior citizens and students, are available through the Lawrence University Box Office, 920-832-6749.

Originally written as a “masque” — light entertainment featuring lavish costumes and scenery but nearly devoid of narrative — the opera was inspired by Shakespeare’s “A Midsummer Night’s Dream.”  The story follows four young lovers’ escape to an enchanted forest.

The updated adaptation, written by Professor of Theatre Arts Timothy X. Troy ’85, who also serves as the production’s director, replaces the anonymously written libretto with Shakespeare’s own words.

“I restored the actors’ text to the First Folio version before shaping a narrative that closely followed the story of the young lovers who are tricked in the forest by Puck, the most famous of all fairies,” said Troy.

His adaptation was inspired by the psychedelic cover art of fairies on an LP of English composer Benjamin Britten’s 1973 recording of “The Fairy Queen.” It transports the action to a hippie commune in the woods outside Athens, Ga., immediately after a tornado. The new and modern setting offered creative opportunities for the production team.

Costume designer Karin Kopischke ’80 playfully explores the eclectic fashions of hippie culture of the commune-dwelling fairies against the academic preppy and jockish culture of the quartet of young lovers and their pursuit of true love.

“Karin’s costumes are inspiring, lively and delightful,” said Troy. “She found ways to model the repurposing impulse of the period to create a delightful sense of surprise and individuality to each of the 60 costumes you see on stage.”

Rebecca Salzer, Lawrence Fellow in Dance who served as choreographer for the production, worked closely with a corps of six dancers to blend Purcell’s set dance pieces with popular dance forms from the 1960’s and early 1970’s.

“To support Tim’s melding of times and places in this production — Baroque music, Elizabethan theatre and a 1970’s American setting — the choreography also had to be a mix of styles,” said Salzer. “If you look closely, you’ll see movement inspired by 60′s mods, 70′s funk and even the occasional minuet.”

Because Purcell’s “The Fairy Queen” is considered a “semi-opera” — an amalgam of scenes from Shakespeare’s “A Midsummer Night’s Dream” and musical interludes — it presented special challenges and opportunities for Bonnie Koestner, associate professor of music, who served as the production’s vocal coach.

“The masque portions (musical interludes) reflect the mood and general spirit of the spoken scenes, but are not directly tied to a plot line,” said Koestner. “It’s somewhat like the difference between a musical revue with its diverse collection of numbers and a Broadway show like ‘Carousel,’ in which the music really does play a part in character development. Both Shakespeare and Purcell have given us works of genius and if the audience doesn’t worry about the lack of a single coherent plot, I think that they will find it very entertaining.”

Featuring some of the most famous music of the Baroque period with virtuosic arias and complex ensembles and choruses, “The Fairy Queen” offers its audience a stunning variety of vocal talent alongside innovative choreography and compelling acting.

“It’s a delight to integrate the talents of our strongest actors with those of our accomplished singers,” said Troy.

About Lawrence University

Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a world-class conservatory of music, both devoted exclusively to undergraduate education. Ranked among America’s best colleges, it was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,445 students from 44 states and 35 countries.

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Tim Troy’s “The Life of Me” Gets Reading at Minneapolis Theatre

Monday, December 12th, 2011

The latest playwriting project of Tim Troy, professor of theatre arts at Lawrence University, “The Life of Me,” will be performed Monday, Dec. 19 at the Playwrights Center in Minneapolis, Minn., as part of the company’s Members Stage Reading series.  The reading, at 6:30 p.m., is free and open to the public.

Professor of Theatre Arts Tim Troy

The reading, which explores many of the cultural and political conflicts that marked the period from 2003-05, features Katie Hawkinson ’09 in the role of Julie and veteran Milwaukee area actor Jacque Troy in the lead role of Kate, along with some of the Twin Cities best actors. An earlier version of the play was presented at Lawrence in the spring of 2006.

A parent’s capricious demand to inflate her son’s grade threatens Kate’s career. Surrounded by eclectic siblings who’ve conspired to reconcile an on-going family crisis, Kate desperately seeks renewed stability in her personal and professional relationships. She turns to art, literature and religion to lead her past doubt, learning that even a middle school teacher is vulnerable to those who will use faith as a weapon.

Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a world-class conservatory of music, both devoted exclusively to undergraduate education. Ranked among America’s best colleges, it was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,445 students from 44 states and 35 countries.

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Luigi Pirandello’s Tragicomic Masterpiece “Henry IV” Comes to Stansbury Theatre

Tuesday, October 25th, 2011

Four performances of Lawrence University’s production of Sicilian playwright Luigi Pirandello’s tragicomic masterpiece “Henry IV” will be staged Oct. 27-29 in Stansbury Theatre of the Music-Drama Center.

Performances are at 8 p.m. each night with an additional 3 p.m. matinee on Saturday, Oct. 29. Tickets, at $10 for adults and $5 for senior citizens/students, are available through the Lawrence Box Office, 920-832-6749.

