Tag: Lawrence Conservatory of Music

‘Central Park Five’ opera has Lawrence alum in a thoughtful, emotional place

Story by Ed Berthiaume / Communications

Derrell Acon ’10 stood shoulder to shoulder earlier this month with Antron McCray, one of the five New York City teenagers — now men in their 40s — wrongly convicted in the 1989 rape and beating of a Central Park jogger.

The Lawrence University alumnus was days away from performing as McCray in The Central Park Five, an operatic retelling of the emotionally charged criminal case, set to open in an opera house in southern California. An ACLU luncheon brought Acon and his castmates and the five men they’d be portraying into the same room for the first time.

“It gave me a little more weight in terms of the responsibility I had to give an accurate picture to the audience and to be true to how I explored and continue to explore that character,” Acon said of meeting McCray.

The Central Park Five story of the coerced confessions, the guilty verdicts, the Donald Trump call for the death penalty, the vacated judgments 13 years later, and the eventual settlement that set New York City back $41 million is getting plenty of renewed attention on the heels of the recent release of Ava DuVernay’s Netflix mini-series, When They See Us, the intense retelling of the case that dominated headlines 30 years ago.

While the Netflix series is getting the bulk of the attention, the jazz-infused opera production from composer Anthony Davis — more than three years in the making and separate from the DuVernay series — has drawn its fair share of looks as well. The New York Times and Los Angeles Times previewed the Long Beach Opera production in the days before it opened on June 15, and opening night saw reviews from both newspapers and the Wall Street Journal, among other outlets. The New Yorker is working on a story as well, according to a spokesperson with the opera.

Derrell Acon '14 sings on stage with the four other leads in "The Central Park Five," an opera being performed by Long Beach Opera in southern California.
Derrell Acon ’10 (center) and his castmates in “The Central Park Five” sing in unison. Acon portrays Antron McCray, one of five New York teenagers falsely convicted 30 years ago.

Two more performances are scheduled for this weekend at the Warner Grand Theater in San Pedro, California.

“I wasn’t really anticipating any particular response,” Acon said after getting an enthusiastic welcome on opening night. “I was more aware of my own responses, understanding that it would be a very emotional process for me. As a young black man in America, you know, a lot of these topics are very close to my own experience, and these struggles are very mirrored in my own life.

“I think a lot about the rehearsal process, tending to all of these emotions, letting them out, having a lot of beautiful discussions with my colleagues, especially the five of us in the lead roles.”

The timing is coincidental, Acon said, but that the opera arrives amid heightened attention on the Central Park Five case is certainly beneficial to the public conversation. An earlier effort by Davis to debut the opera — since retooled and renamed — in New Jersey drew little attention. But that was before the Netflix series arrived.

“I’m a firm believer that everything is happening when it needs to happen,” Acon said. “All of these things are happening at once. It’s almost because our society is so resistant to the truth being revealed that you almost need it to be thrown into the mix as an atomic bomb for people to really put their ears up and understand how important this is, how terribly, terribly unjust this was.”

A journey to Long Beach

After graduating summa cum laude from Lawrence in 2010 — he was a double major in voice performance and government — Acon went on to earn a master’s degree and a doctoral degree in 19th-century opera history and performance from the University of Cincinnati College-Conservatory of Music.

He spent the next two and a half years on the road, performing, lecturing and studying. The schedule began to wear on his voice. Ten months ago, he relocated to southern California, drawn by what he calls the area’s “laid-back culture” and the plethora of arts opportunities.

He connected immediately with the Long Beach Opera, which was in the midst of a season based on issues of injustice. The casting for The Central Park Five was just getting started.

“I sang for them and was invited to join the cast,” Acon said.

He was working with people he didn’t know while immersing himself in the West Coast arts scene. He jumped into the mix as the opera company’s manager of education and engagement, organizing and facilitating community conversations in the months leading up to the opening of The Central Park Five.

“The journey began there,” Acon said. “It was kind of a crash course in introducing me to the classical music scene here. I am someone who has spent a lot of time in the Midwest and on the East Coast, so the West Coast scene was new for me, and this was just a beautiful introduction to that scene.”

The well-attended community conversations gave people a chance to speak their mind, to share with others in a very public and very cleansing way. To do it with the arts as an avenue to positive discourse on an emotionally charged topic was beautiful to see, Acon said.

“The key word is community,” he said. “The arts have this ability to create a community. Especially something like opera, where what you’re hearing is so visceral, it’s so emotional, so loud, as some of the younger people who have seen my work would say. You don’t really have an opportunity to do anything but listen. It’s so in your face, it’s in your soul, it’s in your heart.

“You may not always agree with the topic being put forth, but you are put in a position of contemplation, of consideration, and that is a communal experience. … Having the community of the opera house and the guidance of the voices and actors on stage may be enough to spark the conversation and the courage needed to really dig into some of these topics.”

The five lead performers in "The Central Park Five" sing on stage during the Long Beach Opera production.
“The Central Park Five,” by Long Beach Opera, opened just weeks after a Netflix series shined a new spotlight on the 1989 criminal case that resulted in faulty convictions of five New York City teenagers. Lawrence alumnus Derrell Acon ’10 (center) stars in the opera.

Opening night arrives

As the June 15 opener drew closer, the performance of The Central Park Five was being described as both emotional and powerful, with Acon and the other lead actors often singing in unison, a singular and pained collective character.

“I think operas work on multiple levels, and certainly a visceral level is one that I’m very concerned with,” said Davis, who created the production in partnership with Richard Wesley. “I want the audience to have an emotional experience that involves identifying with the characters and putting yourself in their place.”

After the opera opened, reviewer Mark Swed of the Los Angeles Times wrote: “Most of the opera, which is in two acts, follows the five through their arbitrary apprehension, inappropriate questioning, dubious trial, conviction and harsh sentencing. The boys react much of the time in quintet, voices blending in disbelief and outrage. The most effective operatic innovation is the creation of the Masque, who is less a character than the embodiment of white racism, be it the police, a reporter or various others.”

The reviews from opening night have been mixed, with reviewer Zachary Woolfe of the New York Times suggesting that the tone and the angst was spot on but having the five leads often sing as a Greek chorus means they “never have the chance to come to life as individuals, either in music or words.”

That’s a complaint, Acon said, that he also heard from a high school student who was part of a group he brought to a dress rehearsal. It’s a legitimate perspective, he said, but one he doesn’t necessarily share.

