Conservatory

Category: Conservatory

ImprovisationaLU: Two-day festival features some of music world’s best improvisers

New York City’s Jen Shyu and England-born, California-based  guitarist/composer Fred Frith headline a two-day music festival at Lawrence University devoted to all things improvisation.

A photo of Jen Shyu plays "gayageum," a traditional Korean zither-like instrument.
Jen Shyu performs her “Solo Rites: Seven Breaths” on the opening night of the ImprovisationaLU festival. Photo: National Gugak Center.

Shyu and Frith will be among five artists performing Sept. 23-24 for the first “ImprovisationaLU” in the Warch Campus Center. All festival performances are free and open to the public.

Festival organizer Sam Genualdi, a senior from Evanston, Ill., said he wanted to showcase artists “who haven’t previously had a strong voice on campus.”

“These are people I’ve been listening to for a long time,” said Genauldi, who has played guitar with the Lawrence Faculty Jazz Quartet pm several occasions. “The festival is designed to provide a forum for artists who are pushing the boundaries of their musical communities. There will be something there for people who are already knowledgeable about improvised music as well as those who are simply curious about it.”

Shyu, an experimental jazz vocalist, composer, dancer and multi-instrumentalist, takes the stage Friday evening for a performance of her critically acclaimed composition “Solo Rites: Seven Breaths.” The personal story of loss and redemption examined through the lens of modern world hardships combines vocals and dance with a variety of instruments, including piano, the Taiwanese moon lute and gayageum (a traditional Korean zither-like instrument).

Classically trained in opera, violin and ballet, Shyu has recorded six albums, including her most recent, “Sounds and Cries of the World,” which the New York Times included on its list of “Top 10 Best Albums of 2015.” Music critic Ben Ratliff has called Shyu’s concerts “the most arresting performances I’ve seen over the past five years..she seems open, instinctual, almost fearless.”

A photo of Fred Frith with his guitar.
Fred Frith will perform a solo gig before teaming with White Out on Sept. 24.

Frith performs Saturday as a solo act as well as for the first time with the two-person experimental band White Out.

In a career spanning more than four decades, Frith has performed with numerous bands, including the British avant-rock group Henry Cow, Skeleton Crew and Keep the Dog. Best known for his genre-bending and innovative work with the electric guitar, Frith currently leads the Gravity Band and Cosa Brava, an experimental rock and improvisation quintet he helped found in 2008. He also leads Eye to Ear, which performs and records film and theatre music composed by Frith.

The schedule for ImprovisationaLU:

FRIDAY, SEPT. 23
• 8 p.m.-9 p.m. Matt Turner and Hal Rammel.  Turner, a 1989 graduate of Lawrence and current lecturer in the Lawrence conservatory, has established himself as one of the world’s leading improvising cellists. He has performed on more than 100 recordings with artists ranging from jazz violinist Randy Sabien and goth vocalist/pianist Jo Gabriel to punk artist Kyle Fische and alt-country band Heller Mason.

Rammel is a composer and improviser who performs on musical instruments of his own creation. In the 1980s, he was an active member of Chicago’s experimental and improvised music scene. In 2007 he organized the quartet The LOST DATA Project and founded the Great Lakes Improvising Orchestra in 2011 to explore large ensemble open form and structured improvisation.

• 9:15 p.m.-10:30 p.m., Jen Shyu, “Solo Rites: Seven Breaths.” Shyu will conduct an audience Q & A following her performance.

A photo of Minneapolis-based rapper/beatboxer Carnage the Executioner (Terrell Woods).
Rapper/beatboxer Carnage the Executioner kicks off the second night of the ImprovisationaLU festival.

SATURDAY, SEPT. 24
•  7:15 p.m.-8:15 p.m. Carnage the Executioner (Terrell Woods). Minneapolis-based Carnage is a rapper and beatboxer known for his lyrical dexterity and uncanny ability to compose musical symphonies with his mouth through beat boxing.

•  8:30 p.m. – 9:15 p.m. Fred Frith

•  9:15 p.m.-10:15 p.m. White Out with Fred Frith. A product of the Chelsea neighborhood of New York City, White Out is the husband-wife team of percussion maverick Tom Surgal and synthesizer artiste Lin Culbertson, who also plays autoharp, flute and mystery electronics while providing vocals. Musical experimentalists to the core, White Out released its seventh album, “Accidental Sky,” in 2015. With its “spiritual jams from the outer regions…spastic, feedback-laden licks and massaging and stabbing beats that resemble a voodoo ceremony,” it landed on the New York Observer’s 2015 list of “best experimental albums.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.”  Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence music education team “a difference maker” for Appleton’s annual Mile of Music festival

MoM_poster_newsblogIf you’re not already familiar with gumbooting or boomwhackers, Leila Ramagopal Pertl ’87 can’t wait to introduce you to them.