A study in madness, the play follows an Italian aristocrat who, at a historically themed party, is thrown from his horse and comes to believe himself to be the character he portrayed — Henry IV, Holy Roman Emperor — setting off a near-20-year hoax, complete with a recreated throne room and attending knights. Di Nolli, the aristocrat’s nephew, pays a visit seeking to fulfill his mother’s dying wish that “Henry” finally be cured of his delusion.

“It’s a great privilege to introduce my students and the larger community to a play that examines such complex questions with humor and striking theatricality,” said Timothy X. Troy, professor of theatre arts and J. Thomas and Julie Esch Hurvis Professor of Theatre and Drama, who will direct the production.

The play features costuming by new department designer Karin Kopischke, a 1980 Lawrence graduate, who mixes the latest Italian fashions with all the trappings of an 11th-century German king.

Senior Kyle Brauer plays the title character madman and sophomore Madeline Bunke portrays Matilda, who spurned Henry’s love before his accident. Senior Hannah Kennedy plays Frida, Matilda’s daughter, whose resemblance to her mother plays a key part in the family’s attempt to restore Henry’s sanity.

Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a world-class conservatory of music, both devoted exclusively to undergraduate education. Ranked among America’s best colleges, it was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,445 students from 44 states and 35 countries.

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Shakespeare’s “The Tempest” Gets East Asian Treatment in Lawrence Senior Experience Production

Friday, April 29th, 2011

William Shakespeare’s classic “The Tempest” gets an East Asian interpretation in four performances May 5-7 of Lawrence University’s theatre arts production.

The story of love, revenge and redemption will be staged at 8 p.m. each day with an additional 3 p.m. matinee on Saturday, May 7 in Cloak Theatre of the Music-Drama Center.

Tickets, at $10 for adults and $5 for senior citizens and students, are available through the Lawrence University Box Office, 920-832-6749.

The production is a collaborative Senior Experience of 10 graduating theatre arts majors.

“The variety of knowledge and experience brought to the table both on the stage and in terms of design is astounding,” said student director Andi Rudd. “The design of the island and its inhabitants invokes elements of Shintoism, Buddhism and traditional Japanese folklore, while the court and the text of the play remain traditional European.”

The familiar narrative follows Prospero, the rightful Duke of Milan, now dwelling in exile as a sorcerer on a magical island with his daughter Miranda, the monstrous Caliban and the spirit Ariel. Their island life is interrupted when a shipwreck brings King Alonso and his crew, including Prospero’s usurping brother, Antonio, and Miranda’s future lover, Ferdinand, to its strange shores.

Rudd said the production should provide closure both for the seniors involved in the production as well as this year’s freshman class.

“‘The Tempest’ was one of their Freshman Studies works this year, so hopefully they will find the show to be an entertaining close to their first year at Lawrence as the seniors finish their college careers with this final production.”

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Machiavelli’s “The Mandrake” Gets Contemporary Adaptation in Theatre Arts Production

Friday, February 25th, 2011

Nicolo Machiavelli’s 16th-century devious comedy “The Mandrake” gets a 20th-century adaptation in four performances of Lawrence University’s theatre production. The play will be staged March 3-5 at 8 p.m. with an additional 3 p.m. matinee on March 5 in Cloak Theatre of the Music-Drama Center.

Tickets, at $10 for adults and $5 for senior citizens and students, are available through the Lawrence University Box Office, 920-832-6749.

The adaptation, written by Timothy X. Troy, professor of theatre arts and J. Thomas and Julie Esch Hurvis Professor of Theatre and Drama, sets the play in 1962 in Florence, Italy. The fast-paced conspiracy follows Callimaco, a young man smitten with the beautiful, virtuous and, unfortunately for him, already-married Lucrezia. Nicia, Lucrezia’s husband, is an educated, but-not-overly-bright tightwad who desperately wants children. Six years into his marriage, though, he has yet to produce any offspring. The story cleverly unfolds in a twisting and twisted pattern.

Among Troy’s tweaks to the original story is having Callimaco return to Italy from America, rather than Paris. The change provided director Kathy Privatt numerous possibilities for interesting music choices.

“We’ve compiled a playlist that includes American hits from the late 50’s-early 60’s and Italian pop songs from the same period, including some directly influenced by the U.S., and Elvis in particular,” said Privatt, associate professor of theatre arts and James G. and Ethel M. Barber Professor of Theatre and Drama.

An original story by Machiavelli, rather than an adaptation of a Greek or Roman source as was common at the time, Privatt says “The Mandrake” still has the ability to surprise us today.

“Choosing to direct this adaptation of Machiavelli’s work was easy,” said Privatt. “Tim’s adaptation stays true to the events in the original script, keeping the events in Florence but giving it a bit more contemporary time frame. That change gives us more ways to connect to the ideas in the play as well as reminding us that history does repeat itself.

“Best of all, with its fast-paced fun, this play requires our actors to be at the top of their game where the stakes are greatest and so are the rewards.”

Senior Nate Peterson portrays the love-struck Callimaco. Junior Aubrey Neuman plays the smart, young Lucrezia, while freshman Eric Smedsrud is cast as her homebody husband Nicia. Senior Kyle Brauer portrays Ligurio, the scheming mastermind behind the plan that drives the play.

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