“I personally believe the opera is very effective in the way it keeps the five in unison, for the most part,” he said. “In a way, it’s saying this experience is not individual. This experience happens to so many young black men and other men of color in this country, so much to the point that we can sing the same words at the same time, in a metaphorical sense, because we all have these same sentiments as it relates to the American criminal justice system.”

Acon’s next chapter

When The Central Park Five performances conclude this weekend, Acon, a bass-baritone, said he’ll turn his attention to new opportunities in southern California.

The arts as a vehicle for education and understanding will almost certainly be part of that journey.

Acon, who serves on the Lawrence Board of Trustees as a Recent Graduate Trustee — a position established for alumni within two to 10 years of their graduation — earned multiple regional and national honors as a student and already has more than two dozen operatic roles on his resume.

His deep thinking on issues related to the arts, race and public policy was plenty evident during his time at Lawrence, and Brian Pertl, Lawrence’s dean of the Conservatory of Music, isn’t surprised that Acon is seeing early career success.

“At Lawrence, Derrell was already an outstanding scholar and stellar performer,” Pertl said. “The performance he created in association with his honors project, Whence Comes Black Art?: The Construction and Application of ‘Black Motivation,’  stands as one of the most important and compelling student productions I have seen in the past 10 years.” 

Ten months after landing in southern California, Acon said he feels like he’s found his artistic groove. The work with Long Beach Opera is just the start of some promising things.

“I’m excited to see what comes next,” he said. “I’ve got a lot of opportunities, and they keep coming in. It’s very encouraging.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Three Lawrence faculty honored with teaching, scholarship awards at 2019 Commencement

Jose Encarnacion smiles from the stage as he accepts applause for his faculty award at Commencement.
Jose Encarnacion is greeted by applause as he accepts his faculty award at Commencement.

Story by Ed Berthiaume / Communications

Three members of the Lawrence University faculty — two key music talents in the Conservatory of Music and one highly acclaimed geologist — were honored Sunday, June 9 for their academic and scholarly achievements.

The awards, announced during the 2019 Commencement ceremony and considered to be among Lawrence’s highest faculty honors, went to gifted instrumentalist and music instructor Erin Lesser, jazz musician and instructor Jose Encarnacion and highly lauded geology scholar and author Marcia Bjornerud.

For more coverage of Lawrence’s 2019 Commencement, click here.

Erin Lesser

Portrait of Erin Lesser at Commencement.
Erin Lesser

Lesser took home the 2019 University Award for Excellence in Teaching. A member of the acclaimed ensembles Wet Ink, Decoda, and Alarm Will Sound, she is both a highly regarded performer and an accomplished instructor. She has been teaching at Lawrence since 2011.

In her award citation, Provost and Dean of Faculty Catherine Kodat praised Lesser for her ability to balance the demands of being a touring artist with those of the classroom.

“Your brilliance in the concert hall finds its bright reflection in the Lawrence Conservatory studio, where your grateful students grow as musicians and thinkers in their own right, thanks to your thoughtful, attentive efforts to meet them where they are and then give them the tools and support that helps them realize their artistic goals.”

Jose Encarnacion

Portrait of Jose Encarnacion at Commencement.
Jose Encarnacion

Encarnacion was given the 2019 Award for Excellent Teaching by an Early Career Faculty Member.

While Encarnacion has been an assistant professor at Lawrence for just five years, his ties to the Conservatory date back to 2002, when he came here shortly after receiving his master’s of jazz and contemporary media from the Eastman School of Music. He would leave for a six-year stint as director of jazz and band ensembles at Eastman before returning to Lawrence in 2011 as a lecturer. He became a tenure-track faculty member in 2014 and now leads a jazz program that is regularly lauded in national music education circles.

“Your return has had a measurable effect — since 2015, the excellence of Lawrence’s jazz program has been recognized by no less an authority than DownBeat magazine, which has presented the university with four awards in four years,” Kodat said.

Marcia Bjornerud

Portrait of Marcia Bjornerud at Commencement.
Marcia Bjornerud

Bjornerud, who came to Lawrence in 1995, is the recipient of the 2019 Award for Excellence in Scholarship or Creative Activity. She has been among the college’s most honored faculty members. The Walter Schober Professor in Environmental Studies and founder of the Environmental Studies major has earned two Fulbright Senior Scholar awards, was named a Fellow of the Geological Society of America, received the Outstanding Educator Award from the Association of Women Geoscientists and was named a Fellow of the Wisconsin Academy of Sciences, Arts, and Letters.

The faculty scholarship honor comes after her 2018 book, Timefulness: How Thinking Like a Geologist Can Help Save the World, was widely praised for making complex geological concepts — and their importance in the ongoing debate over how we care for the Earth — both accessible and substantial. It was long-listed for the PEN/E.O. Wilson Prize for Literary Science Writing, was a finalist for a Los Angeles Times Book Prize and received the PROSE Award in Popular Science and Popular Mathematics from the American Association of Publishers.

“In Timefulness, you draw on your research into the physics of earthquakes and mountain formation to show how an understanding of the multiple, overlapping temporalities of the Earth’s deep past can help us gain the perspective we need if we are to confront and address the environmental challenges that face us,” Kodat said.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Hetzler, Bozemans bring long, impressive Lawrence journeys to a close

Story by Ed Berthiaume / Communications

Two tenure-track faculty and one long-time adjunct faculty will bid farewell to Lawrence University at the close of spring term.

Bruce Hetzler, a fixture in the psychology department for more than four decades, and Kenneth and Joanne Bozeman, key players in the growth and success of the Conservatory of Music, are retiring. The three have a combined 110 years of teaching at Lawrence.

Lawrentians with long memories may recall that the Bozemans, then a young married couple, also served as head residents of Trever Hall for two years in the early 1980s.

Hetzler and Ken Bozeman came to Lawrence at the same time, joining the robust incoming faculty class of 1977. Joanne Bozeman joined as an adjunct faculty member in 1993.

They talked to us about Lawrence pride, new journeys and the emotions of saying goodbye.

Bruce Hetzler: “We were one of the few undergraduate institutions to have a neuroscience program.”

Bruce Hetzler

Bruce Hetzler has been a leading voice in the psychology department at Lawrence since 1977. You might even say his 42-year run has been magical.

Hetzler has often mixed his love of magic with his passion for teaching about the brain.

Much of his work at Lawrence focused on neuropharmacology, effects of alcohol on the brain, computer analysis of brain waves and neuroscience.