Pertl serves as the music education curator of Appleton’s four-day Mile of Music festival, a celebration of original music featuring more than 850 live performances by 240 artists from 28 states and four countries at 70 venues along College Avenue and the Fox River. The fourth iteration of the handcrafted artisan festival — Mile Four — runs Aug. 4-7.

Since its launch in 2013, music education has been a central and defining component of the festival. And Ramagopal Pertl, along with her husband, Brian Pertl ’86, dean of the Lawrence Conservatory of Music, have been at the forefront of those efforts, leading a team of 16 dedicated music educators, most of whom are Lawrence graduates or current students.

“Brian and Leila were two of the first people we met with about the Mile of Music concept,” said festival co-founder Dave Willems. “The Music Education Team has evolved through them into one of the highlights of the festival for attendees, artists and organizers alike. They immediately saw this as a neat community-campus collaboration and the enthusiasm of the entire education and interactive team has never wavered.”

Calling music “a birthright,” Ramagopal Pertl will oversee 59 hands-on education workshops and hands-on performance opportunities over the course of the festival for music lovers of all ages. Everything from ukulele and Didjeridu to Irish dance and Balinese Gamelan will be represented.

For the uninitiated, gumbooting, a powerful, percussive dance developed in South African mines during apartheid, and boomwhackers, pitched tube instruments used to create rhythms and grooves, also will be among the eclectic mix of education sessions.

Mile-of-Music-'16_newsblog“It’s an incredible privilege to have a world-class music festival right here in Appleton that puts music education at its very core and that is willing to embrace the power of community music-making,” said Ramagopal Pertl, who is a music education instructor at the Lawrence conservatory as well as an instructor of harp at the Lawrence Academy of Music.

One of the new workshops this year will feature Jose Corey Torres, a 2012 Lawrence graduate also known as “Knowledge.” Torres will lead three different hip-hop poetry and beats workshops for ages 8-12, 13-16 and 17 through adult.

Torres, who grew up in New York City’s Harlem neighborhood, was inspired by Ramagopal Pertl’s passion for the festival’s music education events to get involved this year.

“I’m someone who loves working closely with people,” said Torres, a firm believer in the power of spiritual awareness. “It’s always a good feeling when someone sees the gift you have and encourages you to share that gift with others who could benefit from it.

“We all have a story to tell, some are aware of the power it holds and some are not,” Torres added. “Through my artistry I strive to be a positive resource for those who need the extra push.”

“There are a lot of reasons Mile of Music has taken on such a unique flavor, but the fact that we have such an amazing institution like Lawrence University as a core partner has been one of the keys from the start.”
    — Dave Willems, Mile of Music co-founder

Torres said his workshops will focus on the art of writing lyrics.

“Writing song lyrics is much easier than people think. I’d love to share why songs are written and help bring the artistry out of those who choose to participate. When I first wrote a song as a teenager, it derived from my personal experiences I felt needed to be expressed outwardly. What started out as a journal entry, later turned into a song. Since then I’ve been super connected to the art of writing and projecting my lyrics on different styles of beats.”

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Corey Torres ’12 will lead three hip-hop poetry and beats workships during this year’s Mile of Music festival.

Ramagopal Pertl said Torres’ artistry and ability to make people feel comfortable made adding him to the team “a slam dunk.”

“Corey is a fantastic artist and an incredibly genuine human being. I knew from my first conversation with him that he needed to be part of the team,” said Ramagopal Pertl. “Hip-hop is a great opportunity to dive deep into the ideas and emotions and express them back in poetry and music. It is an important and relevant art form that our community will love to experience.”

Also new to this year’s education sessions is a collaboration with the Fox Valley Chapter of the National Alliance on Mental Illness (NAMI), featuring singer/songwriter Paul Demer and other musicians who have addressed mental health through the power of music.

The session, at 10 a.m. Saturday (8/6) in Harper Hall of Lawrence’s Music-Drama Center, will be a rich experience of personal stories, music performances, education and performer-audience conversation surrounding mental illness. This event also will feature Val Neff ’13 and I Dewa Ketut Alit Adnyana, director of Lawrence’s Gamelan Cahaya Asri.

“One of the things Paul and I are both passionate about is destigmatizing mental illness and bringing mental health to the fore,” said Ramagopal Pertl. “Music is not just about performance, it is not just about entertainment, it is a way of life. Music holds incredible power to help process important issues like mental illness.”

