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Category: Academics

Biofest

Friday, May 17 | 10 a.m.-7 p.m.
Warch 324 – Somerset Room

Biofest is culmination of the Biology Senior Experience at Lawrence. At this event, senior biology, biochemistry, and neuroscience students will present their self-designed Senior Experience projects to the Lawrence University community.

This is a come-and-go event where you can drop in and attend for as long as you are able. Students will be presenting posters as well as other products to display their senior experience projects.

Richard A. Harrison Symposium

Saturday, May 18 | 9 a.m.-12:30 p.m.
Main Hall

Celebrate and recognize over 30 outstanding student research projects.

Student presenters have been nominated by faculty sponsors and are being recognized for outstanding work in humanities or social science disciplines. Each year, one project receives the Richard A. Harrison Award.

Read more about the Symposium

Schedule of Events

  • 8-9 a.m. | Welcome Reception | Steitz Atrium
  • 8:30 a.m. | Remarks by Provost Blitstein | Steitz Atrium
  • 9-10:30 a.m. | Session 1
  • 10:45 a.m.-12:15 p.m. | Session 2
  • 12:15 p.m. | Lunch | Andrew Commons
    Guests and participants who wish to eat in the Commons will receive a voucher to cover the cost of their meal.

Session 1 | 9-10:30 a.m.

Room 104 | Moderator: Sara Ceballos (Musicology)

  • Dana Abbo: “Reading with the Ear: A Sonic and Musical Analysis of Virginia Woolf’s Mrs. Dalloway
  • Evan Ney: “Poetic Soundscapes: Linking Sound and Meaning in Dickinson’s Civil War Poetry”
  • Charlotte Trumble: “Freistadt: Soundscapes and Poetry”

Room 201 | Moderator: Gustavo Fares (Spanish)

  • Linnea Morris: “Mujeres en mariachi: La presencia permanente de mariacheras en el scenario del mariachi”
  • Riley Winebrenner: “El uso de bananas en el arte brasileño: de antropofagia a tropicalismo”
  • Elena Yank: “Todo sobre la apariencia: La mirada masculina, la autenticidad de género y el monólogo de Agrado en Todo sobre mi madre de Pedro Almodóvar”

Room 211 | Moderator: Garth Bond (English)

  • Owen Davies: “Technology and the Body in the Films of David Cronenberg”
  • Patience Garcia: “’The Skeleton Behind the Man’: Skeletal Metaphors in Thomas Hardy’s Tess of the d’Urbervilles
  • Katarina Stanley: “What is AI anyhow? What am I? and What are You?: A Response to Walt Whitman’s Leaves of Grass from a Contemporary Perspective”

Room 216 | Moderator: Linnea Ng (Psychology)

  • Grace Fox: “Can Caregivers Accurately Report on their Child’s Rumination?”
  • Finneas Frawley: “From Identity to Intimacy: Exploring Transgender People’s Dating Attitudes towards Gender Experience”
  • Nell Rudoff: “The Observer Perspective in Music Performance Anxiety among College Students”
  • Caleb Yuan: “Leaning Strategies: Motivation and COVID Stress”

Room 401 | Moderator: Jason Brozek (Government)

  • Rain Orsi: “Democracy’s Downfall?: Investigating a Second Wave of Electorate Shift in South America”
  • Noah Stevenson: “A Light in the Darkness?: The Role of Italy in a Worsening Crisis of Irregular Migration in the Mediterranean Sea”
  • Gabrielle Wood: “Untangling the Afghani Puzzle: Pashtun Culture, Taliban Totalitarianism, and Women’s Rights”

Room 404 | Moderator: Brigid Vance (History)

  • Madeleine Tevonian: “Synethetic Symbolism: Community Engagement with the Sacred at Buddhist Stupas” (winner of the 2023 Richard A. Harrison Award for Research in the Humanities and Social Sciences”

Session 2 | 10:45 a.m.-12:15 p.m.

Room 104 | Moderator: Mark Jenike (Anthropology)

  • William Brenneman, Katie Costanzo, and Megan Graffagna: “Evaluating the Food to Grow Initiative: Exploring Children’s Food and Nutrition Knowledge and Educational Programming at the Building for Kids”

Room 201 | Moderator: Madera Allan (Spanish)

  • Grace Hanson: “El sonido y la definición de comunidad en Carmen y Lola de Arantxa Echevarría”
  • Reese Pike: “Carne asada y casas de muerte: El narcocorrido en Dreamland

Room 211 | Moderator: Victoria Kononova (Russian)

  • Lorcan Baxter: “You Can’t Go Home Again: Nostalgia and Modernity in Rachmaninoff’s Trois Chansons Russes
  • Lydia LeMoine: “An Analysis of the Historical and Political Influences on Gender Based Violence in Kyrgyzstan”
  • Noah Stevenson: “Love as Faith: Finding Inspiration and Beauty in Soloviev’s ‘The Meaning of Love’”