He and his students through the years published dozens of papers on a wide range of brain-focused topics, the latest being a study on why some people co-abuse methylphenidate (most common trade name is Ritalin) and alcohol. That paper, with co-authors Lauren W.Y. McLester-Davis ’18 and Sadie E. Tenpas ’17, was published in the June edition of the journal Alcohol.

“I have mixed emotions,” Hetlzer said of his retirement. “I’ve been here a long time, and I’ve loved it. I’ve enjoyed teaching, I’ve enjoyed doing research, and I’ve enjoyed working with students in the laboratory. But it has been 42 years, so I think it’s time for this chapter in my life to close.”

Hetzler spent much of his career doing research on the effects of drugs on the brain, most specifically alcohol. He is a charter member of the International Society for Biomedical Research on Alcoholism.

He was part of a faculty group that launched the initial neuroscience program at Lawrence in the early 1980s.

“At the time we were not able to put together a neuroscience major, but we did start the neuroscience program,” Hetzler said. “In 1980, we were one of the few undergraduate institutions to have a neuroscience program.”

It eventually became a major at Lawrence, and the number of faculty positions tied to the program has grown considerably.

“That wasn’t just me, it was a lot of people who put that together,” Hetzler said. “But it’s been very pleasing to see it grow like that.”

Outside of his teaching duties at Lawrence, Hetzler for years could be found doing table-side magic at local restaurants such as B.J. Clancy’s and Ground Round.

He persevered with both his teaching and his magic after suffering a major stroke in the summer of 2011. Relearning magic tricks, he said, helped with his long and slow recovery.

Now he hopes to dedicate more time in retirement to the physical therapy that’s needed to regain many of his magician skills.

“I’d love to be able to do table-side magic at a restaurant again in the future, but that depends on my determination to do exercises to increase my dexterity and my ability to walk without a cane,” Hetzler said. “The year before I had a stroke I was doing 100 magic shows a year. Now I do maybe five. I’m not sure my wife would like me to do 100 again, but somewhere in between would be nice.”

Kenneth Bozeman: “When you are working on someone’s voice, in a sense you are messing with their soul.”

Kenneth Bozeman

Music professor Kenneth Bozeman, retiring after 42 years on the Conservatory of Music faculty, has left an impressive imprint that’s difficult to measure.

He led the voice department for much of his tenure, in the process providing important leadership not just in the Conservatory but across campus. In addition to his work as a respected voice teacher, he has led or been a part of talent searches for Conservatory faculty and new deans and has played a big role in campus projects such as the expansion of the Music-Drama Center and the building of the Warch Campus Center.

In recent years, his focus has been in the growing field of acoustic voice pedagogy. He’s become an in-demand scholar on that topic across the country.

But it’s in the voice studio, working one-on-one with students, where Bozeman says his heart remains.

“Voice teaching is totally one-on-one, so it’s pretty personal,” he said. “When you are working on someone’s voice, in a sense you are messing with their soul. Their sense of personal identity is wrapped up in their voice.”

He’s done it well. In 2018, Bozeman was chosen by his peers for the Lawrence Faculty Convocation Award, which honors a faculty member for distinguished professional work. He was the ninth faculty member so honored.

Bozeman is the author of two books, Practical Vocal Acoustics: Pedagogic Applications for Teachers and Singers and Kinesthetic Voice Pedagogy: Motivating Acoustic Efficiency. He was awarded the Van Lawrence Fellowship by the Voice Foundation in 1994 for his work in voice science and pedagogy.

He has been recognized with two Lawrence teaching honors, the Young Teacher Award in 1980 and the Excellence in Teaching Award in 1996.

Under his guidance, the voice department within the Conservatory has grown from about 40 students and four instructors to nearly 100 students being taught by five full-time studio faculty, one adjunct faculty, two choral directors, opera and theater directors, a vocal coach and other contributors.

“We’ve seen a lot of growth,” Bozeman said. “There’s been good quality all along. There was always some good talent in the student pool. … But now it certainly feels like there is a lot more talent here. It’s definitely harder to get in here. The talent floor has risen because of the competitiveness of it.

“And what we’re able to provide in terms of training is much deeper and richer as well.”

As the years have gone by, an increasing number of voice students have gone on to sing professionally or pursue voice in graduate school programs.

“Now it’s pretty routine that that happens,” Bozeman said.

He said he’ll continue to do voice work in retirement. He’s already committed to a weeklong workshop on acoustic voice pedagogy this summer at the New England Conservatory of Music in Boston. He’ll also be presenting at multiple conferences and will be doing private voice teaching, focused on young professional singers.

Joanne Bozeman: “The change between an 18-year-old singer and a 21- or 22-year-old singer is a huge transition.”

Joanne Bozeman

Joanne Bozeman has been an adjunct member of the voice department at Lawrence since 1993, teaching studio voice and related course work.

She also was a sought-after soloist in recital, concert and oratorio for nearly four decades. She’s appeared with, among others, the Fox Valley Symphony, the Green Lake Music Festival, the Bach Chamber Choir in Rockford, Illinois, and the Lawrence University Concert Choir and Orchestra.

While she’ll stay active in private teaching and related projects in retirement, it’s the voice studio instruction — working one-on-one with students as their voices and their music knowledge transform over four years — that will be difficult to leave behind.

“I’ll miss working with students in the long term, four or five years, developing their skill set and seeing them master certain things,” she said. “The change between an 18-year-old singer and a 21- or 22-year-old singer is a huge transition. It’s really exciting to be involved with that.”

Many instrumentalists arrive at the Conservatory having been in training for a dozen or more years. Not so much for voice students.

“Singers don’t know they have an instrument until they’re maybe 14, 15 or 16 years old,” Bozeman said. “They maybe haven’t had theory or lessons and they come in a little more raw. To see their incredible strides and development over that period of time is really cool.”

Bozeman called working with the voice faculty in the Conservatory a joy.

“We don’t always agree with each other, but we really do get along,” she said. “I admire my colleagues’ skills in the studio, and we are friends. I’ll miss that kind of intimate relationship. I’ll miss the people in the office, and I’ll miss my wonderful colleagues all over the Conservatory.”

In addition to giving private voice lessons, Bozeman is working on a book about women’s singing voices as they go through perimenopause and menopause. The book, which she is co-writing with two other women, has included interviews to date with nearly 60 women, ranging from elite professional singers to those who participate in community choirs.

It’s an emotional and very personal issue for women who want to continue singing as they age, Bozeman said.

“Some breeze through it,” she said. “Some struggle. I really struggled. That’s kind of what fueled my interest in the issue.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

From Holiday to “Hamilton,” the coming months in Appleton look glorious

Publicity photo of "Hamilton" performance.
“Hamilton” to come to Fox Cities Performing Arts Center in October.