Among the new members of the music education team this year is Matthew Arau, assistant professor of music education and associate director of bands at Lawrence. His close relationship with the large brass instrument manufacturing company Conn-Selmer will enable the festival to host its first pBone fun zone. Conn-Selmer will provide 40 colorful pBones —plastic trombones — so anyone, even those with no previous experience can learn how to play the trombone.

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Leila Ramagopal Pertl ’87 has been the music education curator for the Mile of Music since the festival was launched in 2013.

“There are a lot of reasons Mile of Music has taken on such a unique flavor, but the fact that we have such an amazing institution like Lawrence University as a core partner has been one of the keys from the start,” said Willems. “To be able to weave that creativity, talent and passion from the educators into our overall program and to do it so seamlessly, has been a difference-maker for us.”

Other members of this year’s music education team include Nick Allen ’14, Ilan Blanck ’17, Sarah Clewitt ’17,  Joseph Connor ’15, Patricia Darling ’85, Nestor Dominguez ’14, Melissa Fields, Sean Goldman ’18, Eli Grover ’11, Adam Korber ’17, Jaclyn Kottman ’12, Chris Misch-Bloxdorf ’13, Sarah Phelps ’07,  Mike Pope ’12, Dan Reifsteck ’15, Luke Rivard ’15 Becca Shuman ’15, Kennison Ther ’16 and Marshall Yoes ’14.

Beyond the music educators, Lawrence alumni will be well represented on the performance stages by 2016 graduate Mariantonia Longhi, Ross Catterton ’08, The Crowe Brothers and Porky’s Groove Machine.

Proceeds from Mile of Music support, in part, the Mile of Music Education Fund within the Appleton Education Foundation to further emphasize music education in the community. In addition to Lawrence, music education events are supported by the Community Foundation for the Fox Valley Region, Inc. and Jewelers Mutual Insurance Co.

Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence Jazz Series welcomes guitarist Kurt Rosenwinkel

Trailblazing guitarist Kurt Rosenwinkel and his New Quartet band close out Lawrence University’s 2015-16 Jazz Series Friday, May 13 at 8 p.m. in the Lawrence Memorial Chapel.

Tickets, at $25/$30 for adults, $20/$25 for seniors and $18/$20 for students are available through the Lawrence Box Office, 920-832-6749.

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Kurt Rosenwinkel

During his 25-year career, Rosenwinkel, who lives in Berlin, Germany, has evolved the language of jazz in a way few other guitarists have since his arrival on the scene. He won the 1995 Composer’s Award from the National Endowment for the Arts and since has released 10 studio albums.

He also has been featured on more than 75 other albums, including hip-hop veteran Q-Tip’s “Renaissance” project. His extensive list of collaborations includes such dynamic peers as Brad Mehldau, Brian Blade, Joshua Redman and Chris Potter as well as jazz elders Joe Henderson, Paul Motian and Gary Burton.

“Kurt is both unique and very steeped in bebop tradition,” said Steve Peplin, who teaches jazz guitar at Lawrence. “His earlier work really shows how deeply rooted he is in the language of jazz. His compositions, on the other hand, are very modern, often informed by the new augmented-scale thing happening around the globe, but much more deep than just another harmonic concept Kurt reminds me of Lennie Tristano in the way he synthesizes the old and the new.

“His emphasis on tone and a light touch, combined with singing his lines in unison with his guitar creates a ghostly sonority not often heard in modern jazz guitar,” Peplin added.

Rosenwinkel says his music is about “the relationship that we each have with the universe at large and how we use our intuition to hear what it is telling us.”

His most recent album, 2012’s “Star of Jupiter,” which he says came to him in a dream, underscores that concept, transporting “listeners on a journey toward discovery, truth and ultimately peace.”

It features his New Quartet band — pianist Aaron Parks, bassist Eric Revis and drummer Justin Faulkner — a fiery group of rising stars and veterans-in-the-making.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Mnozil Brass, Children of the Light Trio highlight Lawrence’s 2016-17 Performing Arts Series

World-renowned Mnozil Brass and the impeccable Children of the Light Trio headline a diversely talented array of artists Lawrence University’s 2016-17 Performing Arts Series.

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Mnozil Brass performs March 29, 2017.

Subscriptions for both the Artist and Jazz series are on sale now. Subscribers may choose from either series or a “Favorite 4” package, with discounts available to senior citizens and students. Single-concert tickets go on sale Sept. 16. For more information, contact the Lawrence Box Office, 920-832-6749 or boxoffice@lawrence.edu.

All concerts are held in the Lawrence Memorial Chapel.