Room 216 | Moderator: Claire Kervin (English)

  • Dana Abbo: “Perfect Sum of Perfect Parts: Disability and Deformity as the Foundation of Utopia in Sarah Scott’s Millenium Hall
  • Lauren Dahl: “The Pen as Power: Evelina’s Epistolary Form and Narrative Control”
  • Lainie Yank: “‘I Still Need Her With Me’: Motherhood, Loss, and Lack in Joan Didion’s Blue Nights

Room 401 | Moderator: Sigma Colón (Environmental Studies & Ethnic Studies)

  • Hannah Amell: “The Wellbeing of Trans Youth through the Lens of Policy: A Review of American Literature”
  • Anders Hanhan: “A Bird’s Eye View of Food Insecurity: Using Mapping Methodology to Assess Risks and Resiliency Connected to Urban Food Access”
  • Ashley Tang: “Boulder’s Housing Affordability Crisis: An Analysis of the Convergence of Airbnb-Driven Gentrification, Urban Growth Regulations, and Tourism Development in Boulder, Colorado”

Room 404 | Moderator: Jake Frederick (History)

  • Nora Briddell: “Leslie Feinberg (1949-2014): Remembering a Revolutionary Communist”
  • Chris Dakich: “The Alchemy of Coffee: Penetrating Insights into the Relation between Coffee, Libido, and the Rise of Modernity in Late Seventeenth Century England”
  • Samuel Schuler: “Brutality at Waxhaws and Exhaustion at Cowpens: How Banastre Tarleton Lost the Battle of Cowpens”

Study Abroad Photo Contest

Vote for your favorite photos!

The study abroad photo gallery will be on display in the Warch Gallery (outside Somerset) until May 12. Stop by and vote for your first and second place choices.

The votes will be tallied by May 12, and the winner will be announced May 13.

The 2024 Off-Campus Programs Photo Contest is open to any student who studied abroad Spring 2023-Winter 2024 and is a current LU student! Please complete this form and submit up to three photos. 

Photos will be printed and displayed in a gallery format the week of May 6 in Warch Campus Center. Additionally, a virtual online gallery will be available. Students, faculty, staff, visitors, and the community will be able to vote on photos the entire week of May 6.  

A winner and runner-up will be announced May 13. In the event of a tie, a winner and runner-up will be chosen at random.

A first prize and a runner-up will be awarded in the amount of $40 and $25 Viking Gold respectively. If you have any questions, please email OffCampusPrograms@lawrenc.edu.

The deadline to enter is April 29!

Recent Advances in Biology Lecture Series: Dr. Amina Pollard ’95

Lakes in our landscape: perspectives from a large-scale sampling program 

Monday, May 6 | 3:10 p.m.
Warch Cinema

While there are many local and regional sampling efforts in lakes across the U.S., it is often difficult to compile this information into a cohesive framework to make national-scale conclusions. To address this gap, the U.S. Environmental Protection Agency partners with States and Tribes to implement the National Lakes Assessment, which is a national-scale, coordinated lake sampling program. The resulting data include colocated biological, chemical, habitat, and human use measures that are available to the scientific community.

Dr. Amina Pollard, Lawrence class of 1995, will provide a brief overview of the project and discuss some of the ways the results have been used to better understand lakes.

Artist Talk with Jan Serr

Wednesday, May 1 | 12-1 p.m.
Wriston Art Galleries

Artist Jan Serr will discuss her exhibition, Face It, which explores her substantial body of work in self-portraiture in painting, drawing, and print mediums from different moments in her prolific career. In addition to demonstrating Serr’s deft touch and command of visual forms, the self-portraits reveal her ability to convey multiple aspects of her own personality and a wide range of emotional responses.

Alumnus speaker: Sam Smith ’12

Archives, Agency, and the Artistic Labor of Dance from Chicago to Las Vegas at Mid-Century

Monday, May 6 | 7-8:30 p.m.
Main 201

Sam Smith ’12 (Ph.D. candidate, History, Michigan State University) will present her current research on gender, labor and the entertainment industry in mid-twentieth-century America. Smith holds an M.A. in Public History from Loyola University and is a former archivist at the Newberry Library.

An evening of poetry with Ernest Hilbert

Thursday, April 25 | 7-8 p.m.
Wriston Art Galleries

Poet, critic, and editor Ernest Hilbert gives a reading in the Wriston Art Galleries.

About Ernest Hilbert

Born in Philadelphia and raised in southern New Jersey, poet, critic, and editor Ernest Hilbert received a BA from Rutgers University and a PhD in English literature from St. Catherine’s College of Oxford University, where he studied with James Fenton and Jon Stallworthy.