Story by Ed Berthiaume / Communications

If entertainment offerings in or near Lawrence University are a big part of campus life — and they are — we are in for a spectacular 14 months ahead.

We’ll define “near Lawrence” to mean downtown Appleton, 100% walkability.

Lawrence unveiled its 2019-20 Performing Arts Series earlier this month. The Fox Cities Performing Arts Center released its spectacular 2019-20 Broadway lineup a few weeks ago. And the Mile of Mile Music crew just announced plans for Mile 7.

All we can say is, where do we get in line?

We can’t do them all, of course, but the options look glorious. We’ve highlighted 20 shows to circle on the calendar. This doesn’t include all the great live music available on a regular basis in the downtown area, the weekly farmer’s market, other arts offerings, or all the great theater and music performances at Lawrence.

But these 20 have us pretty fired up.

1: John Holiday, faculty recital, 8 p.m. May 1, Lawrence Memorial Chapel: We’re starting with something that should definitely not slide under the radar. Holiday is one of the Conservatory of Music’s brightest lights. He’s a rising national star in the opera world and has significant chops as a jazz vocalist as well. After giving this recital – and it’s free – his upcoming schedule includes performances at the Apollo Theater in Harlem, shows in England, Shanghai and Switzerland and dates with the Metropolitan Opera in New York and the Los Angeles Opera. Joining him May 1 will be Mark Urness (double bass), Dane Richeson (drums), Andrew Crooks (piano) and Neeki Bey (piano).

Portrait of John Holiday
John Holiday

2: Derek Hough: Live! The Tour, 7:30 p.m. May 19, Fox Cities Performing Arts Center: This one is for the ballroom dancers out there. It’s a solo tour from the dancer who helped put “Dancing with the Stars” on the map.

3: Lawrence University Jazz Ensemble, 8 p.m. May 22, Lawrence Memorial Chapel: Fresh off its back-to-back DownBeat Awards, the LUJE highlights the incredible quality of musicianship up and down the roster in the Conservatory of Music. And May is a month where the Conservatory is on full display. Take your pick from a full calendar of Conservatory concerts.

4: John Prine, 8 p.m. May 24, Fox Cities Performing Arts Center: One of the greatest singer-songwriters to ever pick up a guitar, Prine returns to the PAC on the heels of his Grammy-nominated album, “The Tree of Forgiveness.”

5: Mile of Music, Aug. 1-4, downtown Appleton: The festival features more than 900 performances in 70 venues in and around College Avenue. It’s the seventh year of the all-original music festival that has grown into one of Wisconsin’s premier music events. Lawrence plays a big role, with the Conservatory faculty leading the music education portion of the festival. Best of all, most of the performances — mostly up-and-coming artists from around the country — are free.  

6: Nick Offerman, All Rise tour, 7:30 p.m. Sept. 11, Fox Cities Performing Arts Center: In the spirit of this standup show coming to Appleton, we quote (but don’t necessarily endorse) Ron Swanson, Offerman’s “Parks & Recreation” character: “Give a man a fish and you feed him for a day. Don’t teach a man to fish, and you feed yourself. He’s a grown man. Fishing isn’t that hard.”

7: Octoberfest, College Avenue, downtown Appleton, Sept. 28: The annual downtown bash ends the summer festival season with a bevy of live music, food and drink that takes over College Avenue with a mass of humanity. Look for the annual License to Cruise on Friday night, then the Octoberfest party all day Saturday. See info here.

8: “Hamilton,” Oct. 1-20, Fox Cities Performing Arts Center: Yes, it’s that “Hamilton.” We’ve been waiting two years since the announcement that the Broadway juggernaut is coming to Appleton. Season tickets are on sale now but individual tickets won’t go on sale until much closer to fall. An on-sale date has yet to be announced. Also, watch for information on possible Student Rush tickets for this and other shows at the PAC.

9: Brooklyn Rider, 8 p.m. Oct. 4, Lawrence Memorial Chapel: This is the kickoff of the Artist Series portion of the Performing Arts Series. A string quartet that melds classical, world and rock sounds. (Season tickets for the series are on sale now; single show tickets go on sale Sept. 17, 920-832-6749, boxoffice@lawrence.edu.)

10: Lawrence University Studio Orchestra, 7:30 p.m. Nov. 8, Lawrence Memorial Chapel: The Friday night kickoff to the Fred Sturm Jazz Celebration Weekend will put the talents of Lawrence music faculty and students on full display. The Jazz Ensemble and Symphony Orchestra will be doing a combo, filled with jazz classics and plenty of improvisation.

11: Miguel Zenon Quartet, 7:30 p.m. Nov. 9, Lawrence Memorial Chapel: The Saturday night of Fred Sturm Jazz Celebration Weekend features this multiple Grammy nominee from San Juan who is considered a groundbreaking saxophonist.

12: “The Phantom of the Opera,” Dec. 4-15, Fox Cities Performing Arts Center: The musical, a classic loved by some, loathed by others, returns to Appleton as part of the PAC’s Broadway series.

13: Blue Man Group, Jan. 24-26, Fox Cities Performing Arts Center: Performance art in the shade of blue. It’s a spectacle.

14: Bill Frisell: Harmony featuring Petra Haden, Hank Roberts, and Luke Bergman, 8 p.m. Feb. 7, Lawrence Memorial Chapel: Frisell, a prolific guitarist, will lead this group through a range of blues and popular American traditions. It’s part of LU’s Jazz Series.

Portrait of Tine Thing Helseth
Tine Thing Helseth

15: Tine Thing Helseth, 8 p.m. Feb. 28, Lawrence Memorial Chapel: A Norwegian trumpet soloist with a rock star following. Also part of the Artist Series.

16: Anderson & Roe Piano Duo, 8 p.m. April 3, Lawrence Memorial Chapel: A high-energy piano duo that is part of the Artist Series. The Miami Herald referred to them as “rock stars of the classical music world.”

17: Melody Moore, 8 p.m. April 18, Memorial Chapel: A soprano who has been drawing raves on some of the top opera stages in the world. Our own John Holiday hails her as “thoughtful, engaging and fiercely talented.” Part of the Artist Series.

18: Tigran Hamasyan Trio, 8 p.m. May 1, 2020, Lawrence Memorial Chapel: A pianist and composer with a jazz-meets-rock sound that has drawn wide praise. Lawrence’s Jose Encarnacion calls him “one of the most remarkable and distinctive jazz piano virtuosos of his generation.” His performance is part of the Jazz Series.