Mnozil Brass visits Lawrence March 29, 2017. Since it’s founding in 1992, the Austrian brass septet has established itself as one of the world’s premiere brass ensembles, captivating audiences with its blend of virtuosity and theatrical wit. With more than 130 performances a year, they have sold out concert halls around the world.

“I know this is an incredibly overused phrase, but the Mnozil Brass concert is an absolute ‘must-see’ event,” said Marty Erickson, an instructor of tuba and euphonium in the Lawrence conservatory. “They play everything from Bach to Zappa, from the classics to new movie music and it is all surrounded with choreographed theater and dance moves and a massive dose of humor.

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Children of the Light — Brian Blade, Danilo Perez and John Patitucci — will be the second concert of the Fred Sturm Jazz Celebration Weekend Nov. 5.

“Not only are they considered the finest brass ensemble of its kind in the world, they do it all seemingly effortlessly with great fun,” Erickson added. “Imagine hearing Debussy and then Queen’s “Bohemian Rhapsody” or an opera excerpt followed by Stevie Wonder’s “Superstition.” While most of the members have classical-based backgrounds, they also are versatile in jazz, pop and more. They are a hoot!”

The members first met at the Vienna Conservatory as young brass musicians. In the ensuring years, they have embraced repertoire from classical and folk to jazz and pop, all executed with the same fearlessness and immense technical skill.

“Not only are they considered the finest brass ensemble of its kind in the world, they do it all seemingly effortlessly with great fun.”
— Marty Erickson on Mnozil Brass

Children of the Light, featuring three members of the Wayne Shorter Quartet, performs Nov. 5 as part of the Fred Sturm Jazz Celebration Weekend.

The three multiple Grammy Award winners — keyboardist Danilo Perez, cellist John Patitucci and percussionist Brian Blade — celebrate Shorter’s old and new compositions. Their three-way conversations produce a collective improvisation, unfolding and constructing music like a rhythmic and smoldering chamber recital. As they apply their considerable individual talents to the trio, each member maintains his own distinct personality.

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Clarinetest David Shifrin, violinist Ani Kavafian and pianist Andre-Michel Schub open the Artist Series Oct. 7.

“When these three virtuosos come together, they bring layers of intricate melodies, rhythm and textures, which is explosive,” said José Encarnación, director of Lawrence’s jazz studies program. “Just as light naturally stimulates sights and makes things visible, so does this trio. They bring enlightenment and illumination to all their audiences.”

While Children of the Light is partially defined by the absence of Shorter, they add new influences, particularly of Latin and jazz, that are uniquely their own.

The Kavafian–Schub–Shifrin Trio opens the Artist Series Oct. 7. Friends for 25 years, violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin form a trio with palpable chemistry. Each is a member of the Chamber Music Society of Lincoln Center.

Kavafian is one of the most sought after chamber musicians in the country as well as a frequent soloist. Shifrin has appeared in critically acclaimed recitals across the country and is a frequent major orchestra soloist. As a piano recitalist, orchestra soloist and chamber musician, Schub has earned critic and audience acclaim since launching his career more than 30 years ago.

The trio’s programs include themes of dance, folk and French connections, highlighting a diverse range of 19th- and 20th-century works.

“Just as light naturally stimulates sights and makes things visible, so does this trio. They bring enlightenment and illumination to all their audiences.”
— José Encarnación on Children of Light Trio

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The internationally acclaimed Elias String Quartet graces the Lawrence Memorial Chapel stage Feb. 3.

The Elias String Quartet, internationally acclaimed as one of the leading ensembles of its generation, performs Feb. 3, 2017. Known for its intense and vibrant performances, the quartet has traveled the globe collaborating with some of the finest musicians and playing in the world’s great venues.

In 2015, the quartet completed their ground-breaking Beethoven Project, performing and recording the complete string quartets of Beethoven. The project was broadcast by BBC Radio 3 and performed in 11 major venues in the UK.

The quartet has been recognized with the 2010 BBC Music Magazine’s Newcomer of the Year Award and a 2013 Mentoring Scholarship from the Beethoven-Haus in Bonn.

Closing out the Artist Series, Roomful of Teeth makes a return visit April 7, 2017. The ensemble performed at Lawrence in 2014 as part of the college’s New Music Series.

Classically trained vocalists, RoT performs an eclectic repertoire commissioned specifically for the group, branching into everything from Tuvan throat singing, yodeling, Korean P’ansori and Hindustani music.

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The eclectic Roomful of Teeth makes its second appearance at Lawrence on April 7.

The New York Times has described their distinct style as “voices and percussion meshed to a colorful effect, the story propelled by a high-energy blend of stylistic influences including reggae, hip hop and rock.”