In his debut collection, Sixty Sonnets (2009), Hilbert establishes a variation on the sonnet form, employing an intricate rhyme scheme and varied line length. A skillful practitioner of form and nuance, Hilbert shifts between delicately sonic moments and humorous narrative sequences. As poet and critic Adam Kirsch noted of the poems in Sixty Sonnets, “In these sonnets, whose dark harmonies and omnivorous intellect remind the reader of Robert Lowell’s, Hilbert is alternately fugitive and connoisseur, hard drinker and high thinker.” Hilbert’s second collection, All of You on the Good Earth (2013), returns to his idiosyncratic, highly inventive sonnet form.

Hilbert founded the Oxford Quarterly and E-Verse Radio. He has also served as editor of both the Contemporary Poetry Review and Random House’s magazine Bold Type. Hilbert’s work has been included in The Swallow Anthology of New American Poets (2009), and he has collaborated with composers such as Daniel Felsenfeld, Stella Sung, and Christopher LaRosa. His spoken word album, Elegies & Laments (2013), includes tracks of Hilbert’s poems backed by his band, Legendary Misbehavior.

Science Hall Colloquium

Monday, April 22 | 4:30-5:30 p.m.
Steitz 102

Forest and agricultural soils are home to vast quantities of soil microbe communities, yet we have only scratched the surface when it comes to understanding these systems. Dr. Relena Ribbons’ lab blends tools and approaches from forestry, ecology, biogeochemistry, and soil microbiology to investigate these communities. She will share insights from studies she and her research students have conducted across the region: Bjorklunden’s forest of cedars and maples along the shoreline of Lake Michigan; a network of sites in the woods of Peninsula and High Cliff State Parks; and here on the Lawrence campus, using soil microbiological markers to examine polyculture practices of co-planting tomatoes with marigolds.

Dr. Cynthia Moss Talks

Phi Beta Kappa Visiting Scholar Lecture

Using Sound to Navigate the World: Echolocation by Bats and Blind Humans.

Thursday, April 25 | 7:30-9 p.m.
Wriston 224 – Auditorium

Humans tend to rely heavily on vision to navigate, but blind individuals must make use of other senses. In this lecture, Dr. Moss will present details on the sound features that are used for echolocation by animals and blind humans and the acoustic cues they use to localize objects in the environment. She will also discuss the contribution of spatial attention and memory to the execution of behavioral tasks without vision. By comparing echolocating animals and humans, we can identify biological specializations and general principles that operate to support spatial navigation

Learn more about the Visiting Scholars Program and Dr. Cynthia Moss.

RABL Speaker

The role of action in perception of the natural environment

Friday, April 26 | 3:10-4:30 p.m.
Warch 204 – Cinema

As we move through the natural environment, our distance and direction to objects continuously change. How does movement influence perception of the surroundings? Decades of research on perception has measured performance of stationary subjects viewing visual stimuli, and far less is known about perception of freely moving animals that rely on auditory information to guide their actions in the physical world. Dr. Moss’s lecture will attempt to bridge this gap by considering the behavior of animals engaged in natural tasks in complex environments. She will present a variety of examples but will focus on echolocating bats, animals that produce high frequency sounds and process auditory information carried by returning echoes to guide behavioral decisions for object localization, target discrimination, and navigation. I will present research findings that demonstrate the remarkable spatial resolution of animal sonar, which exceeds that of human vision along some dimensions.

About Dr. Moss

Dr. Cynthia Moss

Dr. Cynthia Moss received a Bachelor of Science from the University of Massachusetts, Amherst, and a Ph.D. from Brown University. She was a Postdoctoral Fellow in Tübingen, Germany and a Research Fellow at Brown University before joining the faculty at Harvard University in 1989. At Harvard, Moss received the Phi Beta Kappa teaching award and the NSF Young Investigator Award. In 1995, she moved to the University of Maryland, College Park, where she served as Director of the Neuroscience and Cognitive Science Program. In 2014, Moss joined the faculty at Johns Hopkins University, where she is professor of psychological and brain sciences. Her recent awards include the Hartmann Award in Auditory Neuroscience (2017), the James McKeen Cattell Award (2018), and the Alexander von Humboldt Research Prize (2019).

Art Talk: Eric Garcia

Wednesday, April 17 | 4:30-5:30 p.m.
Wriston 224 – Auditorium

Come hear artist Eric Garcia talk about his art practice referencing history and a graphic style to create political art that confronts our understanding of the present. Using sculpture, mixed media installations, murals, printmaking and his controversial political cartoons, he aims to challenge his viewers to question sources of power and the whitewashing of history. Eric Garcia’s visit is made possible by the Harold and Mary Donn Jordan Fund for the Arts.

This talk is free and open to the public.