19: “The Band’s Visit,” May 5-10, 2020, Fox Cities Performing Arts Center: The sixth of seven shows on the PAC’s Broadway lineup, this is a touring version of the musical that won 10 Tonys in 2018. It’s based on a 2007 Israeli film.

Publicity photo of "Dear Evan Hansen" performance.
“Dear Evan Hansen”

20: “Dear Evan Hansen,” June 23-28, 2020, Fox Cities Performing Arts Center: The finale of the PAC’s Broadway season, this musical tells the emotionally rich tale of a lonely teen who becomes a social media sensation, all quite by accident. For a full listing of shows at the PAC, visit here.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Study: Lawrence’s economic impact in Fox Valley tops $70 million

Mark Burstein hugs Cathie Tierney during Tuesday's Report to the Community.
Lawrence University President Mark Burstein hugs Cathie Tierney after awarding her an honorary Bachelor of Liberal Studies degree at Tuesday’s Report to the Community.

Story by Ed Berthiaume / Communications

A new economic and community impact study released Tuesday offers new data on just how significant Lawrence University’s ties are to the community it calls home.

The study from Appleseed, an independent economic consulting firm, shows Lawrence’s annual impact on Appleton and the greater Fox Cities totals nearly $70.3 million — from employee earnings, goods and services, construction projects, off-campus spending and visitor spending. It also highlights how the liberal arts college’s contributions to the community go well beyond economics, highlighting ongoing cultural and charitable relationships.

The first-time study, commissioned by Lawrence, details those deep ties between the school and the community.

Nearly 200 leaders from Lawrence, area governments, and the business and nonprofit communities gathered on campus Tuesday for Lawrence’s annual Report to the Community, which included the rollout of the study and the granting of an honorary Bachelor of Liberal Studies degree to Cathie Tierney, president and CEO of Community First Credit Union and a longtime community leader.

“The Appleseed study is a testament to how ideally situated Lawrence is here in the Fox Cities,” Lawrence President Mark Burstein said. “It speaks to how tightly woven we are into the very fabric of this community. Lawrence is proud of that, proud of our deep roots in Appleton and the economic, cultural, charitable and intellectual contributions that come from our faculty, students and staff.”

A crowd of nearly 200 people take in Tuesday's Report to the Community in the Somerset Room.
Nearly 200 leaders from Fox Valley government bodies, the business community, nonprofits and Lawrence University attended Tuesday’s Report to the Community in the Somerset Room in the Warch Campus Center.

See a copy of the full economic impact report here.

The report estimates that in fiscal year 2017, Lawrence, its students and visitors directly and indirectly accounted for 1,059 jobs in the Fox Cities region, with earnings totaling $44.1 million, and nearly $70.3 million in regional economic output.

The fortunes of Lawrence and Appleton have forever been intertwined. After all, Lawrence and Appleton have grown up together, Lawrence having been founded in 1847 and Appleton incorporated six years later. The new village — it would become a city in 1857 — was named for the wife of the school’s founder, Amos Lawrence. Her maiden name was Appleton.

The new study demonstrates just how significant those ties remain and how important the relationship is going forward.

Pastor Mahnie, executive director of B.A.B.E.S., a nonprofit child abuse prevention program, was among the speakers embracing the connections between Lawrence and the community.

Lawrence is a host site for the Funding Information Network and provides workshops for area nonprofits to help them pursue needed grants. It’s an important piece of the puzzle that allows nonprofits to do their work.

“Your willingness to not only house the Funding Information Network, but to also host free workshops to educate us on how to utilize the database and improve our grant-writing skills is invaluable,” Mahnie said.

“Thank you for the access. Access gives us knowledge. Access leads to progress. Access to the Funding Information Network is vital for the work of serving our community.

“Lawrence University, the Oshkosh Area United Way, United Way Fox Cities and the Community Foundation for the Fox Valley Region, thank you for helping us to feed the hungry, to clothe the naked, to rescue the lost, to give hope to the hopeless, to diaper their infants, to educate the young and inexperienced parents, to tutor their children, to supplement their household cleaning and personal hygiene items, and the list could go on and on. Because of you, because of your generosity, because of access, we, the nonprofits of the Fox Valley, we can accomplish our mission to serve.”

Economic impact studied

The economic data provided in the Appleseed report shows just how significant the Lawrence footprint is in the Fox Cities. Among the notable numbers:

  • 886 Lawrence graduates live and work in the Fox Cities (5% of area residents with a bachelor’s degree are Lawrence graduates).
  • $1.44 million in financial aid is provided to LU students from the Fox Cities.
  • 605 faculty and staff are directly employed by Lawrence, with a payroll totally nearly $29.9 million. The earnings of faculty and staff employed full-time averaged $58,240 in 2017.
  • $1.4 million was paid to contractors and vendors in the Fox Cities for various construction and renovation projects in 2017. Another $2.2 million went to contractors elsewhere in Wisconsin.

Lawrence is a residential liberal arts college with an enrollment of about 1,500. During the 2016-17 academic year, Lawrence provided $36.9 million in financial aid from its own resources.

The school’s impact on the community goes far beyond economics, the study says.

  • Faculty, staff and students have ongoing relationships with 100 agencies and organizations in the Fox Cities. Nearly 10,450 hours of community volunteer work was reported in the 2016-17 academic year.
  • Nearly 1,500 children across the Fox Cities participate in the Lawrence Academy of Music, a division of the Conservatory of Music.
  • Lawrence plays a major role in the arts community in the Fox Cities. The Conservatory features upwards of 20 performances throughout the year by internationally recognized artists. Three convocations a year bring in nationally recognized speakers. The Wriston Art Gallery presents about 10 art exhibits a year. All are open to the public.
  • The Warch Campus Center has become a popular location for booking community and corporate events, as well as weddings and other celebrations.
  • Lawrence has worked closely with local leaders in efforts to make Appleton and the Fox Cities a more welcoming and inclusive community for people of all backgrounds.

“Lawrence and the Fox Cities are forever linked,” Burstein said. “Progress for one is progress for the other, and neither of us can afford to rest on what we’ve already accomplished. We share similar goals, including the need to attract and retain talented employees and students. That means ensuring that our communities offer people from diverse backgrounds attractive and welcoming places to study, live, work, build careers and have families. We can never relent on those efforts.”

Honorary degree to Tierney

Tierney, meanwhile, was honored for her long and distinguished leadership in the Fox Cities. She studied at Lawrence before embarking on her career.