In March 2015, RoT performed the world premiere of “Drone Mass” by Icelandic composer Johann Johannsson, whose score for the film “The Theory of Everything” was nominated for an Academy Award.

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Singer Luciana Souza, with her bandmates Romero Lubambo and Cyro Baptista, open 2016’s Fred Sturm Jazz Celebration Weekend Nov. 4.

The Luciana Souza Trio opens the Jazz Series Nov. 4, kicking of the Fred Sturm Jazz Celebration weekend.

Grammy Award-winner Luciana Souza is one of jazz’s leading singers and interpreters. A native of São Paulo, Brazil, Souza’s work transcends traditional boundaries with a musical style rooted in jazz, winding through world music and incorporating an enlightened approach to new music.

Souza has been releasing acclaimed recordings since 2002, including six discs that earned Grammy nomination. She has performed and recorded with such high-profile artists as Herbie Hancock, Paul Simon, James Taylor and Bobby McFerrin as well as the New York Philharmonic and the Los Angeles Chamber Orchestra.

Joining Souza will be Brazilian jazz guitarist Romero Lubambo and Brazilian percussionist Cyro Baptista.

Gerald Clayton, one of the foremost pianists of his generation, performs Feb. 24, 2017. Schooled in hard-swinging, melodic jazz by his father, John Clayton, uncle Jeff Clayton and mentors Billy Childs and Kenny Barron, he also has collaborated with contemporary jazz innovators Ambrose Akinmusire and Kendrick Scott. In his long-standing trio with drummer Justin Brown and bassist Joe Sanders, Clayton blends those styles into a musical language all his own.

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Pianist Gerald Clayton, along with bassist Joe Sanders and drummer Justin Brown, performs Feb. 24.

A 2006 runner-up in the prestigious Thelonius Monk Institute of Jazz Piano Competition, Clayton garnered Grammy nominations in 2010, 2011 and 2012.

Delfeayo Marsalis, one of the top trombonists, composers and producers in jazz today, comes to campus May 13, 2017. In January 2011, Delfeayo and the Marsalis family — father Ellis and brothers Branford, Wynton and Jason — received the National Endowment for the Arts Jazz Masters Award, the nation’s highest jazz honor.

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Trombonist extraordinaire closes the Jazz Series May 13, 2017.

Marsalis has toured internationally with Art Blakey, Slide Hampton and Max Roach as well as leading his own groups. In 2005 Marsalis released “Minions Dominion,” a tribute to legendary jazz drummer Elvin Jones followed by a reorchestrated verson of the classic Ellington suite “Sweet Thunder.”

Marsalis’ most recent album, “The Last Southern Gentlemen,” displays his technical expertise and frequent touches of humor, such as his playful rendition of “Can you tell me how to get to Sesame Street?”

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence music education professor Matthew Arau helps launch historic band conference in Cyprus

As reunions go, this one has historic overtones.

Two Lawrence University graduates, Matthew Arau, the chair of Lawrence’s music education program and the associate director of bands, and Yiannis Miralis, an associate professor of music at European University Cyprus, soon will renew their friendship at a three-day band conference May 6-8 in Nicosia, Cyprus.

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Matthew Arau ’97 is chair of Lawrence’s music education department.

The conference, “Wind Bands in Greece and Cyrpus — Realities and Prospects,” will be the first of its kind for the entire eastern Mediterranean region and the Middle East.

Miralis, a 1993 Lawrence graduate, is helping organize the conference, made his former saxophone studio colleague at Lawrence in the early 1990s an offer he couldn’t refuse: come to Cyprus to help launch this conference in style by delivering the conference’s keynote address and work with our attendees.

“What an incredible opportunity,” said Arau, who returned to his alma mater as a faculty member in 2014 after graduating in 1997 with a bachelor of arts degree in government and a bachelor of music degree in instrumental music education and music performance (classical and jazz studies).  “This is a ‘ground floor’ conference and I’m thrilled to be a part of the first one. It will be an honor to work with band directors from throughout the region and help them get their programs closer to United States’ levels.”

The inaugural conference is expected to attract more than 50 band conductors, instrumental teachers and community leaders from Cyprus, Greece, eastern Mediterranean and Middle East countries.

Arau will deliver the address “Leading from the Podium.” Beyond his keynote address, he will guest conduct the European University Cyprus symphonic band, play a saxophone concerto, give a talk on the history of the wind band, conduct an open rehearsal and participate in a round-table discussion on music education as part of the conference.

Yiannis Miralis '93
Yiannis Miralis ’93

“In America, we are fortunate to have music ensembles as an integral part of the public education system,” said Arau. “Lawrence University is a leader in the field of music education and innovation. I look forward to sharing cutting-edge music education methods, concepts and points of view regarding leadership and conducting with the attendees at the international wind band conference.”