“I’m astonished, delighted and humbled at this amazing honor,” she said.

Tierney has been with Community First Credit Union since 1976 and has held multiple executive officer positions, spending much of her career as vice president of marketing and branch operations. In 1993, Tierney graduated from the first CU Executive Leadership Program at the Stanford University Graduate School of Business and was named president/CEO of Community First in 1994.

She had attended Lawrence for a year before leaving school for family reasons. Despite the success she would later find in the business world, she said that decision to leave school has always haunted her. But she maintained a strong relationship with Lawrence as she became a community leader.

“We all know of Lawrence’s incredible academic rigor, the quality of the faculty and the enriching experience gained through an education at Lawrence University,” she said. “As a lifelong citizen of Appleton, I have seen first-hand the significant contributions that Lawrence University, its staff and faculty and graduates have made in our community, our state, our country and our world.”

To now get an honorary degree — and to be called a Lawrentian — is humbling and moving, she said.

“Through this process I have learned, there is no right path, only your path,” she said.

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

LU Jazz Ensemble takes a top DownBeat award for second year in a row

Story by Ed Berthiaume / Communications

Link to video of Lawrence University Jazz Ensemble
Click above to see video of the Lawrence University Jazz Ensemble.

It’s back-to-back wins for the Lawrence University Jazz Ensemble.

The ensemble has been named the winner in the undergraduate Large Jazz Ensemble category in Downbeat magazine’s 42nd annual Student Music Awards (SMAs) competition, which awards some of the highest honors in jazz education each spring. 

“The students in the Jazz Ensemble work together on music that is unique, challenging, and a joy to perform,” said Patty Darling, a music professor in the Lawrence Conservatory of Music who directs the much-lauded ensemble. “This includes a lot of contemporary jazz rep and premier works from Lawrence’s student jazz composers and arrangers.”

The honor was announced Tuesday and appears in the newly published June edition of DownBeat magazine.

This is the second consecutive year that Lawrence has won the top honor in the large ensemble category, and the fifth time in the ensemble’s history that it has been honored by DownBeat.

More on the Conservatory of Music and the LUJE here

Lawrence University Jazz Ensemble performs at Memorial Chapel.
Lawrence University Jazz Ensemble

This is not small stuff. DownBeat’s SMAs are top-tier honors in the world of jazz education. They are presented in 13 categories in five separate divisions: junior high, high school, performing high school, undergraduate college and graduate college.

Lawrence has been a major player in those awards over the past four decades. To date, students and ensembles in the Lawrence Conservatory have won 28 of these awards in various categories, including undergraduate large ensemble, small group, jazz composing, jazz arranging, solo performance, and jazz vocal group. 

This was the fifth time in its history the Jazz Ensemble has been honored by DownBeat. It was previously recognized in 1985, 2000, 2007 and 2018.

Back-to-back wins for the Jazz Ensemble is something the school, its faculty and students can take great pride in, Darling said.

“It is a privilege to work with such talented, dedicated musicians who are so receptive and have such down-to-earth attitudes,” Darling said. “We are incredibly proud of them and I am very grateful to the jazz faculty who are their mentors.”

If you want to see the LUJE in concert, you can catch them at 8 p.m. May 22 at Memorial Chapel. Admission is free.

The DownBeat Student Music Awards were launched in 1978. Judging criteria are based on musicianship, creativity, improvisation, technique, sound quality and balance, excitement, and authority. Recordings are submitted from institutions worldwide and are judged by panels of respected jazz performers and educators who determine the awards in each of the categories. 

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu

Roomful of Teeth’s Estelí Gomez to join Lawrence Conservatory

Head shot of Esteli Gomez
Estelí Gomez

Estelí Gomez will join Lawrence University’s Conservatory of Music in the fall as the newest addition to the voice department.

The Roomful of Teeth vocalist has been part of two Grammy Award wins and was nominated in 2017 for the prestigious Gramophone Award as a soprano soloist. She’s also an accomplished voice instructor, holding a master of music degree from the McGill Schulich School of Music and a bachelor of arts degree in music from Yale.

“She is the rare professional vocalist who can sing at the highest level in practically any style,” said Brian Pertl, dean of the conservatory. “She is intellectually curious and loves to push the boundaries of classical music, and she is a passionate teacher. Estelí is the perfect fit for Lawrence and we are thrilled to welcome her to our faculty.”

Learn more about our award-winning Conservatory of Music!

Gomez, who performed at Lawrence with Roomful of Teeth in 2014 and 2017, said she’s thrilled to be joining Lawrence.

“In my musical travels over the last decade, having visited nearly 80 institutions of higher learning, no school has better exemplified my ideals for a multi-faceted, holistic approach to music education than Lawrence,” Gomez said. “As an undergraduate at Yale, I benefitted so deeply from my liberal arts education, while also exploring courses and ensembles offered through the graduate School of Music and Institute of Sacred Music. I believe wholeheartedly in access to interdisciplinary resources, and know that such access allowed me to become the adaptable, multi-genre, self-managed musician I am today.”

More details will be released at a later date.

2019-20 Performing Arts Series loaded with impressive, creative talent

From a legendary guitarist who has delivered transformative performances for decades to a rising trumpet virtuoso who is already hailed as one of her generation’s best, the lineup for Lawrence University’s 2019-20 Performing Arts Series is stacked with impressive talent.

The lineup was announced Monday, with season tickets immediately going on sale for the Artist Series, the Jazz Series or a compilation of four shows from either of the series. Single show tickets will go on sale Sept. 17. All performances will be in the Lawrence Memorial Chapel. For more information, call the Lawrence Box Office at 920-832-6749 or email boxoffice@lawrence.edu.

Artist Series

Portrait of four members of Brooklyn Rider
Brooklyn Rider

Brooklyn Rider, 8 p.m. Friday, Oct. 4, 2019: With a focus on healing, this string quartet has been drawing rave reviews from classical, world and rock circles. They’ll be performing their new project, Healing Modes, a nod to the healing properties of music. It’s a return visit to Lawrence for the talented foursome.

“Their captivating performances often include collaborations with musicians from outside the classical music sphere” said Samantha George, associate professor of music with the Lawrence Conservatory of Music. “During their last visit to Lawrence, they performed with kamancheh player Kayhan Kalhor and offered a master class to our students that focused on chamber music skills, improvisation, and extended string techniques. I am thrilled that we will have the chance to hear them play and work with them again next season.”

Portrait of Tine Thing Helseth
Tine Thing Helseth

Tine Thing Helseth, 8 p.m. Friday, Feb. 28, 2020: The Norwegian trumpet virtuoso has quickly risen in stature, her intensity and enthusiasm garnering her rock star status. She has been hailed as one of today’s foremost trumpet soloists, at ease playing Bach and Haydn but also incorporating arrangements from the likes of Puccini and the Beach Boys.

“She makes such a beautiful sound on the trumpet, and phrases so expressively that you really don’t care what she’s playing, it’s captivating,” said John Daniel, associate professor of trumpet. “I would be happy to listen to her practicing scales or long tones.”

Portrait of Greg Anderson and Elizabeth Joy Roe
Anderson & Roe Piano Duo

Anderson & Roe Piano Duo, 8 p.m. Friday, April 3, 2020: Known for their adrenalized performances, original compositions, and must-see music videos, Greg Anderson and Elizabeth Joy Roe bring high energy to the piano duo experience. The Miami Herald referred to them as “rock stars of the classical music world.” They performed at Lawrence several years ago.

“The Anderson & Roe Piano Duo always give exciting and inventive performances,” said Michael Mizrahi, associate professor of music. “We are thrilled to be welcoming them back to Lawrence.”

Portrait of Melody Moore
Melody Moore

Melody Moore, 8 p.m. Saturday, April 18, 2020: A soprano who has played some of the world’s leading stages, Moore is drawing plenty of notice. Opera News called her “a revelation.” Her resume during the past year has included performances with the Houston Grand Opera and the Los Angeles Opera, and she is set to record a solo album of American music for Pentatone Records.

“I am so thrilledto know that my friend and colleague will be visiting Lawrence to present what I know will be a phenomenal recital,” said John Holiday, assistant professor of voice in the Conservatory of Music. “I first met Melody Moore in 2015 at the Glimmerglass Festival, where she made an explosive role debut as Lady Macbeth. We met each other and have been inseparable as buddies. Not only is she the consummate artist, but she is kind, thoughtful, engaging and fiercely talented.

“The beauty in combination with the ferocity with which she sings is something that is mind-blowing to witness. Buckle up, Lawrentians, because we are in for an amazing treat.” 

Jazz Series

Side-by-side photos of Lawrence Jazz Ensemble and Symphony Orchestra.
Lawrence Jazz Ensemble and Symphony Orchestra

Lawrence University Studio Orchestra, part of Fred Sturm Jazz Celebration Weekend, 7:30 p.m. Friday, Nov. 8, 2019: A special event combining sounds of the Jazz Ensemble and Symphony Orchestra with featured performances by members of the jazz faculty. Works include music by Fred Sturm, Chuck Owen, Duke Ellington, and more. More than 100 performers will showcase music that integrates jazz, improvisation and the beautiful sonorities of the orchestra.

Portrait of Miguel Zenon
Miguel Zenon

Miguel Zenon Quartet, part of Fred Sturm Jazz Celebration Weekend, 7:30 p.m. Saturday, Nov. 9, 2019: Miguel Zenon is a multiple Grammy nominee. He’s considered one of the most groundbreaking and influential saxophonists of his generation. He also has developed a recognized voice as a composer and as a conceptualist, focused on a mix of Latin American folkloric music and jazz. A native of San Juan, he has released 11 albums under his own name while also working with a bevy of jazz innovators.

“His music honors two traditions — jazz and the traditional folkloric elements of Puerto Rico,” said Jose Encarnacion, assistant professor of music and director of jazz studies. “Every single album tells a complete, beautiful story that reflects a unique musical personality through contemporary arranging, creative imagination and improvisation.”

Portrait of Bill Frisell with Hank Roberts, Luke Bergman and Petra Haden
Bill Frisell with Hank Roberts, Luke Bergman and Petra Haden

Bill Frisell: Harmony featuring Petra Haden, Hank Roberts, and Luke Bergman, 8 p.m. Friday, Feb. 7, 2020: Frisell has carved out a prolific career as a guitarist, composer, and arranger, showing extraordinary range and depth. His work is rooted in jazz but incorporates elements of blues and other popular American music traditions. The Grammy winner has collaborated with a wide range of musicians, filmmakers, and painters through the years.

“The way he moves complex harmonic voicings and linear phrases on the guitar with seamless sophistication is unparalleled,” Encarnacion said. “I personally love everything about his music, especially his collaborations with John Zorn and the Paul Motian’s group.”

Portrait of Tigran Hamasyan
Tigran Hamasyan

Tigran Hamasyan Trio, 8 p.m. Friday, May 1, 2020: The pianist and composer is called one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. A piano virtuoso with groove power, his most recent recording was 2017’s An Ancient Observer, his eighth release as a sole leader.

“I really enjoyed listening to his original compositions and improvisations, which are beautifully influenced and fused with the rich folkloric music of Armenia,” Encarnacion said. “Tigran is definitely one of the most remarkable and distinctive jazz piano virtuosos of his generation.” 

Lawrence University named first Deep Listening Affiliate Campus

A student participating in a Deep Listening retreat at Bjorklunden during the winter sits on a bench looking out at the lake.
A retreat held at Bjorklunden in late 2018 gave participants a chance to practice Deep Listening skills in nature.

Story by Ed Berthiaume / Communications

Lawrence University made a commitment nine years ago to embrace the practice of Deep Listening, a pledge to teach skills that improve the breadth and depth of one’s listening.

Now the school has earned the honor of becoming the first Deep Listening Affiliate Campus of the Center for Deep Listening at Rensselaer Polytechnic Institute.

That’s a big deal, says Brian Pertl, dean of the Lawrence Conservatory of Music and a longtime proponent of the Deep Listening practices developed by the late American composer and musician Pauline Oliveros. He received notice of the new affiliation earlier this month.

“It’s a great honor for Lawrence,” Pertl said.

Deep Listening practices were first introduced in the conservatory, a process for students and faculty to immerse themselves more deeply in the music and movement of the arts. But it soon took root in other areas of campus life, being utilized in classrooms, at Bjorklunden retreats and in the programming offered through the Center for Spiritual and Religious Life.

“Deep Listening’s focus on attentive listening, mindfulness, creativity, and building community not only has been a positive enhancement to our world-class conservatory music training, but also allows our students who aren’t pursuing music degrees to explore immersive musical experiences,” Pertl said.

A student musician plays the violin during a concert at Lawrence.
Deep Listening at Lawrence was initially focused on music education in the Conservatory of Music but has since been expanded and embraced across the campus.

Pertl and Leila Pertl, an instructor in the Music Education Department, hold Deep Listening certifications and will be teaching a course, Deep Listening Lab, during spring term.