Arau and Miralis first met in 1991 as the only two freshmen students in Professor Steve Jordheim’s freshman saxophone techniques class. Yiannis attended Lawrence on a Fulbright Scholarship from Cyprus and graduated with a bachelor’s of music degree in music education.

Following the conference, Arau plans to stay with Miralis for a few extra days, catching up with his former classmate and working with some of Miralis’ university music students.

“This event marks the most hats I have ever worn at a music conference – speaker, teacher, conductor and performer.  I guess this is a true testament to my liberal arts education at Lawrence,” Arau said with a smile, looking forward to seeing his old friend and the beautiful Mediterranean Sea.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Haydn’s masterpiece “The Creation” performed by Lawrence Choirs, Symphony Orchestra

The Lawrence Symphony Orchestra joins forces with the Lawrence University Choirs in a performance of Franz Haydn’s masterpiece “The Creation” Friday, April 29 at 8 p.m. in the Lawrence Memorial Chapel. The concert is free and open to the public.

Choir-+-LSO_newsblogThe dramatic, three-part musical adaptation of the biblical story of creation — sung in the modern English translation by Robert Shaw and Alice Parker — will feature four guest artists: Neenah native Emily Birsan, soprano; Evan Bravos, baritone; Lawrence Associate Professor of Music Steven Paul Spears, tenor; and university organist Kathrine Handford, harpsicord. Birsan and Bravos are 2008 and 2010 Lawrence graduates, respectively. The performance will be directed by Phillip Swan, associate professor of music and co-director of choral studies.

Written in the late 1790s, the work commemorates the creation of the world as described in the Book of Genesis and John Milton’s “Paradise Lost.” The three soloists in the work represent the archangels Gabriel, Raphael and Uriel.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Twice as Nice: Senior Tim Carrigg wins second national DownBeat magazine Student Music Award

When Fred Sturm, the former director of Lawrence University’s jazz studies program, suggested to Tim Carrigg that he venture outside the box, he took the advice and ran with it.

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Tim Carrigg ’16

The end result, “Namaste,” earned Carrigg national recognition from DownBeat magazine as the 2016 undergraduate winner in the original composition/large ensemble category in its 39th annual Student Music Awards competition.

It was the second year in a row Carrigg has been honored by DownBeat. In last year’s SMA competition, he won the undergraduate jazz arrangement category for his six-minute, big band arrangement “Once Upon a Time,” which was inspired by Herbie Hancock’s “Tell Me a Bedtime Story.”

Carrigg is in rare company at Lawrence as a back-to-back winner. He is only the second individual Lawrence student to win consecutive DownBeat awards, joining Javier Arau, who won SMAs in 1996 and 1997. The seven-member student band, Fatbook, which won two straight awards in 2010 and 2011 in the college blues/pop/rock group category, is Lawrence’s only other multiple winner.

Announced in DownBeat’s June edition, the SMAs are considered among the highest music honors in the field of jazz education. They are presented in 13 categories in five separate divisions: junior high, high school, performing high school, undergraduate college and graduate college.

Written over a period of six months, “Namaste” was actually performed and recorded live two months before Carrigg found out that “Once Upon a Time” had won a SMA.

“I certainly didn’t think I had another winner when I finished writing ‘Namaste’ because at the time, I wasn’t even aware I had won the first time,” said Carrigg, who is pursuing a bachelor of music degree at Lawrence in music theory/composition major with a jazz emphasis.

It was shortly after he had finished “Once Upon a Time” that Sturm, who passed away in August 2014, encouraged Carrigg to “write something that’s really original, really different.”

“At that time, I had been listening to a lot of rock I had heard when I was younger, bands like Alice in Chains, Stone Temple Pilots, Nirvana,” Carrigg recalled of his conversation with Sturm. “I took all those influences and basically brought them together into ‘Namaste.’

Tim-Carrigg_newsblog_2016_2“I wound up with this really cool fusion between ’90s rock and more traditional elements of jazz. It has this feeling of solemnness but also excitement. In the middle of the piece, the horns start playing the texture of a lush chorale, only to catch you by surprise when the piece suddenly breaks for a heavy drum solo.”

The nine-minute piece features 18 musicians — five saxophones, four trumpets, four trombones and five rhythm section players.

“Tim incorporates unconventional sounds and instruments and heavy metal/rock/fusion elements in his jazz ensemble works, which has greatly influenced his unique style of composing,” said Patricia Darling, who teaches jazz composition and arranging classes and directs the Lawrence University Jazz Ensemble. “I love working with him because he has such a clear vision of what he wants to create and is determined and able to make it happen. It will be exciting to see where he goes with this when he heads to graduate school next year.”

“Namaste” is the latest of 15 concert style works Carrigg has written, five of which will be performed during his upcoming senior recital on May 14. He puts “Namaste” among his top three favorites.

“I put a lot of work into that piece and certainly was excited when I found out it won the DownBeat award,” said Carrigg. “The performers put in a lot of time on it and they all sounded great. It’s such a fun piece.”

Tim-Carrigg_newsblog3Following graduation in June, Carrigg will head to the University of Oregon where he’ll be a graduate teaching fellow while working toward a masters in jazz composition.

“What I would really love to do is be in a small group where I’m writing for individuals,” said Carrigg, who plays piano. “There’s something very special about writing for a small group of people where you’re connected on an individual level but you also know their personalities on the instrument.

“I love writing for big ensembles too, and that’s a skill set I’ll always have,” he added. “Ultimately, I’d like to be a performer as well as a composer. Small group writing has a pretty big place in my heart, whether that is through freelancing or being part of a group or collaboration.”

Since DownBeat launched its Student Music Awards competition in 1978, Lawrence students and ensembles have won a total of 27 SMAs, including seven in the past six years.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence students, faculty perform Steve Reich’s “Music for Eighteen Musicians”

In celebration of the piece’s 40th anniversary, Lawrence University musicians will give a rare performance to the day of Steve Reich’s seminal minimalist work “Music for Eighteen Musicians” Sunday, April 24 at 8 p.m. in the Lawrence Memorial Chapel. The performance, part of Lawrence’s New Music Series, is free and open to the public.

Since its premiere in New York City on April 24, 1976, this hour-long work has enchanted and mesmerized listeners. It combines subtly shifting sonorities against a background pulse that came to define Reich’s sound during the 1970s and influenced a generation of composers.Music-for-18-musicians_newsblog

David Bowie included the piece in a list of his 25 all-time favorite albums, describing it as “Balinese gamelan music cross-dressing as minimalism.”

Instead of a traditional conductor, the piece utilizes audible and visual prompts that come mostly from the vibraphone and the bass clarinet but also other instruments as the piece progresses. This not only cues the ensemble but also teaches the audience to actively listen for the next stage of the performance.

Because of the sheer musical forces required to play the piece  — four grand pianos played by six pianists and five marimba players — “Music for Eighteen Musicians” is rarely performed. When it is, the result is a musical landscape that creates a dreamlike effect and an unexpectedly joyous experience for the audience.

Despite its very mechanical structure, the piece has continued to have a profound emotional impact on audiences for four decades.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

“World of Warcraft,” “South Park” soundtrack contributors visit campus for special events

Accomplished multimedia composer Jeff Kurtenacker makes a return visit to his alma mater and he’s bringing Grammy Award-nominated trumpet player Wayne Bergeron along. The two Los Angeles-based musicians will lend their respective talents to the Lawrence University community for a series of special events April 12-13, culminating with a big band concert.

A 1999 Lawrence graduate and Green Bay native, Kurtenacker has made his mark in the video game industry. After graduating from Lawrence with a self-designed major in composition, Kurtenacker landed a job with Hans Zimmer at his company, Media Ventures/Remote Control, where he honed his craft of composing for media.Jeff-Kurtenacker_newsblog

After serving as choral arranger on “Warcraft 3” for Blizzard Entertainment, Kurtenacker worked on numerous other video game titles, among them “World of Warcraft,” “Pirates of the Burning Sea,” Dreamworks’ “Igor,”  and “American Idol.”

Kurtenacker joined Carbine Studios in 2008 as a sound designer and three years later moved into the role of lead composer. In addition to that role, he also serves as Carbine’s audio department manager. He composed, orchestrated and conducted a 75-piece orchestra in recording more than nine hours of music for Carbine’s “Wild Star.”

Bergeron has established himself as one of the most sought-after musicians in the world for studio sessions, film soundtracks, international touring, jazz concerts and clinics. He is especially in demand for film and television scores, having contributed to more than 350 TV and motion picture soundtracks. His many credits include “Frozen,” “Bridge of Spies,” “Monsters University,” “Despicable Me” “Marley & Me,” “The Simpson’s Movie,” “Dreamgirls,” “Mission Impossible 3” and “South Park.”

Wayne-Bergeron_newsblog_2After working behind the scenes for many years, Bergeron released his first solo effort, “You Call This a Living?,” which earned rave reviews as well as a Grammy Award nomination in 2004. His second disc, “Plays Well With Others” released in 2007, drew similar praise. His latest project is scheduled to be released later this year.