Leila Pertl is one of six instructors in the international Deep Listening Certification Program.

Lawrence has sent a summer intern to the Center for Deep Listening in Troy, New York, each of the past nine years, and will do so for a 10th time this summer.

For more on Deep Listening opportunities at Lawrence, click here

More photos from the Deep Listening retreat at Bjorklunden here

While much of the Deep Listening practices have been centered around music education in the conservatory, the practices have become part of other events and teachings across campus. It’s been embraced in the Office of Spiritual and Religious Life, where being fully present in the moment can be cathartic.

“The campus community has been fortunate to have Deep Listening as part of memorial services, as a way of centering in times of community distress, and as a place for rehumanizing ourselves with one another in times of disagreement,” said Linda Morgan-Clement, dean of Spiritual and Religious Life.

There is a student-led Deep Listening Club on campus that meets for weekly sessions and leads Deep Listening retreats to Bjorklunden in Door County.

Mary Simoni, dean of Humanities, Arts, and Social Sciences at Rensselaer, said in a letter to Brian Pertl that the Center for Deep Listening was launching its affiliates program to honor those institutions that have embraced the teachings of Oliveros and to forge closer communications. It’s an acknowledgement of the “commitment” Lawrence has shown to embracing Oliveros’ vision, she wrote.

For the Pertls, it’s all part of the daily teachings at Lawrence.

“A dedication to improve the breadth and depth of one’s listening is at the core of Deep Listening practice,” Brian Pertl said. “Oliveros described Deep Listening as listening to all things at all times in every way possible. Deep Listening also includes attention to movement, and also sound created in one’s mind — sound in memory, dreams, or actively imagining sound.”

Lawrence’s John Holiday finds joy in recruiting young music talent

John Holiday works with a student in his voice studio.
John Holiday works with a student at the Lawrence Conservatory of Music.

Story by Ed Berthiaume / Communications

John Holiday slips comfortably into multiple roles.

There’s John Holiday the performer, considered one of the rising young countertenors on the world opera stage.

There’s John Holiday the educator, a sought-after voice instructor at Lawrence University’s Conservatory of Music.

And then there’s John Holiday the recruiter, a man on a mission to draw some of the finest student musicians in the country to Lawrence.

He’ll be wearing all those hats this week as he joins the conservatory’s Presto! tour to Houston, but perhaps none as significantly as that of recruiter.

Houston is Holiday’s hometown. His connections there are deep, meaningful and current, and he’ll spend much of this week connecting young musicians from his beloved Texas to the university 1,200 miles away that he now calls home.

Collaborations key to Presto tour to Houston: See story here

“I have significant ties to Houston because of my family and my upbringing and my church,” said Holiday, who was born in Houston and grew up in nearby Rosenberg. “Subsequently, whenever I travel home, I always make sure that I plan to visit many of the high schools in the Houston area, chiefly the High School for the Performing and Visual Arts, which is a long-standing, well-known school for the creative arts, one of the best in the United States. They have won many, many awards at the national level.”

The Presto! tour, a six-day visit to Houston featuring two Lawrence music ensembles and seven faculty members, brings Holiday’s skills in performance, teaching and recruitment into almost ideal alignment. He’ll perform on March 21 along with the two ensembles in a public concert at the Midtown Arts and Theatre Center and spend considerable time teaching and recruiting at area high schools.

He usually makes the visits to the schools solo. This time he’ll have a team with him, spreading the word of the Conservatory of Music and selling high-achieving students on why a Lawrence education would make sense.

“What I do when I go home is I always make sure that I set up master classes and important meetings with the students, not only at HSPVA but other high schools and junior highs in the area as well, so they can become acquainted with me in terms of the opera singing and the jazz singing that I do, but also so they can become acquainted with what I know is an excellent, excellent place for them, which is the Conservatory of Music at Lawrence University.

“So, it’s really keeping with that that we came up with the idea to take Presto! to Houston.”

Texas is a state that’s rich with music talent. The 33-year-old Holiday, who has been teaching at Lawrence for nearly two years, already has three students from Texas studying in his voice studio. He makes no secret that he’d love to draw more.

“Texas is a huge, huge, huge arts state,” Holiday said. “As long as we’ve got football, there’s always going to be a phenomenal band and choir in Texas. And, because I’m from Houston, I think Houston has the best.

“But I also can say I’ve experienced wonderful singing and wonderful learning in the Dallas and Austin areas, San Antonio, too. They are all over.”









“It’s my endeavor wherever I go to find those students who I believe represent what I think is a good Lawrentian.”

John Holiday


Holiday has much to sell when it comes to student recruitment. First, of course, there is the world-class quality and social outreach of the Lawrence Conservatory. Then there is his own impressive resume, which includes winning the prestigious Marian Anderson Vocal Award and performing on some of the world’s most celebrated stages.

Consider his performance schedule in the coming weeks and months. In addition to his teaching duties and the Presto! tour, there’s a date with the Dallas Opera, a May 1 faculty recital here in Appleton, a recital at the Apollo Theater in Harlem, a run of performances in England, a recital in Beverly Hills, a tour to Shanghai, a performance at the Metropolitan Opera in New York, performances in Switzerland and then an early 2020 run of performances at the Los Angeles Opera.

That will get the attention of any aspiring musician looking for a mentor.

“Whenever I am somewhere singing a show, I am always recruiting,” Holiday said. “So, if I am in Florida, I’m finding a high school or a group where I can go in and mentor them and do a master class. If I’m in California, I’ll try to find the same thing. I’m actively recruiting because I believe in this school. I believe that we are a phenomenal institution and I believe that we should make it possible for students to get here, so it’s my endeavor wherever I go to find those students who I believe represent what I think is a good Lawrentian.

“A lot of these students have already heard of Lawrence. Then they are able to put a face with a name, with me. And then put a face with the school. Now they say, I know this person is there, so I should totally give it a look.”

More information on Lawrence Conservatory of Music here

It’s hard to put a value on that sort of outreach and energy, said Brian Pertl, dean of the conservatory.

“For us, it’s been an incredible advantage having him on the faculty because he just loves the recruiting,” he said.

Doing that recruiting in your hometown? Even better.

“I’m so looking forward to it,” Holiday said of this week’s Presto! visit to Houston. “It makes my heart soar just knowing there are Texas students coming here, because I am a Texas guy through and through.”

Ed Berthiaume is director of public information at Lawrence University. Email: ed.c.berthiaume@lawrence.edu