During their residency at Lawrence, Kurtenacker and Bergeron will participate in the following events, all of which are free and open to the public.

• Tuesday, April 12, 11:10 a.m. Bergeron and Kurtenacker will lead masterclasses in trumpet and composing, respectively, in Shattuck Hall 163 and Shattuck Hall 4.

• Tuesday, April 12, 7 p.m., Shattuck Hall 163. The pair will conduct a live recording session with the Lawrence Symphony Orchestra sight reading one of Kurtenacker’s orchestral soundtracks. The session will be recorded just as his music is at Warner Bros. in Los Angeles. Bergeron will play with the LSO for the recording.

• Tuesday, April 12, 8 p.m., Shattuck Hall 163. Bergeron and Kurenacker lead a discussion on “the business of music,” providing an insider’s look at the world of composing and performing for film, television and multimedia.

• Wednesday, April 13, 8 p.m., Lawrence Memorial Chapel. Bergeron headlines a concert with the Lawrence University Jazz Ensemble and the new 19-member Lawrence Jazz Faculty Big Band. The program will feature jazz standards such as Billy Strayhorn’s “Take the A Train” as well as several selections Bergeron has personally selected from his library.

“We are so fortunate to get this opportunity to perform with Wayne Bergeron, who is really  one of the world’s most in-demand musicians,” said Patricia Darling, lecturer in music and director of the Lawrence University Jazz Ensemble. “We’ll be playing some great big band charts. This is going to be a very exciting and rewarding concert for everyone.”

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.

Lawrence Artist Series welcomes opera star Lawrence Brownlee

If you enjoy opera, you’ll love Lawrence Brownlee. If you don’t, he may turn you into a convert.

With effortless sound and sparkling diction, Brownlee brings his powerful and agile tenor voice to the Lawrence Memorial Chapel stage Saturday, April 16 at 8 p.m. in the latest Lawrence University’s Artist Series concert.

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Tenor Lawrence Brownlee

Tickets, at $25/$30 for adults, $20/$25 for seniors and $18/$20 for students are available through the Lawrence Box Office, 920-832-6749.

While performing opposite the leading ladies of contemporary opera, Brownlee has established himself as a star on the international scene. He has dazzled audiences in nearly every major theater in the world and enjoys a relationship with many prominent conductors and symphony orchestras.

Since being named Grand Prize winner of the 2001 Metropolitan Opera National Council auditions, the Associated Press has named him one of “the world’s leading bel canto tenors.” National Public Radio hailed his voice as “an instrument of great beauty and expression.” In 2006, Brownlee was named the winner of the prestigious Marian Anderson Vocal Award.

“Lawrence Brownlee is, without exaggeration, a phenomenon in today’s operatic world,” said Joanne Bozeman, a voice instructor in Lawrence’s conservatory of music. “With all due respect to other fine tenors, I don’t believe anyone currently matches him in the high-flying bel canto repertoire. NPR Music’s Tiny Desk Concert of Mr. Brownlee singing spirituals is a great way to sample what he will bring to the chapel stage as an equally phenomenal recitalist.”

Brownlee’s operatic highlights include: “La Cenerentola” in Milan, Houston, Philadelphia and the Metropolitan Opera; “L’italiana in Algeri” in Milan, Dresden, Boston and Seattle; and the title role in the 2015 world premiere of Daniel Schnyder’s “Charlie Parker’s Yardbird,” a work written specifically for him, at the Opera Philadelphia.

Brownlee’s discography boasts the Grammy Award-nominated “Virtuoso Rossini Arias,” a testament to his broad impact in the classical music genre. He also has contributed several opera and concert recordings, among them “Armida” at the Metropolitan Opera and “Carmina Burana” with the Berlin Philharmonic.

In 2013, Brownlee released a collection of African-American spirituals entitled “Spiritual Sketches” with pianist Damien Sneed, which the pair performed at Lincoln Center’s American Songbook series. In a review of the album, NPR it as “soulful singing” that “sounds like it’s coming straight from his heart to yours.”

An avid salsa dancer and photographer, often taking portraits of his on-stage colleagues, Brownlee is a die-hard football fan and has treated many NFL audiences to his rendition of the national anthem.

A native of Youngstown, Ohio, Brownlee earned a bachelor’s degree from Indiana’s Anderson University and a graduate degree from Indiana University’s Jacobs School of Music.

About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a nationally recognized conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College” and Fiske’s Guide to Colleges 2016. Engaged learning, the development of multiple interests and community outreach are central to the Lawrence experience. Lawrence draws its 1,500 students from nearly every state and more than 50 countries.